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Christmas Eve at Prodigal.
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Music by:
bravelygray  / Joelle Einerson

CHRISTMAS EVE at Prodigal

This is a happy pop song, reassuring someone how fabulous they are, and not to let anyone stop them enjoying Spring. 
You can play with the Spring Lions...I think they are safe!
This song is came to me unusually quickly, Spring is in the air...I breathed it in and turned it into a song!

Spring Lions

From my new album WE'RE GETTING CLOSER TO THE SUN. My intention with this song is to express a childlike faith in discovery of life beyond the material measures of time and space, to go to where angels meet astronauts, to a place where everyone is happy and wise. The lyrics were inspired by Alexander Key's FORGOTTEN DOOR novel and the C.S. Lewis space trilogy. Musically I was influenced by The Beach Boys, Moody Blues, 10cc, surf rock, and space rock. It features stunning guitar work by my old pal Mike Roe (of The 77s) on guitar. I knew he'd "get it” pretty fast. 

Song written & performed by Johnny J. Blair copyright 2024 publishing pending.

We're Getting Closer to the Sun

A Place Across The Sky

The world rings with praise only because the whole of creation is in on it! 

Praise the Lord! The sun and moon, the sea, fire and snow, speckled frogs and spotted dogs, wrens and thrushes, old men with walkers and little babies who do little more than drool and sleep. The world joins up in the praise parade not with words, but with being. The snow whirls, the fires roar, the frogs croak, the cows moo, the birds sing, the old men sigh, and the little babies burp. 

In short, we learn to praise God not by paying compliments, but by paying attention. 

Have you ever watched a forest dance in the wind? Or listened to the symphony of a thunderstorm? Or sat in the silence and sound of a church service? Or experienced the fog lifting while you’re on the back of a motorcycle on your way to the zoo?

We can praise when all is well and when all is hell because, as Frederick Buechner puts it, “What’s lost is nothing to what’s found, and all the death that ever was, set next to life, would scarcely fill a cup.”


Praise Is What We're Made For

Till We Have Faces as a Modernist Confessions - 2025 Davenant Institute Conference

This collection of reflective, quiet instrumental music is for Christian reflection and prayer.

Always The Present

This track is inspired by CS Lewis' Narnian Series. It's about a particular image that stays with me from those books- of Narnians gathering in celebration, banners waving, sun shining, wind blowing. 
It's about much more than that too...things that are hard to put into word that music communicates much better.

The Lion is Alive

Moments of calm to provide a place of stillness before God.

I am an artist, writer and musician from Hastings, UK.  I make slightly wonky acoustic folk-pop, often with unusual guitar tunings, along with instrumentals that mix acoustic and electronic textures. 

Musically my current obsession is Judee Sill.
But it always comes back to the music of my childhood- The Cocteau Twins, The Waterboys, ABBA, The Beatles, Joni Mitchell, Kate Bush.

“Johnny is a virtuoso…” –Brian Wilson
“A delightful entertainer…” earcandy.com
“Pop music with a conscience…” Goldmine magazine
“The Harry Houdini of rock’n’roll” Spotlight magazine

Entertainer, songwriter, and “Singer at Large” Johnny J. Blair is known for his brand of “pop music with a twist,” influenced by Americana, British Invasion rock, old school soul/r’n’b, psychedelia, and punk/new wave, with melodicism breathed by classical, gospel, jazz, and world music. 

As a solo acoustic act or when fronting a band, Johnny engages an audience. He was called “a white James Brown” by Brown’s legendary drummer, Clyde Stubblefield. Johnny’s current itinerary includes performing in assisted living homes for people with disabilities and dementia: “Music goes through the brain into places where math and language don’t reach. It heals, and it makes a difference.”

Since the 80s, Johnny has issued full-length recordings to a global audience— from the “new wave concept album” DOOR IN THE WATER, to the soulful masterwork FIRE, to the bare-knuckled acoustic “agitpop” of TREADMARKS, to the “Ziggy Stardust meets PET SOUNDS” of GRATEFUL to the glam-tango tinged masterwork I LIKE THE STREET (with musical support from The Badlees, Eric Biondo/Beyondo, and Mike Garson, David Bowie’s pianist).

Johnny has worked with a range of acts—most prominently with Davy Jones of The Monkees (“I learned valuable stagecraft from David”). Johnny played and worked with Jones for 20 years, and he was the touring bassist/vocalist with The Monkees 45th Anniversary Tour of the UK and USA. Other artists Johnny has played with are John Bechdel (Ministry), David Cassidy, Buddy & Julie Miller, and Al Stewart (“Year of the Cat”). 

For 2019, Johnny on the beat with fresh material and a new album in the works, WE’RE GETTING CLOSER TO THE SUN. He says, “I’ve played the Royal Albert Hall, CBGB’s, Disney, The Fillmore, Las Vegas, Mabuhay Gardens, the Tokyo Billboard, holy temples in India, desert islands, Caribbean cruise ships, churches, prisons, garages, biker bars, and picnics, but I’ll really hit it big when I play for you!”

thirty something pastor, podcast host, and fan of parables

We are a church that exists to love God and love people.

New tracks tagged #CS Lewis