https://hypnotischertraum.bandcamp.com/album/das-verborgene-kabarett

Harlekin Und Die Maschine

Manenti Marilena- Solitude

Manenti Marilena - Alla ricerca

DISSING ALLE ETICHETTE // chiummariello DEMO ROUGH

RIGORE SBAGLIATO // roberto baggio DEMO ROUGH

RISTORANTE // risotto DEMO ROUGH

For those souls who like to live in the clouds

Michèle Bokanowski - Cirque: Galop
Steve Roach - Airtribe Meets the Dream Ghost
Atralasia - Aphasia
Haruomi Hosono - Hindustan
Klaus Schulze and Pete Namlook - Psychedelic Brunch Part V
The Art of Noise - Camilla
Piero Milesi - Avanti La Tre
Pep Llopis - Jardins Aquatics
Sugai Ken - Daidai
Hiroshi Yoshimura - Something Blue
Bruno Spoerri - Age Of Cannons 2
Tony Hymas - So English
Steve Brenner and Tim Rempel - The Real Dream
Peter Gregson - Sequence (Four)
Kaada - Everything Is An Illusion
Terre Thaemlitz - Tranquilizer (Live in the North)
Sinead O’Connor - In This Heart
Biosphere - Ikata-1
Carbon Based Lifeforms - Dreamshore Forest (Analog Remake)
Ana Roxanne - Nocturne
Ortensio - That Pink Cloud
Brian Eno - An Ending (Ascent)
Hiroshi Yoshimura - Flora
Nobuo Uematsu - Final Fantasy VIII: Balamb Garden/Ami
Rso Berlin, Chailly - Minuetto I
Virginia Astley - Morning: Hiding In The Ha Ha
Cults Percussion Ensemble - Circles
Nodens Ictus - Sleeping Seas
Tony Hymas - Lullaby
Sugai Ken - 裏薮の翁筍 = Urayabu No Okinadake
The Art Of Noise - Moments In Love
Log(M) & Laraaji - Daisy Fields

Clouds

The song composed by me but produced by my teacher Alberto Cutolo

Manenti Marilena - Ascent and Decadence

L'Arte della Fuga continua, mancano 16 pezzi tra contrapunctus e canoni. 👨🏻‍🚀🖤🚀👽

Contrapunctus 8 (Die Kunst der Fuge Astronaut Remake)

Un dj set per ricordare Diego Motta. Non a caso ho scelto il sound che più amavi! Buon ascolto.

Music for Diego  <3

Commission for the head of Odd Bird Games in St Louis, US. It's a narrative-driven soundscape telling the story of birds crossing the winter and about their happenings. A simple yet sweet mix of piano and different synths, conveying a silky texture throughout.

Rising Thermal

Midnight Silhouettes

Unwelcome Guest

Birds of a Feather

An electroacoustic work inspired to the words by Erri de Luca (Preghiera Laica- Mare nostro)

MARE_NOSTRO

The focus instrument is a nylon-string acoustic guitar, captured with a clear, intimate microphone placement that emphasizes the natural resonance and string articulation, The performance features arpeggiated chords and melodic lines, with a consistent fingerstyle technique, The piece maintains a melancholic and uplifting, reflective mood throughout, Add resonant atmosphere, Add a soft bass background and rythmics

Autumn's Thread

absinthe

[I've started playing at the end of Febryary, 2025.
Recorded on: CASIO GP-310 Celviano Grand Hybrid] 

You wake up to the hammering sounds of a C minor chord: you open your eyes.
All is shuttered, all is despair. Something inevitable, and yet unexpected, is coming for you.
You hear it marching within the darkness of that first Cm chord in a Lento time signature.

A glimpse of hope… or perhaps a glimpse of light, given by the Eb7 chord.
And then you see it: this thing you are feeling is fear.
Try to get away, hurry. It comes closer.

Then time seems to slow down.
The chords become quieter, like the storm has passed. You can make it.
You feel the thing marching — it’s coming to get you.
But time flows faster for you now.
You run. And run.

Black becomes white, you see the light… and then the last Cm chord comes out of thin air.
Everything is dark again.

You open your eyes.
You are now expecting the threat. Perhaps it was all a dream… or perhaps you really lived it, and it got you at the very end.
How many times has this happened?
It’s the same line you heard before the dark.

You don’t wake up to hammering chords this time — you wake up to a melody you’ve already heard, just quieter.
Now you seem slower.
You see it.
There is no sound, no storm, but it’s worse.
Try to escape, hurry… but then the tempo slows down.

You are desperate to reach that light, that final light at the very last bar, the only light you may ever see.
In the silence, you hear quiet chords coming out of thin air.
You leap to grasp that faint ray of light…

...
...
...

You wake up to the hammering sounds of the C minor chord: you open your eyes.

Chopin, Preludes Op. 28 no. 20 in C minor

▶ 𝑀𝑢𝑠𝑖𝑐: 𝐴𝑛𝑑𝑟𝑒𝑎 𝐵𝑎𝑙𝑧𝑎𝑛𝑖
▷ 𝐺𝑢𝑖𝑡𝑎𝑟: 𝐴𝑙𝑒𝑠𝑠𝑎𝑛𝑑𝑟𝑜 𝐷𝑒 𝐹𝑢𝑠𝑐𝑜
​◽​  𝑅𝑒𝑐𝑜𝑟𝑑𝑖𝑛𝑔\𝑀𝑖𝑥 & 𝑀𝑎𝑠𝑡𝑒𝑟𝑖𝑛𝑔: 𝐴𝑙𝑒𝑠𝑠𝑎𝑛𝑑𝑟𝑜 𝐷𝑒 𝐹𝑢𝑠𝑐𝑜
​◽​ 𝑅𝑒𝑣𝑖𝑠𝑖𝑜𝑛𝑒 & 𝐷𝑖𝑡𝑒𝑔𝑔𝑖𝑎𝑡𝑢𝑟𝑎: 𝐹𝑎𝑏𝑟𝑖𝑧𝑖𝑜 𝑃𝑟𝑜𝑖𝑒𝑡𝑡𝑖

➣ 𝘠𝘖𝘜𝘛𝘜𝘉𝘌: https://youtu.be/Rjy1fr4_o8o?si=p2ZHD1Qbx56L-cb-&t=12

➤ 𝗙𝗢𝗟𝗟𝗢𝗪 𝘼𝙣𝙙𝙧𝙚𝙖 𝘽𝙖𝙡𝙯𝙖𝙣𝙞: linktr.ee/AndreaBalzani

Pyramid

𝐏𝐲𝐫𝐚𝐦𝐢𝐝 (𝒑𝒆𝒓 𝒄𝒉𝒊𝒕𝒂𝒓𝒓𝒂)

𝗣𝗶𝗮𝗻𝗶𝘀𝘁𝗮 - 𝗧𝗮𝘀𝘁𝗶𝗲𝗿𝗶𝘀𝘁𝗮 - 𝗖𝗼𝗺𝗽𝗼𝘀𝗶𝘁𝗼𝗿𝗲 - 𝗔𝗿𝗿𝗮𝗻𝗴𝗶𝗮𝘁𝗼𝗿𝗲 - 𝗦𝗰𝗿𝗶𝘁𝘁𝗼𝗿𝗲 🎹​🎼🎵📕

𝙋𝙞𝙖𝙣𝙞𝙨𝙩 - 𝙆𝙚𝙮𝙗𝙤𝙖𝙧𝙙𝙞𝙨𝙩 - 𝘾𝙤𝙢𝙥𝙤𝙨𝙚𝙧 - 𝘼𝙧𝙧𝙖𝙣𝙜𝙚𝙧 - 𝘽𝙤𝙤𝙠 𝘼𝙪𝙩𝙝𝙤𝙧 🎹​🎼🎵📕

Creo musica elettronica fuori dal tempo: un contrappunto moderno che pulsa in ambiente psy e tek , dove ogni voce ha un'anima indipendente e allo stesso tempo una coesione armonica. Il mio stile si chiama NeoPsyTrance - una fusione tra rigoroso contrappunto e vibrazione sintetica, in cui la complessità diventa estasi.

Oltre a comporre musica originale, trasformo opere classiche di Bach, Chopin e altri in esperienze elettroniche profonde, come se fossero composte da un'A.I. spirituale: Bach A.I. 🤖

Nel mio mondo, gli angeli hanno un casco da astronauta e portano il contrappunto nei rave. 👽

Benvenuto nello spazio sonoro di Astronaut 👨🏻‍🚀

Mi chiamo Marilena, ho 23 anni e vivo a Milano. 
Sono una studentessa di Composizione presso il Conservatorio Giuseppe Verdi. Realizzo arrangiamenti, produzioni musicali e compongo musica da sottofondo.

My name is Marilena, I'm 23 years old and I live in Milan.
I'm a Composition student at the Giuseppe Verdi Conservatory. I make arrangements, musical productions, and compose background music.

I'm an engineering student who also happens to love piano. I love the music of Chopin, Scirabin, Beethoven, Rachmaninov, Stravinskij, Bach (all of them!), and many more. I started playing the piano on the 23th of February, 2025, at the age of 23, and I thought I'd use SoundCloud to share my progress whenever I feel like a new piece is ready, as far as my skills allow me, so to use it like a personal Spotify.

All recordings are taken on my Casio GP-310 Celviano Grand Hybrid. 

The name comes from Etudes Op. 25, no. 12 in C minor "Ocean" by Frederic Chopin.

Producer / Composer for games, media and live music. 

Portfolio : https://www.notion.so/YannZ-Portfolio-1ea25eeb4fb48018bc25d7a32109f4a1

I like to run, climb mountains, ski, enjoy the beauty
​of the world, the purity of the peaks,  
​design algorithms, improvisation, writing music, teaching.

Now, I wouldn't claim to possess any remarkable musical gifts, save for a decent ear and a rather handy knack for picking things up. My musical education is nothing to write home about either – just the standard school curriculum, you see, plus a handful of piano lessons with a jazz fellow from Parma.

All the same, I've always had a soft spot for music, the whole kit and caboodle, and I can usually find something to appreciate, some spark of talent, in most genres (though I draw the line at trap, which, by its very definition, seems to thrive on a distinct lack of it).

I have a bit of a tinker on the piano, my guitar playing is frankly atrocious, and I can coax some vaguely agreeable sounds out of a saxophone. But now and then, if the mood takes me, particularly when faced with those black and white keys, something – a little idea, perhaps – manages to surface.

Of course, there's a world of difference between that and producing a proper tune, which demands proper talent, technique, instruments, know-how, and, crucially, a jolly good amount of time (technical note, mind you: synthesisers, digital instruments, sampling, and loopers are now part and parcel of the 'traditional method').

Perhaps one of my few genuine talents lies in a comfortable familiarity with all things technological, meaning I can generally get technology to do precisely what I jolly well want it to.

Nowadays, there are some truly astonishing tools about, based on this so-called GenAI and these 'AI agents' which, to put it simply, in a great many applications, take on (rather effectively, I might add) all the tedious, manual labour involved in proofreading a text, or generating a video, or producing music.

An artificial intelligence, whether used to create or to pilot sophisticated instruments, does our bidding if you feed it the right ideas, the right starting material, and the right questions (in other words: if you establish the correct context and the desired outcome).

My Monogatari project is intended to be a bit of a social experiment, really. Aside from finally bringing some long-held ideas of mine to fruition in a reasonable timeframe, I'm keen to understand the genuine impact of this technology on a distinctly creative and artistic field.

That is to say: is artificial intelligence merely a substitute, or is it simply an exceptionally advanced expressive tool?

The streaming platforms will deliver the verdict, I suppose.

NUIT NOIRE
Dark, synthetic, melancholic sounds and forgotten voices.
Every song is a shadow, every project a mask.
The night is our archive. Silence, our language.

TROVARSI NEL MIO SOUNDCLOUD È COME ESSERE NEL MIO PC.
ARCHIVIO COMUNE. 
TUTTO CIÒ CHE FACCIO.
IN FASE EMBRIONALE

                         PREGAMI

New tracks tagged #Classica