The earliest recorded performances of drama, dance, and opera in Charleston occurred during the late winter of 1735, when a group of thespians advertised a brief series of ticketed events at a familiar venue. Their stage was a multipurpose room within a tavern at the northeast corner of Broad and Church Streets, which South Carolina’s provincial government rented periodically for judicial proceedings. These “Court Room” events were not the first dramatic productions in the colony, but they formed an innovative prelude to the creation of Charleston’s first purpose-built theater.

Episode 284: Drama at the Court Room in 1735: Charleston’s First Theater

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❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves with a television signal. Live internet streaming takes a form of source media (e.g. a video camera, an audio tracks interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Arnhem.

Some jurisdictions require fixing copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered territorial rights.

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Every successful thief (and screenwriter) knows that a daring robbery requires a powerful and well-coordinated distraction. That criminal axiom was evident in Charleston during the spring of 1731, when a gang of house-breakers allegedly planned to blow up the town’s brick magazine used for the storage of gunpowder. Authorities foiled the plot by arresting and executing the villains, but the inherently dangerous magazine in modern Cumberland Street persisted. Although citizens campaigned to move the powder elsewhere, a suite of issues delayed the completion of a more remote magazine until 1746.

Episode 285: The Charleston Gunpowder Plot of 1731, Part 1

During their year-long incarceration, the criminal trio accused of plotting to blow up Charleston’s powder magazine had ample time to argue among themselves and plan their escape from the insecure jail. Only two of the villains survived to face the king’s law in the spring of 1732, prompting suspicion of foul play at the prison. In the dramatic conclusion of this explosive story, we’ll learn who escaped the gallows and why the government’s efforts to close the dangerous magazine dragged on to the summer of 1746.

Episode 286: The Charleston Gunpowder Plot of 1731, Part 2

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Shortly after the creation of the nation’s first municipal orphanage in 1790, the citizens of Charleston contributed generously to the construction of a large and well-documented edifice on Boundary (now Calhoun) Street that housed thousands of children between 1794 and 1951. The location of the institution’s initial home, visited by President George Washington in May 1791, is far less remembered, however. A search for clues to the location of Charleston’s first Orphan House leads to a forgotten Pinckney family property in the heart of Colleton Square.

Episode 288: Charleston's Forgotten First Orphan House, 1790–94

From the dawn of the Carolina Colony to the early twentieth century, residents of rural Charleston County enjoyed no police protection beyond their own vigilance. Ancient customs, imported from England and transformed by the institution of slavery, obliged free men to patrol their own neighborhoods on horseback, apprehend lawbreakers, and deliver them to justice. A paid rural police force gradually emerged in the early 1900s, fostered by the proliferation of automobiles, and eventually led to the creation of the modern Sheriff’s Department in 1991.

Episode 289: Policing Rural Charleston, from Colonial Posse to County Sheriff

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Just beyond the boundaries of urban Charleston, a hundred-acre pasture straddling modern Meeting Street hosted a variety of public events during the second half of the eighteenth century. Crowds flocked to Newmarket, as the site was called, to toll their livestock, to watch racehorses traverse a one-mile oval, to witness the auction of large gangs of enslaved people, and to see Native American visitors camping beyond the pale of South Carolina’s colonial capital. In this episode of the Charleston Time Machine, we’ll explore the tangled history of one of the community’s earliest and least-remembered suburbs.

Episode 290: Charleston’s Suburban Racecourse and Slave Auction Site

Line Street isn’t the most glamorous thoroughfare in the City of Charleston, but it recalls a significant episode in the community’s history. During the darkest days of the War of 1812 with Britain, thousands of men and women—both enslaved and free—rushed to construct a zigzag line of fortifications across the peninsula between the rivers Ashley and Cooper to protect the city against the threat of hostile invasion. The peace of 1815 rendered their work superfluous, but the erasure of the “lines” after the Demark Vesey Affair of 1822 left a permanent record of the war on the urban landscape.

Episode 291: Line Street: Vestige of the War of 1812

An affluent Cuban merchant and his young pregnant wife set sail from Havana in May 1734 on a peaceful voyage to Hispaniola aboard their private schooner, but a piratical mutiny at sea claimed many lives and set the vessel adrift. Aided by a passing Bahamian mariner, the Nuestra Señora de la Concepçion came to Charleston in distress and gained protection from local authorities. Interviews with the survivors sparked a formal trial that imposed British law on foreign visitors and delivered resolution to a grieving Hispanic widow and her newborn daughter.

Episode 292: Mutiny and Murder aboard Nuestra Señora de la Concepçion, Part 1

The terrified survivors of a murderous mutiny aboard the Cuban schooner Nuestra Señora sailed from the Bahamas under the command of a hired English pilot in mid-June 1734. They sought to return to Havana with no questions asked, but the crew’s curious behavior alerted the new captain to mortal danger ahead. A secret pact forged in desperation spawned a violent counter-mutiny that spilled more blood and further depleted the crew, forcing the weakened schooner to make an emergency detour to the British port of Charles Town (now Charleston), South Carolina.

Episode 293: Mutiny and Murder aboard Nuestra Señora de la Concepçion, Part 2

The young Cuban widow, Doña Petrona de Castro, suffered in the shadows during the first half of this story, but moved to center stage after the bloodied vessel Nuestra Señora docked in Charleston. When her disheveled treasure came ashore in late June 1734, the pregnant lady’s plight attracted the personal attention of South Carolina’s respected royal governor. Under his personal supervision, members of the provincial government secured the señora’s private property and initiated steps designed to render solace to their distressed Hispanic guest.

Episode 294: Mutiny and Murder aboard Nuestra Señora de la Concepçion, Part 3

The trial of Hispanic carpenter Joseph Lortia, accused of confederating with pirates aboard the Cuban schooner Nuestra Señora, unfolded through a series of episodes within South Carolina’s executive Council Chamber in July 1734. Conflicting testimony from the survivors recounted Lortia’s odd behavior at sea and challenged Anglo-American judges to determine the measure of his guilt. After settling the carpenter’s fate in court, Governor Robert Johnson restored the vessel’s remaining treasure to the widowed Doña Petrona de Castro, who sailed from Charleston with her newborn child.

Episode 295: Mutiny and Murder aboard Nuestra Señora de la Concepçion, Part 4

Dr. Nic Butler, historian at the Charleston County Public Library, explores the less familiar corners of local history with stories that invite audiences to reflect on the enduring presence of the past in the Lowcountry of South Carolina.

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