Clara Schumann
Drei Romanzen Op 22 
Andante molto
Vivalto da camera
Diana Gasparini, viola. Gabriela Martínez, piano
Álbum: Mujeres x mujeres

Estudio Doctor F.
Agustín Silberleib, ingeniero en sonido
Producción realizada con fondos del Subsidio de Fomento 2022 otorgado por el INAMU

Mujeres x mujeres

Clara Schumann Drei Romanzen Op 22

Clara Schumann Drei Romanzen Op. 22 - Andante molto

Clara Schumann 
Drei Romanzen Op 22 
Allegretto
Vivalto da camera
Diana Gasparini, viola. Gabriela Martínez, piano
Álbum: Mujeres por mujeres

Estudio Doctor F.
Agustín Silberleib, ingeniero en sonido
Producción realizada con fondos del Subsidio de Fomento 2022 otorgado por el INAMU

Clara Schumann Rei Romanzen Op. 22 - Allegretto

Clara Schumann
Drei Romanzen Op. 22 
Leidenschaftlich schnell
Vivalto da camera
Diana Gasparini, viola. Gabriela Martínez, piano
Álbum: Mujeres por mujeres

Estudio Doctor F.
Agustín Silberleib, ingeniero en sonido
Producción realizada con fondos del Subsidio de Fomento 2022 otorgado por el INAMU

Clara Schumann Drei Romanzen Op. 22 - Leidenschaftlich schnell

We asked Alexander Shelley, music director of the NAC Orchestra, “What are the five minutes you’d play to make a friend fall in love with Clara Schumann? Robert Schumann? Johannes Brahms?”

You can stream these entire works, read album liner notes by Brahms-Schumann experts, and learn more about the JUNO Award-nominated Clara, Robert, Johannes recording project at nac-cna.ca/orchestra/recordings.

***

Nous avons posé la question suivante à Alexander Shelley, directeur musical de l’Orchestre du CNA : « Quelle musique feriez-vous écouter à un ami pour qu’il tombe sous le charme de Clara Schumann, Robert Schumann et Johannes Brahms en cinq minutes? »

Écoutez l’intégralité de ces œuvres, lisez les notes de livret rédigées par des spécialistes et apprenez-en plus sur le projet d’enregistrement Clara, Robert, Johannes – mis en nomination pour un JUNO – ici : https://nac-cna.ca/fr/orchestra/recordings.

Robert Schumann: Symphony No. 2, IV. / Alexander Shelley • Canada's National Arts Centre Orchestra

Clara Schumann: Die Gute Nacht, Die Ich Dir Sag / Adrianne Pieczonka • Liz Upchurch

Clara Schumann's Pièce fugitive, Op. 15, No. 1.  The composer's Op. 15, first published in 1845, contains four such Pièces fugitives.  They are also known as "Flüchtige Stücke" or "Fleeting Pieces."  Recorded by Romantic pianist-composer Robert Cunningham on September 10, 2023.

See also:
Robert Cunningham's YouTube Channel:  www.youtube.com/c/RobertCunninghamsMusic
Robert Cunningham's Fan Page:  www.facebook.com/RobertCunninghamsMusic
Robert Cunningham's Web Page:  www.RobertCunninghamsMusic.com

Clara Schumann, Pièce fugitive (Op. 15, No. 1)

Clara Schumann was one of the most famous of all 19th-century piano virtuosos, admired by contemporaries such as Liszt and Thalberg. Her piano works never succumb to stereotype and the Romances anticipate the sonority of Brahms’ late music for piano. Her Variations, Op. 20 entwines Robert Schumann’s themes with her own in music of touching intimacy. The Preludes and Fugues reflect Clara’s love of Bach. This first volume of her complete music for solo piano is performed by the distinguished French pianist, Jean-Pierre Armengaud, who has written about Robert and Clara Schumann as well as having organised a symposium devoted to them.

Clara SCHUMANN - Three Romances Op. 21: No. 3 in G minor: Agitato (excerpt) [GP930]

Fort Worth Symphony Orchestra's Principal Cello Allan Steele has been playing cello since the age of four, but this weekend will be his first time to play Schumann's Cello Concerto. In this feature with WRR's Amy Bishop, he talks about his favorite part of the work, and the enduring popularity of the other piece on the program, Berlioz's Symphonie fantastique.

WRR101 Focus on the Arts: FW Symphony's Principal Cello brings a Schumann favorite to Bass Hall

004 —  Schumann — Von fremden Ländern und Menschen — Kinderszenen, Op. 15 —  Mk. 1

Robert Schumann

Träumerei" (Dreaming), No. 7 from Kinderszenen (Scenes from Childhood), Op. 15

This was recorded in 2018 and then rendered using PianoTeq in 2025.

125 — Träumerei — Kinderszenen No. 7 Op. 15

Waltz Op. 69, No. 2 was composed by Frédéric Chopin for solo piano in the year 1829 at the age of 19. Although it was published posthumously in 1855 by his friend Julian Fontana, together with the Waltz Op. 69, No. 1. The main theme is in the key of B minor and is marked with an overall tempo of Moderato.

[https://en.m.wikipedia.org/wiki/Waltz_in_B_minor,_Op._69,_No._2_(Chopin)]


It's a waltz, so you play it as if you were watching people dance while you were playing. And you want to make sure that they are dancing to your tune. So, you're playing for them to be able to dance and they're dancing for you to be able to play.


This was recorded in 2018 and then rendered using PianoTeq in 2025.

126 — Chopin — Waltz in B minor, Op. 69, No. 2

The Grand Piano label has gained a reputation for drawing from a deep pool of talent around the globe to release high quality recordings of rare musical gems. Dedicated to the exploration of undiscovered repertoire for piano, the label’s specialty is multi-volume recordings and complete piano cycles of lesser-known composers, such as Alexander Tcherepnin, Mieczysław Weinberg, Joachim Raff, and Leopold Koželuch, whose works might otherwise have remained unknown and unrecorded. The label, which is distributed by the Naxos Group of Companies, has released over 70 recordings to date, most of which are world premières.

Canada's National Arts Centre Orchestre / l'Orchestre du Centre national des Arts

I play the piano. Unless otherwise noted, everything is played and recorded on a Kawai ca99.


Once upon a time I programed, people called it hacking, I called it learning, I can still do it, but I prefer music, etc., 

The profile picture was taken when I was a teenager in the 1990s. I just liked the old washed out look of it. They were actual physical things back in the day. And phones had cords.

I started playing around age ~8-10 (who remembers, I know i started with the violin but moved on). Over the years I've had to re-teach myself the piano many times due to life getting in the way and not allowing me the time to work on it. The repetition of re-learning has helped with the style and technique I used to play here.

It's sort of like what happens when you learn multiple programming languages.. the syntax, etc., stop mattering as much and you just think about what you need.. works in music too I guess. :)

I have visual snow 🌨️🌨️🌨️ 



Composer-pianist Robert Cunningham's many works for piano, various chamber ensembles, voice, chorus, and piano and orchestra reflect a highly original, complex, and chromatic Romantic style. He studied piano with Loren Withers at Duke University (graduating in 1970) and with Katherine Bacon at Juilliard.  Later turning to composing, he obtained a master's degree in composition from Georgia State University in 1995.  Based on a dissertation analyzing Rachmaninoff's harmonic practices, he received his Ph.D. in music theory from Florida State University in 1999. He is the author of Sergei Rachmaninoff: A Bio-Bibliography, published by Greenwood Press.

New tracks tagged #Clara Schumann