
The ocean's waves are always in motion, flowing between the land and the sea. Like the changing of the tides, "Tidal" shifts between the currents of two distinct musical modes. Each instrument smoothly weaves between crests of harmonious sound, creating a grandiose piece full of movement and life.

"Tidal" is a wind quintet written for flute, clarinet, oboe, bassoon, and French horn. This piece has been mixed by Rayzerfang Music using Logic Pro, using sounds from Note Performer, and was written using Sibelius Ultimate.

This piece was a short composition exercise on modal transition that I liked so much, I decided to mix it! 

Tidal

C’est la nuit qui s’installe, les fenêtres sont claires,
Les lumières saintes doucement dans l’hiver.
Dans ma chambre tranquille, je regarde le ciel,
Et j’attends ton passage, ton éclat solennel.
Avant de fermer les yeux dans le calme du soir,
Je murmure un souhait que je garde en mémoire.
Daddy, dans l’air glacé, tout devient essentiel,
Chaque souffle rappelle ton retour rituel.

Les étoiles frissonnent,
La neige abandonne
Un parfum de douceur
Qui réchauffe le cœur.

Petit Daddy Noël, quand tu descendras du ciel,
Avec tes merveilles et ton charme éternel,
Que la nuit scintille d’un éclat plus réel,
Et que ton passage apaise l’essentiel.
Petit Daddy Noël, quand tu descendras du ciel.

Le vent fait danser les couronnes aux portes,
Un vieux carillon fredonne une note.
Dans les rues endormies, les sapins sont fidèles,
Ils brillent pour toi comme des chandelles.
Les ombres de l’hiver s’étirent doucement,
Et j’espère ta venue depuis bien longtemps.
Daddy, sous la lune au reflet naturel,
Je t’attends comme un signe venu du ciel.

Les étoiles frissonnent,
La neige abandonne
Un parfum de douceur
Qui réchauffe le cœur.

Petit Daddy Noël, quand tu descendras du ciel,
Avec tes merveilles et ton charme éternel,
Que la nuit scintille d’un éclat plus réel,
Et que ton passage apaise l’essentiel.
Petit Daddy Noël, quand tu descendras du ciel.

Si parfois le monde chancelle un peu,
Je garde un espoir, un rêve précieux.
Dans le froid de décembre, un instant si beau,
J’attends ton étoile, ton manteau nouveau.

Petit Daddy Noël, quand tu descendras du ciel,
Avec tes merveilles et ton charme éternel,
Fais briller la nuit d’un éclat solennel,
Et réchauffe le cœur de ton souffle si bel.
Petit Daddy Noël… viens éclairer le ciel.

Petit Daddy Noël

Long kept Secrets

Nostalgia y Encrucijadas (Barcelona Modern)

Klárt og Nett

Nashville-based singer/songwriter interviewed on-location in Alabama at the 41st Frank Brown International Songwriters Festival.  Her song, “The Fool,” was recorded by Lee Ann Womack and reached number 1 on the country charts.  She has had cuts by everyone from Sammy Kershaw to Billy Currington to Blake Shelton to Eric Church, Kenny Chesney, George Strait, and many others.  She reached number 1 status two more times, with “Ten Rounds with Jose Cuervo” by Tracy Byrd and “Cleaning This Gun” by Rodney Atkins.  Her song “Same Devil,” which was recorded by Brandy Clark (and features Brandi Carlisle) was nominated for 2022 GRAMMY Performance American Roots Performance of the Year, and her name is also on the Willie Nelson/Merle Haggard duet album, “Django and Jimmie.”

NHTE 615 Marla Cannon Goodman

This is a passacaglia, but I had images of deep water with things appearing and disappearing. 

Reminiscent of Whales, for Flutes, Clarinet, and Piano

Classic Series No. 9 - Trio for Flute, Clarinet and Bassoon

The Leviathan's Cave

SLT Collective - Think About It

Happy Thanksgiving! This year, one of the things I am thankful for are my friends who have supported me throughout the years and have helped me become the person I am today. Without them, I don't think I would have been as happy in my life as I am right now. Enjoy the holiday season!

My Friend

Chamber Suite No.1_MOV.III Intermezzo con Fantasia

Premiered at the XII St. Petersburg International New Music Festival, performed by the Moscow Contemporary Music Ensemble on May 28th at the House of Radio.

Chahār Āstāne (Moscow Contemporary Music Ensemble)

Oblivious to the passage of time (Kollektiv Unruhe)

Made in Abyss Clarinet OST

This audio is a reference sample for the clarinet trio arrangement.

“Winter Wonderland” is one of the classic, lighthearted standards of the Christmas season.

In this arrangement, the music takes on a swing-jazz style, creating a slightly more sophisticated atmosphere. The melody is passed among the parts with lively interplay, and touches of improvisatory passages add freedom and color to the performance.

With a difficulty level of around Grade 3.5–4, it requires a solid sense of jazz rhythm and flexible ensemble coordination. Perfect for Christmas concerts or recitals, this arrangement brings a festive yet refined mood to the stage.

Winter_Wonderland_piascore_cl3

This audio is a reference sample for the clarinet quartet arrangement.

“Winter Wonderland” is one of the classic, lighthearted standards of the Christmas season.

In this arrangement, the music takes on a swing-jazz style, creating a slightly more sophisticated atmosphere. The melody is passed among the parts with lively interplay, and touches of improvisatory passages add freedom and color to the performance.

With a difficulty level of around Grade 3.5–4, it requires a solid sense of jazz rhythm and flexible ensemble coordination. Perfect for Christmas concerts or recitals, this arrangement brings a festive yet refined mood to the stage.

Winter_Wonderland_piascore_cl4

(i'm gonna have a little listen)

little listen 130bpm fixed kik7 313 version_Master

testing the FB-02 (yamaha fb-01 vsti) worked really well. 
https://www.fullbucket.de/music/fb02.html

artwork credit: yoshitomo nara

wilma bessel - play a bit (yeah?)

GN-Δlon (2025) for contrabass clarinet and electronics, premiered by Ignat Krasikov, is a work in which pulsating energy, meditative elements, and a hypnotic atmosphere converge.
In an extract from Ignat Krasikov’s interview for the magazine Musical Life, he explains: “I thought of the contrabass clarinet — a rare, powerful instrument with a low, almost shamanic timbre. I wanted to make it part of a club context. That’s how the idea was born, together with Roman Parkhomenko, to invite several composers and ask them to write music that combines club energy with compositional freedom. For me, it was a kind of laboratory experiment: giving colleagues the possibility to express themselves, while still finding a unified form.”
The work was premiered in Kazan during the Synesthesia Lab 2025.
Electronics Performance

GN-∆lon for contrabass clarinet & electronics

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

Celebrating the vibrant talent that comprises our music family, where each track is a unique expression of creativity and individuality. 🎵🔥


🇬🇧 United Kingdom
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Hello! I post songs I make from GarageBand or BandLab. Have a good day! :D

Cinematic soul, moody, bohemian, and rich in emotional texture. Film-inspired soundscapes. Alternative, rock, and hard rock are sometimes aggressive, sometimes melancholic.

Entirely human. No AI Zone.

www.ardamavi.rocks

I love music with a feeling of motion, and I like clear textures and lines.  I love a lot of classical and baroque music, as well modern and impressionist music.  Lately I'm seeming to compose in a neoclassical vein, but I'm experimenting.

Hello! I am a student currently attending the Savannah Art of College and Design, making music compositions primarily for film and performance with our SCADJam ensembles.

Azami Records
#ShowaDigital #KashioKei #AzamiOngaku
Defiant and diverse melodic/VGM/BGM music.
incl. Sakitto Menda related side-projects. 
Likes late Showa era digital keyboards.

Now Hear This is a Tampa, Florida-based agency specializing in management, publicity, and related services.  The company president, Bruce Wawrzyniak, hosts a weekly podcast called "Now Hear This Entertainment," featuring interviews with guests who are having success in entertainment (primarily music), with the content presented in a way that not only entertains fans of that guest and fans of good music (interviews) in general, but in a manner that educates musicians, singers, songwriters – entertainers who want to learn from those who are being interviewed.  The guests come from a wide array of genres and locales.

New tracks tagged #Clarinet