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A joint project from Ferenc Ségercz, Mohamad Zatari and Lehel Vitályos, born of their tireless search for common rhythms and dialogues in traditional repertoires from different regions of the world, kicked off in a workshop in a small village in Transylvania. The three musicians use deep-rooted timbres and improvisational concepts to build coherent new, organic sound textures.

Recorded, mixed & mastered by Álmos Gáspár at Bákói Magyar Ház, Bacau, Romania.

Ferenc Ségercz, Mohamad Zatari & Lehel Vitályos | Jurjunah جرجنا

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                                         A NEW YORK TIMES BESTSELLERThis sequel to the sensational New York Times bestseller, Good Night Stories for Rebel Girls, showcases 100 brand-new bedtime stories of incredible women throughout history and around the world.In this book, readers will embark on an empowering journey through 100 new bedtime stories, featuring the adventures of extraordinary women through the ages, such as:  Agatha Christie, Writer Angela Merkel, Chancellor Audrey Hepburn, Actress Beyoncé, Singer, Songwriter, and Businesswoman


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"Whispers of the East" is a composition that blends tradition and modernity into a captivating sonic story, designed to transport you through diverse cultural landscapes and profound emotions.

The melody begins with the evocative sound of a Romanian caval, wistfully singing with authentic melancholy, accompanied by the mysterious tones of a bagpipe, all supported by rich African percussion, generated by tribal drums and tabla (an Indian pair of drums). This deep introduction sets the stage for a musical experience where the ancestral meets the contemporary.

As the piece progresses, the music becomes more introspective and contemplative, reflecting a soul filled with suffering and pain. This "dark mood" is not accidental; it speaks of inner struggles, of the pain and melancholy that sometimes weave through our lives. The instruments intertwine to create a dense, emotionally charged atmosphere that challenges you to look within yourself.

In the end, the ethereal sounds of the handpan join in, bringing a note of peace and balance. This is the culmination of the journey, the moment when all the emotions and cultural influences unite in a harmonious conclusion.

"Whispers of the East" is more than just a musical piece; it is an exploration of our cultural roots and inner states. I invite you to be carried away by this story, to feel the suffering, find the peace, and perhaps discover something new about yourself.

Thank you for being here, and I hope this journey brings you inspiration and moments of reflection. Listen to "Whispers of the East" and let yourself be enveloped by the mystery and beauty of this musical story.

Echoes And Whispers

Whispers Of The East

Mohamad Zatari (in Arabic محمد زعتري) is an Aleppian oud performer and composer, currently based in Bucharest, Romania. Born on the 13th of January 1987, Zatari has been delving into the deep essence of traditional Syrian, Iraqi, Egyptian and Turkish music.  He has completed a bachelor in classical composition at the National University in Bucharest, aiming to melt boundaries that are set between the traditional and the contemporary. 

Meeting and collaborating with musicians from different backgrounds and parts of the world, as well as being exposed to enriching atmospheres helped him in changing stereotypes and many misconceptions through music. 
Many of his compositions were used for short films, different visuals, as well as educational materials.  
In 2019, Zatari founded his own trio group with Avadhut Kasinadhuni from India and Sara Eslami from Iran. Since then, the trio has participated in several festivals such as the Outernational Virtual Festival in Vaslui county and INVSBL.

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.

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Né en 1980 en Moldavie, Adrian Receanu s'initie à clarinette et aux flûtes traditionnelles à l'école de musique de Glodeni, sa ville natale. Il poursuit ensuite ses études au college de musique «Stefan Neaga» de Chisinau. Invité en 1999 aux Rencontres Internationales de la Clarinette Populaire de Glomel, en Bretagne, il revient en France pour se perfectionner au Conservatoire de Boulogne- Billancourt et à ATLA, école des musiques actuelles à Paris. Il y étudie un répertoire classique et contemporain, tout en jouant pour des projets dites «de l'Est».
Aujourd'hui Adrian vit et travaille à Bruxelles, en Belgique.

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