Weird composition for mallets and pizzicato strings. Hope you enjoy!

22 3 6

dude!.....
a sticky-icky morsel made for chillin on 4/20.
cheers!
plus, it's duration is 4:20, which is 13 seconds shorter than John Cage's famous silent masterpiece.
peace sign, out.

Fourtwenty

Don't Buy Anything Today

23 4 13

24 1 3

The Thing in my Head Smiled

24 3 2

24 2 21

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

FIND MORE: search Soundclound for  mole overflow.
Joel the Mole is a NY based composer , film-maker, and artist. He makes music for his own selfish delights, but hopes you enjoy it too.
Joel is compelled to make music of frequent change, so if you like a steady groove, you may not be so happy here. He collaborates nicely, usually with friends like the amazing Carlos Vivanco (Like Wow, Decibel, Andromeda Crash),
mega-bassist Keith Macksoud (Present),
David Bond Engelhard on benevolent battery, 
double bassist John Convertino, and sometimes with fellow Westchester Conservatory alumnus Matt Lamborn on guitars. 
Joel plays guitars, piano, keyboards, the "arachnid bass", and other toys. The music is often radicalized during his editing process.
Some of the scores are 'performed' by software.
Please jump into the dialogue! Your thoughts are welcome.

New tracks tagged #Classical sort of