Coldplay - Fix You
By Niskens
--------------
PAROLES - LETRAS - LYRICS :

When you try your best, but you don't succeed
When you get what you want but not what you need
When you feel so tired, but you can't sleep
Stuck in reverse
And the tears come streaming down your face
When you lose something, you can't replace
When you love someone, but it goes to waste
Could it be worse?

Lights will guide 
you home
And ignite 
your bones
And I will try to fix you

And high up above or down below
When you're too in love to let it goooooo
But if you never try, you'll never know
Just what you're worth

Lights will guide 
You home
And ignite
your bones
And I will try…. to fix you…

Instrumental 

Tears stream 
down your face
When you lose something you cannot replace
Tears stream 
down your face and Iiiiiiiiiiiiiiiiiiiiiii

Tears stream 
down your face
I promise you I will learn from my mistakes

Tears stream 
down your face and Iiiiiiiiiiiiiiiiiiiiiiiiiii


Lights will guiiiiiide you home
And igniiiiiite your bones
And i will tryyyyyy….. to fix you

Compositor : Chris Martin, Guy Berryman, Jonny Buckland, Will Champion 
Licence : Parlophone

Coldplay - Fix You, By Niskens

Kabaka Pyramid - Dub
Kabaka Pyramid & Buju Banton - Fade Away
Gregory Isaacs feat. Alborosie - Dreadlocks Bridge 
King Kong - The Herb
Romain Virgo ft. Masicka - Been There Before
Christopher Martin feat. Bounty Killer & Busy Signal - It's Guaranteed RMX
Bugle, Julian Marley & Bounty Killer - Time Is of Essence
Morgan Heritage, Jahshii, Rytikal & I-Octane - Headline Fi Front Page
Eesah, Capleton & Lutan Fyah - The Beginning of Time
Jah Izrehl - Money Needed
Jahzi Lee - Far Away
Chuck Fenda - One Burner
Konshens - Money & Gyal
Shenseea - Neva Neva
Yeza & Rorystonelove - Star of the East
Lila Iké - Good & Great
Busy Signal - Gimmi Yo Love
Busy Signal & Collie Buddz - A Thousand Times
Christopher Martin - Only One
Gentleman - Over The Hills
Delly Ranx - Never Gonna Break Me Down
Wayne Wonder - Too Much Lulaa Lay
Busy Signal - Rose Petal
Iba Mahr - General
Zamunda - Chill Pill
Bugle & Spragga Benz - We Know Who They Are
MediSun - Passport Stamp
Ginjah - Tun Up 
Carly Jacobs - Nobody but You 
Lutan Fyah - Soulmate
Lutan Fyah - Special Place
Dexta Daps - Blessings
Inna Vision feat. Gappy Ranks - Idgaf
Buju Banton - Nuff Love For You
Ce'Cile & Christopher Martin - No Expectations
Morgan Heritage & Bulby York - Solid Woman
Stephen Marley & Buju Banton - Thanks We Get (Do Fi Dem)
F.Y.A.H. feat Steel Pulse - Freedom Fighter
Damian "Jr. Gong" Marley - My Sweet Lord
Dahvid Slur & J Written - Joy
Mystic Marley, Nailah Blackman & Walshy Fire - Jump
Dahvid Slur & Jo Mersa Marley - Cyah Kill Rasta

Smoking Tuna Sound  - in the moonlight - Part 2 - Reggae Mix 2024

Hoy se cumplen 24 años del lanzamiento del sencillo Yellow de la banda británica Coldplay.

24 años del lanzamiento de Yellow

Sparks - Coldplay (cover)

GWAAN PLAY THE SWEET REGGAE MUSIC - ADONAI MOVEMENTZ 
PLEASE LIKE, SHARE & COMMENT!!
DON’T FORGET TO SUBSCRIBE TO GET THE LATEST UPDATES

All Featured Content Is Monetized By The Respective Copyright Owners & Records Labels.
All Mixtapes Is For Promotional Use Only.

GWAAN PLAY THE SWEET REGGAE MUSIC - DJ TYGAH JUNE 2014

Coldplay - Yellow 
(Live in Sydney)
By Niskens
------------------
PAROLES - LYRICS - LETRAS :

Look at the stars
Look how they shine for you
And everything you do
Yeah, they were all yellow


I came along
I wrote a song for you
And all the things you do
And it was called Yellow


So then I took my turn
Oh, what a thing to have done
And it was all yellow


your skin, oh yeah, your skin and bones
(Ooh) turn into something beautiful
(Aah) and you know, you know I love you so
You know I love you so


I swam across
I jumped across for you
Oh, what a thing to do
'Cause you were all yellow


I drew a line
I drew a line for you
Oh, what a thing to do
And it was all yellow


and your skin, oh yeah, your skin and bones
(Ooh) turn into something beautiful
(Aah) and you know, for you, I'd bleed myself dry
For you, I'd bleed myself dry


It's true
Look how they shine for you
Look how they shine for you
Look how they shine for-
Look how they shine for you
Look how they shine for you
Look how they shine


Look at the stars
Look how they shine for you
And all the things that you do

Paroliers : Christopher Anthony John Martin / Guy Rupert Berryman / William Champion / Jonathan Mark Buckland
Paroles de Yellow © Universal Music Publishing Mgb Ltd.

Coldplay - Yellow (Live in Sydney), #Niskens

Six-time GRAMMY® winner and 15-time GRAMMY® nominee, Jacob Collier has dropped the final chapter of his groundbreaking four-part album series, Djesse Vol. 4. The album has received three GRAMMY® Nominations. Read the full article at BLRBMag.com.

Jacob Collier's DJESSE VOL. 4 - A BLRBMag Review

Versión a piano de la canción Viva la vida de Coldplay.

Viva la vida - Coldplay | Piano Cover - Pau Tous

Due to obvious legal reasons I can't upload the complete version with the Chris Martin vocal. Will be working with a new vocalist in 2025 and release this as I did build the track from the ground up myself.

Avicii Heaven, Dragi edit half vocal

MAMA REMIX

Sparks (Live at Empower Field at Mile High)

This band will be always remembered by catching two cheating rich people

ColdPlay - Yellow - ( True Mix )

WET RUSH LIVE AUDIO DJ LOLLIPOP LIVE

Mashup combining Chris Martin’s vocals from “Feels Like I’m Falling In Love” with the instrumental and ambience of *The Weeknd’s “Save Your Tears.”

A blend of warmth and emotion from Coldplay with The Weeknd’s signature energy.

Created and edited by Kassian Moon.

🎧 For creative and promotional purposes only.

#Coldplay #TheWeeknd #Mashup #KassianMoon

Unofficial mashup – for creative purposes only.
Vocals from Coldplay – “Feels Like I’m Falling in Love”
Music from The Weeknd – “Save Your Tears”
All rights belong to the original artists.

The Weeknd “Save Your Tears” x Coldplay “Feels Like I’m Falling In Love” (Kassian Moon Mashup)

Let me share my journey with you. I started DJing at 16, playing school events in Sydney alongside my mate David. By the time I was 19, I had broken into the Sydney club scene, finally stepping into the career I had always dreamed of. From the very beginning, I was passionate about playing uplifting music—there's nothing worse than being in a club with a DJ who doesn't know how to get the crowd moving.

Over time, I made my way into the heart of Sydney’s nightlife. The 90s were the golden era for DJs—the energy was electric, the music was explosive, and the vibe was unforgettable. I had the privilege of being trained by some of the best and working with top talent in the city. That’s where I truly found my groove.

Honestly, I wish the magic of 90s music had never faded, but times changed. In the early 2000s, I hung up my headphones and turned to producing club tracks, especially since so many artists weren’t releasing proper club mixes. Still, I never stopped DJing—I just evolved and moved into a new realm.

Sou Violonista/Guitarrista, cantor e compositor. Aqui é o meu espaço para vocês conhecerem meu trabalho.
I'm a guitarist, singer and songwriter. Here is my space for you to know my work.

🇬🇧Music has always been my way to feel and to express, even when that creative side remained silent for years. In May 2025, I finally stepped into DJing — finding in mixing the closest way to turn emotions into sound.

My sets move across genres — from afro house, organic and deep, to tech house and psy trance — but my true identity lives in melodic house and techno house. These styles let me explore darkness, nostalgia, and energy, always driven by melodies that move and vocals that stay with you.

For me, DJing is not just playing tracks, it’s about crafting a journey. A space where passion, sensitivity, and originality intertwine. Every mix is a glimpse into my inner world, shared with the hope that it resonates, sparks emotion, and leaves a lasting memory.

🇪🇸 La música siempre ha sido mi forma de sentir y expresarme, incluso cuando ese lado creativo permaneció en silencio durante años. En mayo de 2025 decidí dar el paso y adentrarme en el DJing, encontrando en la mezcla la manera más cercana de transformar emociones en sonido.

Mis sesiones viajan por distintos géneros —del afro house y organic al deep, tech house o incluso psy trance—, pero mi verdadera identidad se encuentra en el melodic house y el techno house. Son estilos que me permiten explorar la oscuridad, la nostalgia y la energía, siempre guiados por melodías que emocionan y vocales que dejan huella.

Para mí, ser DJ no es simplemente poner canciones, sino crear un viaje sonoro: un espacio donde la pasión, la sensibilidad y la originalidad se entrelazan. Cada mezcla es una ventana a mi mundo interior, compartida con la esperanza de que resuene, despierte emociones y deje un recuerdo imborrable.

IG: @kassianmoon

Born in Serbia but living my whole life in the Netherlands in the city Breda, a place that breaths electronic music since the mid 80's of last century. With guys like Tiesto, Hardwell and Rehab all coming from this same place, to which I always looked up to. They inspired me on the creative process of making my own electronic music.

(my channel is not monetized)...
LIKE / SHARE / FOLLOW
Find me also on the channels below:
. YOUTUBE :  
https://www.youtube.com/channel/UCjD9L95ugeIZfWgdVwaJeXg
. AUDIOMACK :
https://audiomack.com/artist/niskens
. HEARTHIS :
https://hearthis.at/niskens/#tracks
. INSTAGRAM :
https://www.instagram.com/niskens1866/
. AMAZON MUSIC :
https://amazon.fr/music/player/albums/B0F3KJQSHC?marketplaceId=A13V1IB3VIYZZH&musicTerritory=FR&ref=dm_sh_RvLI2xmhk03K56Qve8vR6kYAH&trackAsin=B0F3L2Q7DS
. APPLE MUSIC :
https://music.apple.com/fr/album/faux-h%C3%A9ros-single/1806395312
. SPOTIFY :
https://open.spotify.com/intl-fr/track/29LuldMVQrKU6BH5DDY3Bn?si=4b1d557bc88a4603
. YOU TUBE :
https://www.youtube.com/watch?v=md03qsKn4LA&list=OLAK5uy_lPBIvIArQQJBaeyDzesufLUr2HGuOz0nc&index=2


--------
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Peace & Love for All
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Smoking Tuna Sound International sind seit Mitte der 90er die Avantgarde des Dancehall-Reggae im Nordosten, ein Sound System, das sich seine Vergleichswerte überregional sucht und den hohen Eigenwert auf landesweiten Touren, oft begleitet durch jamaikanische / englische Künstlern oder Soundsystems und eindrucksvollen Stippvisiten zu behaupten weiß. Und schließlich das International nicht ohne Grund in den Namen gefügt hat, u.a. 4 Wochen auf Russland Tour, Auftritte in Belgien, Holland, Polen, Tschechien oder Ungarn zeigten bereits die positive Resonanz und den einfordernden Vibe der Smoking Tuna-Crew. Der sich da vor allem aus einer geschmeidig gemixten Selection von frischesten Dancehall-Tunes speist, stetig aktualisiert mit Stilbewußtsein und Offenheit von Bashment-Brachialität bis Rootsbekenntnis, von Hip Hop-Nähe bis Soca-anklang, je nach Anlass, Crowd und Laune quer durch die genreinteren Spektren, wirksames Reggae-Historienwissen inklusive. All dies gefühlvoll ineinander geschichtet durch Henryk an den Turntables, jener eskortiert durch Mr.Arnold in der Operator-Rolle- Effekte und Drop-Ins spendend- und Stephan aka Steppa Ranks als Master of Ceremony, geläufiger: MC, Kommentare und die üblichen partytechnischen Imperativ-Slogans einspeisend. Ein eingespieltes Team, das die erworbenen Skills leger ausspielt, als Joker natürlich immer noch ein paar heiße Specials im Koffer (von Alton Ellis bis T.O.K.), Soundclash-fähig, partyerfahren, selbstbewußt. Vor allem: sich der Werte einer guten Dancehall Reggae Party bewußt. Dafür wird gehandelt- lokal wie global. International Soundboys outta Rostock. Prepare fi dance!

-

Smoking Tuna actually started in early1996 by Henryk a.k.a. “Henry Morgan” and “Mr.” Arnold who after playing and promoting hip hop for quite some years discovered the magic of reggae and dancehall and began playing reggae at several events in the Rostock area. They quickly fell in love with reggae entirely and decided to build up the first reggae sound system in the northern section of East Germany. In this time reggae was something totally new to the audiences in the eastern part of Germany, so there was a mission to be fulfilled by the young sound, who struggled for acceptance in the local entertainment scene.

In summer 1996 they linked up with Stephan “Steppa Ranks” Kersten who just returned from a one year stay in Kingston, Jamaica. Due to his knowledge of the Jamaican patois they figured he could complete the sound, taking the role of the micman.

Rather a quiet person and not really equipped with the qualities of a big time entertainer he decided to give it a try and joined the sound, paying tribute to the mentioned mission of promoting dancehall music in its original manner. This proved to be the right thing to do as he managed to improve his skills on the microphone in the process of time, adding the essential spice to the soundsystems performance.

Now that the sound was complete SMOKING TUNA was ready to take off. They played various events in Rostock, supported well known hip hop and ska acts, invited other German and European sound systems and live acts and grew in popularity quickly. In August 1997 they promoted a weekend long reggae festival called Reggae Summer Vibration with a number of acts, such as Direct Impact Sound from London/UK. By then they also cut their first dub plate special with popular English artist Sandeeno, with whom they also toured Germany in 1999.

In late 1997 forces were joined with the local drum’n bass movement and the Bass Delight’s Club, held on a monthly basis and promoted by Smoking Tuna and the local jungle DJs Robin Masters and Kaidar, became the most popular non-mainstream event in the local entertainment scene. By this time Smoking Tuna had become a household name in the local scene and a first goal was finally achieved – dancehallreggae had become an accepted and appreciated music form in our area.

In 1998 Smoking Tuna moved into high gear, playing various venues in Germany and becoming a highly ranked sound especially in the eastern part of the country. Their mixtape releases saw an astonishing impact on the scene and even made them more appreciated by the reggae massive all over.

In summer 1998 Smoking Tuna was invited to represent the German Reggae scene and join the celebrities at Stockholm/Sweden – European cultural capital for 1998, where they played alongside Sweden-based sounds like Swing-a-ling Movement, Three The Hard Way and Topaz. In October `98 the crew travelled to England to check out the local scene, where they also took the chance to record some more dubplates.

On the local scene they continued to provide the audiences with top level performances, even inspiring new local sounds such as the Irie Vibes Crew to come into existence. In November the crew went into the first sound clash, against Hammerheart Sound System, to be witnessed in East Germany (outside Berlin).

1999 started as `98 had ended. The sound continued to increase their popularity due to constant presence on the scene. In March 99 Smoking Tuna supported German mainstream hip-hop acts Fettes Brot and Eins Zwo.

In April they toured several venues featuring English live entertainers Sandeeno and Jah-Ni as well as Tarantula Spiderman a.k.a. Shocka Black from Jamaica. In May it was the East London Cup Holders “King Original” featuring legend singer Nerious Joseph alongside Roots Commandment (Hamburg) and Smoking Tuna, who marked another highlight in the local reggae runnings.

Summer was very active for them too as Smoking Tuna had the pleasure to play three gigs with Jamaican top rank Caveman Sound plus artists like Steady Ranks, Danny Dread and Charly P. The Dancehall Refreshment `99 mixtape sold like hot bread and some more cities like Hamburg and Leipzig were played featuring the female rapper Pyranja and alongside Hammerheart and Roots Commandment Sounds (Hamburg) and Far East Sound System feat. Mighty Tolga in Leipzig.

Autumn was Birthday time. In late October Bass Delight Club celebrated the 2nd anniversary and once again the massive was impressed by performances by their favoured sound Smoking Tuna as well as Soundsistaz and Supersonic Sound from Berlin. November saw the delayed 3rd birthday bash of the sound featuring Italy’s No.1 sound One Love Hi Pawa and Kanga Roots Sound System from Hamburg.

The close of the millennium was marked by the “Ring The Alarm Tour `99” which featured cities such as Dresden and Prague (Czech Republic).

On the edge of the new millennium the sound had the chance to continue their mission of “conquering” the east with a first-time gig in the city of Sczecin, Poland, which has a long tradition in its roots and dub runnings from as early as the beginning of the 70’s. Smoking Tuna had the crowd in a frenzy from the very first tune to the very last, nicing up the place with their latest dancehall and soca tunes as well as custom-built dubplates. They also met the boss of the Poland-based popular tape-label called “Rock’n Roller”, who immediately decided to distribute the sounds mixtapes in Poland (by the way – cassettes are still the most popular means of audio-material in this country).

The summer saw the birth of a new series of monthly dancehall shows in the sounds hometown, which became an instant favourite among the local bashment crews. The first staging of the show labelled “Riddim Shuffle” featured hip-hop combo Underdog Cru and Black Kappa from Montego Bay (Jamaica), who now lives in Berlin/Germany and definitely deserves the title of the rising star on the German dancehall horizon, whether as a performer or on his reformed MoBay sound “Killa Force”.

The following “Riddim Shuffle” shows featured artists and sounds such as Vido, Tolga, Supersonic Sound, Junior Vibes, Stereotone and the first appearances of a next upcoming sound system from the area – the Los Cassettos Crew.

In August it was all about the East once again, when Smoking Tuna played two shows at the Pepsi-Sziget Festival in Budapest (Hungary), which is one of the biggest festivals on the continent with over 300.000 people attending every year. Smoking Tuna and “partners-in crime” Al-Haca Sound from Greifswald gave the international audience at the “African Stage” a real hype and so did various reggae-bands from all over Europe and the African continent.

The trips “a foreign” were followed by a series of appearances at open-air-festivals, hip-hop-jams and dances all over Germany, crossing from Hamburg to Dresden via Goettingen and back to Rostock. Smoking Tuna was also invited to play at the official final show of the 2000 “Hemp Parade” in Berlin and a few months later they joined the “Berlin Sound System Meeting” at the same location.

The sales of the sounds much requested mixtapes were (and are) still on the increase, being distributed through various record-stores and mail orders. Even more dubplates were recorded and the sound again proved its constant talent in “refixing” popular R’n’B and Hip-Hop-Tunes for the dancehall fraternity.

Since October 2000 the sound is also present on the airwaves, hosting a monthly reggae- and dancehall show on the local radio. In the near future the sound will further their spectrum again with the release of their own dancehall-productions, definitely worth the wait.

Keep your eyes and ears open, for the full has not yet been told.
Thanks to all the supporters, promoters, artists and media for the continuing support.

Respect every time

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Music has always been part of me, now I am taking the time to be a part of the music. The way I choose to do so is providing it, sharing the energy, spreading the love, joy and happiness through the music. All this describes who I am and what I represent, as in the end, I am not just a DJ I am an entertainer. One Love.

Dj Tygah, Top 40, Hip Hop, Rap, Trap, Reggae & Dancehall
Professional DJ/Producer & Promoter from Costa Rica
Official DJ of Adonai Movementz ®

OPEN FORMAT - EVERYTHING WITH BASS!!!!!!
Bookings: djtygah506@gmail.com

Follow me at:
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Facebook: facebook.com/djtygah506
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Twitter: twitter.com/djtygah
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Bookings: djtygah506@gmail.com
Bare Vybz Entertainment @barevybzent506
Based out in Jaco Beach Puntarenas, Costa Rica

New tracks tagged #ChrisMartin