A cinematic electronica track that blends ambient textures, glitchy beats, and layered strings with drones and heavy rhythms, creating a tense yet emotional journey for fans of Moby, Nine Inch Nails, and Kiasmos.

Nobody is Coming to Save Us

Atsiminimas – lietuviška ambient ir downtempo muzika, sukurta bendradarbiaujant su SUNO AI(https://suno.com/invite/@d4d05). Šis kūrinys skirtas tiems, kurie ieško ramybės, nostalgijos ir švelnios elektroninės atmosferos.
Lėti ritmai, erdvės pojūtis ir subtili melodija kviečia atsipalaiduoti, pasinerti į prisiminimus ir išgyventi juos iš naujo.

🎧 Puikiai tinka:

Atsipalaidavimui po darbo

Kūrybai ir įkvėpimui

Ramioms kelionėms ar vakaro meditacijai.
---
Topačio paplūdimio žvaigždės,
Kur laikas lyg smėlis per pirštus.
Tavo "dabar" – Spaudžiu delną: "Tik būk",
Ką besirinktum – aš jau vėjy,
Ribos – žirklės  tavo rankose.


Debesys lyg balti užrašai danguje,
Tų prisiminimų šviesa, kuri neblėsta.
Nėra kur skubėt, nėra baimės aukščio,
Aš tavo vaikystės saulė, kuri nakty šoka.


Mes tie, kurie duoda galybę be vardo,
Erdvė be sienų ten, kur tavo akys.
Kam tiek daug sapnų? Mano sklindat iš kitų,
Visada buvai virš žvaigždžių – lėktuk!
Kam tiek daug vilčių? Laužai tavo kely,
Aš liksiu smėlyje... naujų sapnų pradžioje.


Tu ieškai savęs, kol stebiu iš aušros,
Tavo naujas pasaulis – mano pėdsakas smėly.
Tavo laisvė – vardas vėjo garse,
Kai trūksta žodžio – šnabždesys tyloje.


Gyvenau, kol radau jūrą be tavęs,
Istorija – dulkės ant tavo delno.
Šaltinis, kurį gesins tavo vėjas,
Bet užmerk akis – aš prieš akis.


Pirmyn, paukšte! Skrisk žemiau debesų!
Aš būsiu ten, kur rasi... giedrą dangų.

Atsiminimas

Maniac : reborn under neon shadows.
Grafenberg takes the 80s classic into darker territory: slow-burning analog synths, retro pulses, and cinematic tension woven into every layer.

This is synthwave noir meets 80s revival, where falsetto floats like smoke, pads drift like fog, and saturated basslines echo through a dream you can’t wake from.

You don’t just listen.
You sink.

Press play. Fade in. Disappear.

Michael Sembello - Maniac (Grafenberg Night Drive Remix)

For the moments that begin bright, fade, and find their way back even stronger...

Dial M: For "More Romance"

Currently an instrumental track. Lyrics to be written.

Second Genesis

Carry On

late august stew

Dreams

The Frequency is a cinematic lo-fi electronica track about love, memory, and chance encounters. Two people, once deeply in love, cross paths in the future and are haunted by echoes of their past. Blending hazy beats, spoken word, and hypnotic vocals, it’s perfect for late-night drives and moments of reflection.

Fans of Tycho, Massive Attack, AIR, and Bonobo will love its nostalgic textures and dreamlike atmosphere.
🎧 Listen now & watch the official music video → https://youtu.be/PvWNTTZa6qM

Follow surrounded by atoms:
YouTube: https://www.youtube.com/@surroundedbyatoms
SoundCloud: https://soundcloud.com/surrounded-by-atoms
Instagram: https://www.instagram.com/surrounded_by_atoms/
TikTok: https://www.tiktok.com/@surrounded_by_atoms
Website: https://www.surroundedbyatoms.com/

Video:
Concept, art direction, and prompting by surrounded by atoms
Presented exclusively in AspectaVision [9:16]

Created in MidJourney 7’s New Video AI:
https://updates.midjourney.com/introducing-our-v1-video-model/
https://docs.midjourney.com/hc/en-us/articles/37460773864589-Video

Music:
All music written and performed by surrounded by atoms
Recorded, mixed, and mastered in Logic Pro
https://www.apple.com/uk/logic-pro/

Vocal samples from https://splice.com/

For fans of:
Lo-fi beats, cinematic electronica, chillwave, downtempo, ambient music, Tycho, Bonobo, Massive Attack, AIR, Boards of Canada, Zero 7

Lyrics:

Ooooooh

Ooooooh


It's just what I notice
Something could be haunted
Haunted by you

It's just what I notice
Something could be haunted
Haunted by you

Ooooooh 


So never mind what happened yesterday. All your problems is… That's all gone through.

Or whatever it is. We just need to forget about everything and get along with each other – and…

Maybe I should change, and, well, maybe I shouldn't.

You know, I'm just gonna be me. And I'm not really gonna try to be anybody else.


It's just what I notice
Something could be haunted

It's just what I notice
Something could be haunted

Haunted by you

Haunted by you

Ooooooh

Ooooooh

 
You know I don't even really know where to begin. Because it seems like… I end up going two steps back. So tonight, I'm just gonna let this one ride. You know what I mean?

You just gotta keep doing what you're doing and keep moving in your life. In the direction that you feel is the best way to go.

This is special.
The frequency.
It just happened.


It's just what I notice
Something could be haunted

It's just what I notice
Something could be haunted

Haunted by you

Haunted by you

Ooooooh 
 
Haunted by you

Ooooooh 

Haunted by you

Ooooooh 

Haunted by you

Ooooooh 



The Frequency

1984

Varsus

Business email 

oldmansteptoe666@outlook.com

So, welcome. This is my music-creative-box. I´ve been into music since forever, and actually produced some stuff on a Roland 303 synthesizer in -99. Yeah, I´m that old. Here's my film scoring stuff related to the movies I put out on www.facebook.com/norrskensverige.

I make music as I feel it. I don’t reply much, but I read everything. Don't take it personally.

Enjoy.

About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

peejmudd is an experimental and multi-genre musical artist based in Chico, California, known for blending instrumental rock, post-rock, ambient, and neo-classical elements. 

https://linktr.ee/peejmudd

Grafenberg is a sonic explorer whose path spans from the DJ booth to the edges of contemporary electronic production. After two decades of collecting and spinning techno, minimal and deep underground records, he transformed that passion into a personal language of textures and contrasts.

His debut EP on Traumwelten was both a tribute to the artists who shaped him and a declaration of his own voice. Since then, Grafenberg has expanded his sound, weaving deep techno foundations with cinematic atmospheres, hypnotic grooves, and moog-driven nostalgia.

In 2025, Grafenberg released “No Saints, No Proof”, an album that pushes his music into new emotional and conceptual territory—blurring the line between the dancefloor and inner reflection. Looking ahead, his upcoming project “Erebion’s Dominion” promises to further expand this vision, unfolding as a narrative between cosmic darkness and redemptive light.

Forever chasing innovation and raw emotion, Grafenberg bridges the legacy of techno with new horizons, where every note tells a fragment of dream or utopia.

New tracks tagged #Cinematic Electronica