Originally released in 2021 Doorways is probably my favourite album as Cinnamon.

STREAM

Minerals (CC Edit)

She Loves

Highway Pacific (Beatless Mix)

Homestretch

3010

Orion

Eraser

Regency

Chasing Windows

Took a long time to get this one right. I don't even have a proper genre tag for it, it's a bit of a fusion of several styles I explored during the years. 

Trace of Existence might seem a little bit out of place from my usual tracks which are definitely far more danceable and energetic sounding. That’s because my goal with this track was to explore a more calm, sensual and mysterious sound, which a slower tempo lends itself more towards. I just like to branch out, it keeps the creative fire going :) But you can expect more upbeat and fast music in the future.

Let me know your thoughts, looking forward to it!

Trace of Existence

We Are The Game Changers is a dark cinematic symphonic/electronica piece using samples primarily from a public speech by Richard Dolan on the UFO subject, as well as related samples by other researchers and politicians.

The album will contain various sorts of electronica, Goa trance, EDM, and hybrid cinematic orchestral styles. Enjoy!

Composed arranged and produced by Phil Justin.


We Are The Game Changers

"Abandoned Signal/void" is a slow-burning ambient journey through cosmic isolation. Layered with ethereal pads, ghostly vocals, and deep sub kicks, it captures the sound of a message drifting through space long after anyone stopped listening.

Void

The Edge of the Universe

If you like the tunes and video please share & subscribe, appreciate you!

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**Cortex Drift Protocol**

In the final century of flesh, where cities had collapsed under their own digital shadows and consciousness was bartered like black-market software, there came a signal. Not a broadcast. Not a voice. A vibration. A pulse in the dead zones of deep orbit. It wasn't meant to be found. But the Psy-Tech Nomads weren't bound by meaning.

They found it drifting around the fracture moon of Kaon-7, wrapped in decaying encryption and carved into relic circuitry older than any human tongue. They called it the Cortex Drift Protocol. A living frequency. A portal encoded in sound. One that promised not just knowledge—but transcendence.

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They chose me.

Hooked into the interface rig, my body gone to numb shadow, I drifted into neural sync. What came first was silence, then the slow rumble of descent. Pressure against the edges of thought. Time unraveled. The spacecraft I wasn’t in began its fall toward an impossible planet.

The world was not real. It breathed like a beast. Its surface pulsed in sync with my heart. Each bass thump from the protocol dug deeper into memory, vibrating against trauma I'd buried in soft code. This wasn’t simulation. This was sentience — and I was inside it.

A flicker. A glitch. Rhythmic pulses began to organize, sculpting the space around me into something like architecture. Out from that structure came the Signal Dancers.

They weren’t made of flesh or wire, but waveform and instinct. Fractal limbs. Faces that never stayed still. Their movement synced with the emerging beat, cracking reality open with every pirouette. They danced not for beauty but to unbind me. Memory by memory, beat by beat.

I tried to fight it, but the sound burrowed in.

A tribal rhythm laced with metallic distortion surged through my brainstem. They found my childhood and twisted it into melody. They unearthed fear, love, and failure—and set it to syncopated collapse. The bass dropped. Everything shattered.

---

Time collapsed. The beat faltered, became erratic, then violent. This was the Sub-Neural Collapse.

Suddenly I was *falling*. Not through space, but through self. All the layers I’d constructed to protect my identity tore loose. The Nomads lost contact. I was alone in raw cognition, drowning in psychic magma. My thoughts came unthreaded, spun backward, rearranged themselves in haunting staccato bursts.

Then—light. Thin and cold. An arpeggiated melody like a distant signal flare pierced the madness. I focused. The Spindle Reversal Protocol activated.

The environment restructured. I stood at the center of a kaleidoscope of my own past lives. Alternate selves flickered around me, each built from choices I hadn't made. One killed. One loved. One ran. One surrendered. Each reality pulsed with a unique rhythm. Every beat a door. Every transition a trap.

The psy-wraiths came then.

Shadow-thoughts made real, feeding on the regrets of alternate timelines. I ran. I fought. I danced through timelines like a DJ crossfading between lives. And still, the rhythm chased me.

...

Cortex Drift Protocol

Can't stop

Can't stop v2

Another track off the new album. Abduction is a dark cinematic ambient/electronica piece, sounding exactly as it is titled. It’s basically soundtrack music to an alien abduction.

The album will contain various sorts of electronica, Goa trance, EDM, and hybrid cinematic orchestral styles. Enjoy!

Composed arranged and produced by Phil Justin.

#cinematic #aliens #electronica


Abduction

"The Gate" est un hommage aux grandes heures de l'anime japonais des années 90/2000 (Akira, Ghost in the shell, Fushigi no umi no Nadia, Paprika, et bien sûr les films du studio Ghibli). Ce morceau tiré d'une B.O. imaginaire, évoque la peur douce de l’inconnu et la fascination des mondes cachés – quelque part entre rêve, technologie et mythologie. Franchissez le portail, et laissez-vous guider par les esprits à travers leur univers étrange et fascinant. Un grand merci à Yamane Ikko pour son aide à la traduction et son écoute acérée sur le dialogue d'introduction.

"The Gate" is a tribute to the great days of Japanese anime from the 90s/2000s (Akira, Ghost in the Shell, Fushigi no Umi no Nadia, Paprika, and of course the films of Studio Ghibli). This track, taken from an imaginary soundtrack, evokes the gentle fear of the unknown and the fascination of hidden worlds - somewhere between dreams, technology and mythology. Step through the gate, and let yourself be guided by the spirits through their strange and fascinating universe. Many thanks to Yamane Ikko for his help with the translation and his keen ear on the introduction dialogue.

The Gate

“Close Your Eyes” is a piece I wrote in a moment of stillness. It starts with nothing — just breath and thought — and slowly begins to move. I wanted to create a space where the listener could disconnect from time, guided only by pulse, texture, and a quiet voice. The spoken words aren’t lyrics — they’re an invitation. This track isn’t meant to be followed… it’s meant to be felt. Eyes closed.

Close Your Eyes

Tout cela est-il vraiment sérieux?

https://linktr.ee/caliorne.music

I’m AImpossible 🎧 Just a passionate music creator doing it for the love of sound ❤️
No fancy gear 💻, no pro DJ tricks just my imagination and some AI magic 🤖✨
Pure fun, pure vibes. 

Let’s get lost in the music together 🎶🚀

Berlin based electronic music producer and enthusiast. 

Karuso stands for happy, euphoric, mysterious and adventurous sounds that span a wide spectrum of electronic dance music. Starting out as a Handsup and Happy Hardcore Producer, I ventured on to explore the realm of Electro House, Techno and Trance, culminating in the style I create today.

Dig the tunes please support & subscribe on YouTube: https://www.youtube.com/@grasspatchbum

DM here or Instagram for booking.

------ Past-Tense Shenanigans ------

Born in the dust-filled vibes of a ‘90s apartment, Grass Patch Bum started spinning records back when vinyl was king and internet cafes were revolutionary. Armed with a crate of vinyl, Grass Patch Bum dived headfirst into underground raves and sweaty house parties, learning the art of blending beats on turntables and (eventually) the "futuristic" CDJs. But the journey didn't stop there.

After taking a hiatus to dive into the world of FL Studio and dissect the mechanics of production, Grass Patch Bum came back stronger, with a repertoire of original sounds and the technical chops to match. Fast forward, and they've turned dancefloors upside down from Thailand to Vietnam, Bali to the heart of Europe. Now, powered by Ableton Live and a creative arsenal that refuses to stay in one genre, Grass Patch Bum weaves sonic journeys that blend groove, grit, and just a sprinkle of nostalgia for the good ol' days.

Catch him live for a taste of nostalgia, modern beats, Latin grooves, electronic melodies, and a wide range of liquid sounds. Whether it's a tropical beach in Thailand or an underground club in Berlin, Grass Patch Bum brings thems booty movements like no other.

Shatter the Matrix is one of the projects of composer Phil Justin, mostly high octane electronica music pulling from Goa trance, psytrance, world music, metal, funk, industrial, EDM, jazz as well as a ton of cinematic and orchestral colors. No real way to describe it except influences draw all the way from Infected Mushroom, Shpongle and Juno Reactor to John Williams, Danny Elfman and Bjork. With everything in between. Always a fun ride if you like busy and colorful music. Enjoy!!!

I make music that feels like memories — echoing moments you’ve lived, dreamed, or longed for.
Each track I create blends deep rhythms with melodic textures and emotional depth. From intimate harmonies to cinematic soundscapes, my music lives in the space between nostalgia and now.
This is more than sound — it’s a feeling, a journey, a reflection.
Welcome to my world of music. Let’s get lost together.

New tracks tagged #Cinematic Electronica