"The Zone Of Interest" had its world premiere at the 2023 Cannes Film Festival, where it won the Grand Prix and FIPRESCI Prizes, receiving some of the best reviews of the year, with many proclaiming it to be the best film of 2023. Stars Christian Friedel and Sandra Hüller were kind enough to spend some time talking with us about their experience working with filmmaker Jonathan Glazer on such a unique Holocaust film. Then cinematographer Łukasz Żal and supervising sound designer Johnnie Burn spoke with Dan Bayer about their contributions to the film's haunting visuals and sound, creating a haunting, memorable experience. Please be sure to check out the film, which is currently playing in theaters from A24 and is the entry for the British entry for Best International Feature Film at the 96th Academy Awards. The film is also up for your consideration in all eligible categories, including Best Picture, Best Director, Best Cinematography, and Best Sound. Thank you, and enjoy!

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A Behind The Scenes Look At "The Zone Of Interest"

For this week's second podcast review, I am joined by Josh Parham, Dan Bayer & Tom O'Brien. Today, we are reviewing the newest film from director Jonathan Glazer, "The Zone Of Interest," starring Christian Friedel and Sandra Hüller. Already hailed as a masterpiece since its world premiere at the 2023 Cannes Film Festival, the film is the British entry for Best International Feature Film at the 96th Academy Awards. What do we think of the direction from Glazer, how he adapted the 2014 Martin Amis novel of the same name, the film's themes, its performances, cinematography, and sound work? Tune in as we discuss these elements, its awards season chances, and more in our SPOILER-FILLED review. Thank you, and enjoy!

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"The Zone Of Interest"

The Zone of Interest is a title that accurately reflects the film it adorns: it's a term used by the Nazis to euphemistically address the 40 square kilometre area surrounding the Auschwitz concentration camp, conspicuously refusing to mention the factory of death it enclosed, conveying a culture of at best wilful ignorance of and at worst tacit complicity with the Holocaust. Similarly, Jonathan Glazer's film is conspicuous in its refusal to show us the interior of the camp (with a notable exception, which we discuss), instead keeping its attention on the surrealistically normal country house with which it shares a wall, which is occupied by the camp's commandant, Rudolf Höss, and his family. The film is not interested in imagery of suffering, torture, and death: its subject is the culture and mentality of those who administrate and benefit from it.

There's a huge amount to discuss in this thought-provoking film, and we reflect on our own experiences visiting Auschwitz, now a museum and memorial, in so doing. Our key insight from visiting, something obvious on paper but not clear until we were there, was the industrial nature of the camp, in which it used its victims up for the labour they could extract, allowing them to starve to death as the energy content of their bodies diminished, and replacing them with a steady intake of others. The film conveys some of this in the businesslike manner in which Höss's job is conducted - it's all phone calls, meetings, conferences, folders, agendas. And we discuss Höss's wife, Hedwig, and her complicity; the soundtrack, which beds the film in a constant hum of machinery and movement from the camp, and the ending, which offers a surprising and effective flourish that grounds everything we've seen in documentary reality.

Recorded on 21st January 2024.

416 - The Zone of Interest

Critique cinéma par François Bégaudeau du film "La Zone d'intérêt" de Jonathan Glazer.

En Pologne, une famille nazie loge juste à l’entrée d’un camp d’extermination. A la tête de ce camp, le commandant Rudolf Höss jouit du confort de son pavillon de fonction avec femme et enfants sans que leur quotidien ne soit perturbé par l’entreprise de mort qui leur fait face.

Pour l'HQNPDP : bit.ly/42tyDDW

Date de sortie : 31 janvier 2024
© 2024 – Bac Films, A24, Film4, Access, Polish Film Institute
Musiques : © The Zone of interest - Mica Levi

Episode 66 : La Zone d'intérêt

A podcast by NextBestPicture.com that reviews the latest film releases and discusses various topics within the world of film and the awards race.

"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo.

"I just like the sound of my own voice." - Michael Glass.

Podcast de critiques ciné et littéraire avec l'écrivain François Bégaudeau.
L'idée est de parler d'un film ou d'un livre, après sa sortie, pour laisser le temps aux intéressés de le voir/lire et d'y penser.

New tracks tagged #Christian Friedel