sarvatmanaha manogatat richaha kendrat
richaha saranthu lokartham sarvamanava manase
diptihi samayathu bhumao

sarvatmano hridayagatat premakendrat
prema purassarathu naranamm hridayeshu
kalki atma mahatmacha bhumau punahatishtathu

yatra devasya sankalpo bhavati tasmat kendrat
parama gatirnayathu dhiyo naranam
yad rishayo vidanthi kurvanthi cha

yamtcharanthi jatir naranam
tasmadavarohatu visvaprema pranalika
ayathu rupaam apanudatu mrityum sada
kantihi prema cha saktischa
samasthapayathu bhumau pranalikam

Ati Rudra Mahayagna

The world première of Gemæltan took place on 29. September 2022 at Harpa/Elborg concert hall in Reykjavík, performed by Sæunn Thorsteinsdóttir and the Iceland Symphony Orchestra, conducted by Eva Ollikainen. Gemæltan is currently nominated for the Icelandic Music Awards 2023 - Composition of the Year (Classical/Contemporary)

Programme note by Andri Snær Magnason: "We are living the most rapid change of Earth’s forces that a single generation has experienced. Glaciers, that before moved at geological speed of centuries and millennia, are now vanishing in a lifetime of a single human being. Nature has left geological speed and moves at human speed. [...]"

More about Gemæltan: https://www.universaledition.com/gemaeltan-vaka-veronique-ues100341-000

Gemæltan, 2020(excerpt)

Info: https://www.christoshatzis.com/music/19

Confessional(excerpt)

HELLO ELL ELLO, CELL CELL CELLOOOOO!!! :D

CELLIN'

A LITTLE CELLO MUSIK!!!

Fort Worth Symphony Orchestra's Principal Cello Allan Steele has been playing cello since the age of four, but this weekend will be his first time to play Schumann's Cello Concerto. In this feature with WRR's Amy Bishop, he talks about his favorite part of the work, and the enduring popularity of the other piece on the program, Berlioz's Symphonie fantastique.

WRR101 Focus on the Arts: FW Symphony's Principal Cello brings a Schumann favorite to Bass Hall

Angelique Poteat Cello Concerto (2019)
Recording from November 15, 2019 performance by Efe Baltacıgil, cello, with the Seattle Symphony Orchestra and James Feddeck conducting at Benaroya Hall.
Provided courtesy of Seattle Symphony/Benaroya Hall

Poteat Cello Concerto Excerpts

"Concerto for Violoncello & Ten Instruments" is a brilliant 3-movement showpiece for cello virtuoso and chamber orchestra.

Mvt. I (from "Concerto for Violoncello") - Bruce Broughton

Mvt. II (from "Concerto for Violoncello") - Bruce Broughton

Mvt. III (from "Concerto for Violoncello") - Bruce Broughton

Cello Concerto "ZJAWY" ("PHANTOMS")
I. Misterioso
II. Notturo nero
III. Con fouco

Tomasz Skweres - cello
Szymon Bywalec - conductor
Orkiestra Muzyki Nowej

Mateusz Ryczek - Cello concerto ZJAWY

With two recent Juno awards and a SOCAN Award to his credit and a slew of recent commissions by internationally recognized touring artists such as violinist Hilary Hahn, percussionist Dame Evelyn Glennie, soprano Suzie Leblanc, flutist Susan Hoeppner, the Pacifica Quartet and Tafelmusik Baroque Orchestra among others, as well as pop celebrities, such as George Dalaras, Sarah Slean and Steven Page,  Christos Hatzis is widely recognized as “one of the most important composers writing today” (CBC) and "a contemporary Canadian master" (New Yorker.) An unusually large number of performances and CD recordings of his music for Naxos, EMI, Analekta, Sony, CBC and other major and independent labels as well wide internet distribution of his audio playlist (over 1,700,000 hits since 2008) have garnered a loyal international following for his music. Recent and current work includes the premiere and US and European tour of Coming To and Dystopia by violinist Hilary Hahn, Lamento, a song cycle for pop singer Sarah Slean and Symphony Nova Scotia in April, Departures, Hatzis' second flute concerto, which premiered in August 2011 by Susan Hoeppner and the Kyoto Symphony and in September by Patrick Gallois and the Thessaloniki State Orchestra and will be recorded for upcoming CD releases in 2012. Recent and upcoming orchestral tours include Hatzis' Telluric Dances with the Thessaloniki State Orchestra, which culminated in a concert at the Herod Atticus open amphitheatre at the foothill of the Acropolis in Athens last June; Mirage? with Dame Evelyn Glennie and the Berlin Chamber Orchestra in October and Pyrrichean Dances, with the Wiener Concert Verein in November. Hatzis’ music is influenced by early Christian spirituality, Pythagorean and Hermetic ideas, his own Byzantine music heritage, world cultures and religions, and various classical, jazz and pop music idioms from the past and present. He is a believer in borderless culture and the uninhibited flow of cultural information. A professor of composition at the University of Toronto, Hatzis writes extensively on these and other related subjects. His writings, audio playlists and other information about the composer are available at www.hatzis.com

Veronique Vaka, born in 1986, is a composer based in Iceland. She studied classical cello performance at Vincent-d’Indy, continued her studies in electro acoustic composition at the University of Montreal and completed a Master's degree in music composition from the Iceland University of the Arts. Her orchestral work Lendh has been nominated for The Icelandic Music Awards 2020 - Composition of the year, and for the Nordic Council Music Prize 2020.

"Lendh, an extraordinary canvas with an umbilical connection to the landscape of the place. […] emerging into a luminous, subtle, carefully formed and exquisitely detailed piece that floats as one ever-transforming entity, pulsating with micro-pressures and glistening details, unfolding organically with spectral-level colour-matching. Pedal notes on lur-like brass are pulled gently and microtonally out of line - the world seen at its most precarious and extreme. Lendh is a marvel.” -Gramophone Editor’s Choice

Veronique Vaka works have been performed by: The Iceland Symphony Orchestra, Sinfóníuhljómsveit Áhugamanna's Orchestra, Ensemble Paramirabo, Duo Harpverk, Ensemble Synaesthesis, Ensemble Adapter, Elektra Ensemble, Caput Ensemble, The Reykjavík Chamber Orchestra, Feima, Siggi String Quartet, Ensemble Dasein, Nordic Affect, Opus XX Orchestra, Feima, Sarah Parkin -soprano, Michael Taylor -countertenor, Una Sveinbjarnardóttir, Sæunn Thorsteinsdóttir, Þórunn Ósk Marinósdóttir and Halla Steinunn Stefánsdóttir. Veronique Vaka composed a Violin Concerto, Sceadu (2019), a Cello Concerto, Gemæltan (2020) and a Viola Concerto, Vanescere (2021). Her works have been performed during Tertulia Chamber Music (2023), Chamber Music Festival on Valentia Island (2022), Myrkir Músíkdagar/ Dark Music Days (2018-19-20-22), Tónlistarhátíð Rásar 1 (2020), Kammermúsíkklúbburinn (2020), and Sumartónleikar í Skálholti (2018). 

Among upcoming projects are INMOST, an orchestral work written for the Finnish conductor Eva Ollikainen, and NEIGE ÉTERNELLE, a series of five pieces for solo violoncello written for Sæunn Thorsteinsdóttir.

Biography 
I studied piano from 5 years old. Composition from 15 years old. 
I studeid under prof.miyoshi keiji,the professor of hiroshima university and tokunaga 
takashi,same. 
I won prizes such as 24th tiaa composition competition minister prize,4th youg composer`s 
composition competition that was held by hisaishi jo finalist,3rd k composition competition 3rd 
prize.  
I `m a member of contemporary music society. 
I  love hindu mysticsim and philosophy. And I wrote many work under such line of esteric 
philosophy. 
I have a passion to express my philosophy and emotion. 
Thanks for participating to roma prize!!

https://www.tiktok.com/@johnalonzomaestro

Content Creator.  Composer. Music Lover. 

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https://www.youtube.com/channel/UCV6ZcpP2QWdIRrCzjM5QPWw

New tracks tagged #Cello Concerto