The 2024 World Conference on Lung Cancer brought together leading experts, researchers, and oncologists to showcase the latest advancements in lung cancer research and celebrate IASLC’s 50th anniversary. 

To reach a global audience, IASLC has recorded podcast episodes on WCLC 2024 in world languages.

In this episode, host Dr. Sally Lau moderates a discussion in Cantonese Chinese about highlights from the conference with Dr. David Lee and Dr. Molly Li.

LCC in Cantonese: WCLC24 Highlights

有心人

在动物园散步才是正经事 covered by Carrie Q

在动物园散步才是正经的事 frankie

Download 下載:
https://altartisan.bandcamp.com/album/untitled

Goodbye Forever 永不再見

Harum4d adalah agen situs Thailand berkonsep modal receh dan anti rungkad yang terpercaya, menawarkan bonus menarik setiap deposit

Nonstop Slow Rock Cantonese Proghouse Remix 2025 By HARUM4D

Harumwin membantu anda mengatur keuangan anda agar lebih tersistematis dalam hal pengeluaran dan pemasukannya.

Mixtape Mandarin and Cantonese LakHouse style dynamic Remix 2025 By HARUMWIN

YUNG MXRDE - Baise, Meurs, Recommence (ft. Lil WURST HAUS, fw.cantoo)

粵語生日快樂歌填詞 Cantonese happy birthday song new lyrics

粤语生日歌

Experimental chinese mandarin cantonese Techno, rave, synth-pop, electro
dance-pop,chinese singing,china,beijing,  electro chiptune
hands up, vocals, electro house, synthwave, eurobreak, abstrakt dubstep
electro house, hard trance

A Slice Of Silence

tech trance
chiptune
dub-step
electro house
synth-pop
chinese vocals
mandarin
cantonese
electroclash
hands up
hip hop
trance
psytrance
ambience
synthwave

xLight Of Silence

雨一路落.mp3

選擇.mp3

At the heart of 小狗懶擦鞋 lies an irreverent yet thoughtful engagement with language—its phonetics, its musicality, and its potential to both reveal and obscure meaning. Composer Jerry Fryderyk originally conceived this double choir piece using a string of Cantonese obscenities—not for their vulgarity, but for their sonic richness. To Fryderyk, the expressive contours, rhythmic punch, and tonal colour of Cantonese swear words were ripe for musical exploration. In a manner reminiscent of Ligeti’s micro-polyphony or Berio’s vocal collages, the composer was less concerned with what the words meant, and more fascinated by how they sounded—how syllables could be woven into a shimmering texture, creating a kind of linguistic counterpoint where speech becomes pure sound.

However, in preparing the work for performance, Fryderyk made a pivotal decision: to replace the original vulgar text with the phrase “小狗懶擦鞋,” a playful, innocuous sentence that translates roughly as “The puppy is lazy about wiping shoes.” The shift was prompted by reflection on the responsibilities of cross-cultural engagement—particularly when dealing with a language and community not one's own. The revised text maintains the sonic profile of the original: it still plays with Cantonese tones, plosives, and cadence. Yet now it does so with levity and respect, creating a sound world that is no less dynamic, but more ethically attuned.

Musically, 小狗懶擦鞋 is scored for two choirs that function in simultaneous but contrasting modes. Choir I declaims the phrase in full, articulating it with clarity and rhythmic drive. Choir II, by contrast, deconstructs it—fragmenting the syllables, recombining them, overlapping them in layers of apparent nonsense. In doing so, the piece taps into the slippery boundary between recognisable language and abstract vocalisation. Meaning flickers in and out of focus; words dissolve into phonemes, then re-emerge in new configurations. For listeners who understand Cantonese, these permutations may feel uncanny or humorous; for those who don’t, the text becomes a cascade of pure sound, no less musical than a series of instrumental gestures.

There is a kind of linguistic cubism at play here: a familiar phrase is viewed from multiple angles, simultaneously disassembled and reassembled. Through this method, Fryderyk invites us to reflect on the mechanics of understanding—how we process language, how we derive meaning, and how easily that meaning can be upended or subverted. The work also celebrates the musicality of Cantonese itself, a tonal language whose melodic contours are essential to its identity. By foregrounding these qualities in a choral context, 小狗懶擦鞋 asks us to hear language afresh—not just as a vehicle for meaning, but as a rich reservoir of rhythm, timbre, and tone.

Ultimately, this is a piece about sound before sense, and then—just maybe—sound instead of sense. It embraces humour, absurdity, and abstraction, yet it remains grounded in a serious artistic question: What happens when language is untethered from its semantic moorings? Fryderyk’s answer is at once playful and probing, offering a joyful noise that hints at deeper currents of linguistic and cultural reflection.

This piece received it's world premiere in London on the first of May, with the performance by the New London Chamber Choir.

The Puppy is Lazy about Wiping Shoes 《小狗懶擦鞋》 (2025)

區焯然 Eric Au 《屬祢》

區焯然 Eric Au 《人生典禮》

ZEMANDAN, a Spawn from SWEDEN. He plays everything from Tech/Psytrance to Dubstep with a cinematic dramatic glitchy vibe. He takes a break with brutal metal and goes on to play Hypnotic Ambient VaporWave spiced with Cyberpunk-Chill. 

Or as recently described as in Forbes Magazine:
-D.Dinsdale's creations blends glitch and groove, darkness and desire in a bowl of bass. Rooted in distortion, driven by bass, he fuses techno, trance, and glitch into a hypnotic world of sounds. Tracks pulse like rituals. No trends, just raw soundscapes.

PLEASE HELP ME GET 500 FOLLOWERS BY TOMORROW OR A BABY SEAL WILL BE CLUBBED BY A NORWEGIAN FISHERMAN!
NGL It's stressful to say the least. 
Your Feedback is my food. If you enjoy PLEASE hit Like, a Repost and a Follow✨🙏🤝
PLEASE NO PROMOTERS OR ANYTHING REMOTELY SIMILAR.
Thank you For Your Support!

TECH TRANCE, DUBSTEP, ELECTRO HOUSE, DEEP HOUSE, CYBERPUNK, FUSION, SYNTH POP, CHIPTUNE, ELECTROCLASH, PSYTRANCE, AMBIENT, SYNTHWAVE, DEATH METAL, METAL, FAT BASS, HYPNOTIC, CHILL, SLOW TEMPO, GROOVY, 2025✨

 ZEMANDAN

https://www.buymeacoffee.com/daniiosdikd/coffee-struggling-artist

Dr. Stephen Liu and Dr. Narjust Florez host Lung Cancer Considered, the podcast of The International Association for the Study of Lung Cancer (IASLC). IASLC is the only global organization dedicated solely to the study of lung cancer and other thoracic malignancies. Founded in 1974, the association's membership includes more than 6,500 lung cancer specialists across all disciplines in over 100 countries, forming a global network working together to conquer lung and thoracic cancers worldwide. The association also publishes the Journal of Thoracic Oncology, the primary educational and informational publication for topics relevant to the prevention, detection, diagnosis and treatment of all thoracic malignancies. Visit www.iaslc.org for more information.

Lung Cancer considered is funded in part by AstraZeneca, Daiichi Sankyo, Inc., and Takeda

Ng Kwun Ho (Jerry Fryderyk) crafts a unique fusion of sound, merging classical norms with innovative contemporary practices. His compositions often venture into complex realms of extended bitonality and intricate rhythmic structures. In his latest work, Canton · Opera-nese · Miniature, he daringly combines Eastern melodies with Western harmonies. His piece Zenbrochene Diamanten investigates the potential for depicting musical structures and metaphors through innovative orchestral notation. His string trio Hong Kong · Romanza was premiered by the distinguished Tacent(i) ensemble at the 2023 International Compositional Institute of Thailand. Additionally, he is one of the highlighted composers in the 'Sonic–Visual Interplay' project led by the Hong Kong New Music Ensemble. Beyond these notable projects, he is passionate about creating Cantonese vocal and choral music that reflects the essence of Hong Kong's culture.

He is a composer currently pursuing a Master of Music in music composition at the Royal Academy of Music with Dr Gary Carpenter.

New tracks tagged #Cantonese