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Mixe live by David Jazt, in studio (Cannes). 

Playlist :
1 - How Bad I Want Ya (Gu Peak True Time Mix) - Peven Everett, Stacy Kidd - BBE Music

2 - Make It Good (Larry Heard Vocal Remix)

3 - Watch Them Come featuring Peven Everett (Original Mix) - Peven Everett, Men From The Nile - Undaground Therapy Muzik

4 - A Man Needs A Woman (Original Mix) - Phil Weeks - Robsoul Recordings

5 - Venus (Sunshine People Remix) - Cheek - Versatile Records

6 - Night @ The Black (Phil Weeks Extended Ghetto Dub) - Harry Romero - Bambossa Recordings

7 - Tania (Extended Mix) - Harry Romero - Armada Music Albums

8 - In Da Jungle (Elliot Fitch Extended Remix) - Orlando Voorn - ARTWRK

9 - Genius Of House (Mike Ivy, Angelo Scalici Remix) - Uch - UNDR THE RADR

10 - What God Has Chosen (Original Mix) - Sam Divine, CASSIMM - DFTD

11 - Bad Boy (Original Mix) - Javi Bora, Richard Ulh - Too Many Rules 

12 - Systems Are On (Original Mix) - Gettoblaster - Too Many Rules

13 - 883136_Craze At Midnight_Spens Live CDJ1000 Mix

14 - Little Woman feat. Tristan Henry (Extended Mix) - Todd Terry, Volkoder, Tristan Henry, Meca - DFTD

15 - Truth Hurts feat. Dajae (Andre Harris Innate Soul Instrumental Mix) - Bernard Badie - Smooth Agent Records

16 - Another Day (Mijangos Latin Remix) - Cristian Vinci, Paolo Scancarello - Nite Grooves

17 - This Is America (Todd Terry & Louie Vega & Kenny Dope Remix) - Childish Gambino - Inhouse

Private Club

Private club

Ep. 242: Cannes 2024: Arnaud Desplechin on Filmlovers! and recent favorites

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 77th edition of the Cannes Film Festival opens this week, and for my 2024 series of Cannes episodes, I begin by talking with director Arnaud Desplechin about his new documentary that’s premiering at Cannes, Filmlovers! (aka Spectateurs!). Desplechin’s Kings and Queen is a 21st-century classic, and a formative viewing experience for me, so it was a pleasure chatting about how movies first seized his imagination, about interviewing movie lovers of all stripes, the Garry Marshall movie he insisted on presenting at the cinematheque just before Cannes, reflecting on tragedy through movies, and the last movie he saw (and purchased).

Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 242: Cannes 2024: Arnaud Desplechin on Filmlovers! and recent favorites

What Is This Episode - Top of Show
.
RECAPPING THE FESTIVAL OVATION LENGTH MEANINGS - 1:10
.
CANNES 2024 BEGINS:
Meryl ONLY Gets a 2 Minute Ovation, The Failure - 2:02
Furiosa Proves Why Cannes Needs MMO - 4:15
The Second Act Basically Gets Boo’d or Whatever - 9:06
Some Early Cannes Surprises: Wild Diamond; Girl w/ the Needle - 11:00
Bird Proves Why Cannes Needs MMO - 13:28
.
CANNES TRAILERS:
Megalopolis Trailer and Controversy/Guardian Article - 18:16
The Shrouds - 25:17
.
CONTENER TRAILERS (NON-CANNES):
Wicked’s 74 Minute Pre-Movie Movie Trailer - 28:00
Didi Trailer #1 - 32:00
National Anthem Trailer #1 - 34:32
Never Let Go Trailer #1 - 37:18
It Ends With Us Trailer #1 - 38:22
You’re Cordially Invited - 39:55
.
ALSOMIKE REVIEWS BACK TO BLACK - 42:02
.
GREENLIGHT NEWS:
Happy Gilmore 2 Officially a Go - 45:21
Peter Jackson Blesses a Gollum Movie - 47:05
VENU Sports is a Coming Sports Bundle - 49:14
.
.
Your Homework/LEAVE US 5 STARS! - 51:12
Words of Wisdom/What’s Coming Next - 51:46

Why Cannes Needs MMO - ORC 5/17/24

Ep. 243: Cannes 2024: Eric Hynes on Megalopolis, plus Napoleon and The Girl With the Needle

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 77th edition of the Cannes Film Festival is officially underway, and no film was more highly anticipated than Francis Ford Coppola’s Megalopolis. To get the very latest, I connected with Eric Hynes, curator of film at the Museum of the Moving Image, fresh  from a press screening of the movie, which has loomed over Cannes’ opening days this year. He shared his initial thoughts about Megalopolis, which stars Adam Driver as a would-be visionary city planner, and about another competition title, The Girl with the Needle (Magnus von Horn), and a Cannes Classics selection, Abel Gance’s Napoleon.
 
Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 243: Cannes 2024: Eric Hynes on Megalopolis, plus Napoleon and The Girl With the Needle

Ep. 244: Cannes 2024 with Alissa Wilkinson: Furiosa, On Becoming a Guinea Fowl, The Invasion, Ghost Trail, Ernest Cole 

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 77th edition of the Cannes Film Festival is officially underway, and it’s easy to miss films in the scrum of first few days. So I spoke with Alissa Wilkinson of The New York Times about, yes, Furiosa: A Mad Max Saga, but also Ghost Trail (directed by Jonathan Millet) in Critics’ Week, On Becoming a Guinea Fowl (Rungano Nyoni) in Un Certain Regard, Sergei Loznitsa’s wartime Ukraine documentary The Invasion, and Ernest Cole: Lost and Found, Raoul Peck’s look at the photographer and South African exile.
 
Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 244: Cannes 2024: Alissa Wilkinson on Furiosa, Becoming a Guinea Fowl, Ghost Trail, Loznitsa

Ep. 245: Cannes 2024: Jordan Cronk on Christmas Eve in Miller’s Point, The Damned, Eephus, Universal Language

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 77th edition of the Cannes Film Festival marches on, and I sat down with critic and programmer Jordan Cronk to hear about some recent highlights from Directors’ Fortnight and Un Certain Regard: Christmas Eve in Miller’s Point (directed by Tyler Taormina), The Damned (Roberto Minervini), Eephus (Carson Lund), and Universal Language (Matthew Rankin). I also flag Everybody Loves Touda, directed by Nabil Ayouch and co-written by Maryam Touzani (The Blue Caftan). Stay tuned for more to come!
 
Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 245: Cannes 2024: Jordan Cronk on Christmas Eve in.., The Damned, Eephus, Universal Language

Ep. 246: Cannes 2024: Bilge Ebiri on Lanthimos’s Kinds of Kindness, Schrader’s Oh Canada, Furiosa, plus Bertolucci 

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the latest episode on the 2024 Cannes Film Festival, I was happy to chat with Bilge Ebiri of New York Magazine for his inaugural Cannes appearance on the podcast. We discuss the much-anticipated new films from Yorgos Lanthimos (Kinds of Kindness), Paul Schrader (Oh Canada), and for a well-deserved encore, George Miller (Furiosa: A Mad Max Saga). Our conversation also explores a few facets of the phenomenon that is Cannes, and the enduring inspiration of Bernardo Bertolucci.
 
Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 246: Cannes 2024: Bilge Ebiri on Kinds of Kindness, Oh Canada, Furiosa, plus Bertolucci

What Is This Episode - Top of Show
.
CANNES 2024, PART 2:
Megalopolis is a Partial Pundit Parade - 1:33
Kinds of Kindness is Yorgos Being Yorgos - 6:38
Emilia Perez May Be The Big Breakout - 12:13
Oh Canada Disappoints - 16:02
Horizon Brings the Mikes to Their Breaking Point - 17:34
The Substance is a Dark Horse Palme Contender - 23:10
Rumours is for the Political Junkies - 26:50
The Apprentice is Level Headed - 28:40
The Surfer/On Becoming a Guinea Fowl - 30:58
Caught By The Tides/When The Light Breaks - 32:26
.
#UnofficialOfficialFestivalOvationOfficials + Palme Race Check In - 34:08
.
LONGLEGS TRAILER 2 REACTIONS - 40:10
.
BOX OFFICE REPORT/REVIEWS:
IF Has a Confusing Week at #1 - 44:08
AlsoMike Reviews The Strangers ’08 - 46:41
AM on I Saw the TV Glow - 49:40
.
.
Your Homework/LEAVE US 5 STARS! - 53:35
Words of Wisdom/What’s Coming Next - 54:27

Cannes Rolls On, But The Mikes Are Livid - ORC 5/21/24

Ep. 247: Cannes 2024: Jon Dieringer on The Apprentice, The Substance, Megalopolis Squared

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode on the 2024 Cannes Film Festival, I’m joined by Jon Dieringer, editor and mastermind of Screen Slate, to cope with a couple of doozies in this year’s lineup. First up is The Apprentice (directed by Ali Abbasi), also known as The Trump Movie, followed by the full-on The Substance (Coralie Fargeat). Both movies also allow an opportunity to muse upon the hot-house festival atmosphere, and Dieringer also share a few thoughts on Megalopolis (Francis Ford Coppola), which he has already seen twice.
 
Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 247: Cannes 2024: Jon Dieringer on The Apprentice, The Substance, Megalopolis Squared

Ep. 248: Cannes 2024: Mark Asch on Anora, Horizon, Julie Keeps Quiet, Armand, It Doesn’t Matter

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode on the 2024 Cannes Film Festival, I sat down with Mark Asch, critic and pod vivant, to talk about several highlights, each from a different section or showcase at Cannes. We discuss the highly acclaimed Anora (directed by Sean Baker, in Competition), Armand (Halfdan Ullmann Tøndel, from Un Certain Regard), Julie Keeps Quiet (Leonardo van Dijl, in Critics’ Week), Horizon (Kevin Costner, out of Competition), and It Doesn’t Matter (Josh Mond, in ACID). Mark also describes how he starts his day in this French coastal town.
 
Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 248: Cannes 2024: Mark Asch on Anora, Horizon, Julie Keeps Quiet, Armand, It Doesn’t Matter

Ep. 249: Cannes 2024: Jonathan Romney on Misericordia, Rumours, Being Maria, The Second Act, Parthenope

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode on the 2024 Cannes Film Festival, I chatted with critic Jonathan Romney and caught up with a number of movies in this year’s edition: Misericordia (directed by Alain Guiraudie), The Second Act (Quentin Dupieux), Being Maria (Jessica Palud), Parthenope (Paolo Sorrentino), and Rumours (Guy Maddin and Evan & Galen Johnson), plus his verdict on the inescapable Megalopolis (Francis Ford Coppola).

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rapold.substack.com

Photo by Steve Snodgrass

Ep. 249: Cannes 2024: Romney on Misericordia, Rumours, Being Maria, The Second Act, Parthenope

4  minutes ago  - 
DOWNLOAD/PDF  Citizen Cannes: The Man behind the Cannes Film Festival

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Ep. 250: Cannes 2024: Eric Hynes on Caught by the Tides, Apprendre, Cannes Classics (Brocka, Bellocchio, Insta-Wiseman)

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode from the 2024 Cannes Film Festival, I bring back Eric Hynes, curator of film at Museum of the Moving Image, to discuss two essential highlights of this year’s edition—Jia Zhangke’s Caught by the Tides and Claire Simon’s Apprendre—and restorations from Cannes Classics: Lino Brocka’s Bona, Marco Bellocchio’s Slap the Monster on Page One, and Frederick Wiseman’s Law and Order.

Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 250: Cannes 2024: Eric Hynes on Caught by the Tides, Apprendre, Brocka, Bellocchio, Wiseman

MMO is talk radio for movie fans with weekly news shows, reviews, previews, and special guests. We celebrate the Oscars by making awards season year round, without the stuffiness. If you love cinema, if you love showbiz, welcome home.

Originaire de Rennes en France, au coeur de la Bretagne, David Jazt mixe depuis 1992 et montre le Label Français U&Me Recordings vers la fin des années 90. Nombreuses résidences en club, bar de nuit, DA en bar, Webradio, Radio amateur, Festival (Jazz sous les pommiers, Transmusicales, Route du Rock), booker et organisateur de soirée, souvent influencé par les plus grands de Detroit et de Chicago, NYC, Toronto... David se fait sa propre lignée musicale depuis quelques années en se focalisant essentiellement sur un espace Techno Deep et de la Deep House Jazzy l'origine de ses inspirations... Aussi dur que Soft, ses DJSets toujours enregistrés en live sont percutants et offrent des mixes coulées à l'ancienne... Retrouve David Jazt en Podcasts sur iTunes.

Critic Nicolas Rapold talks with guests about the movies they've been watching. From home viewing to the latest from festivals and retrospectives. Named one of the 10 Best Film Podcasts by Sight & Sound magazine. Guests include critics, curators, and filmmakers.

New tracks tagged #Cannes