PROMENADING PLUTOCRATIC MORONS by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

PROMENADING PLUTOCRATIC MORONS

La Giga dalla Sonata IX di Giovanni Zamboni Romano (1664–1721) rappresenta uno dei momenti più vivaci e brillanti della sua raccolta di sonate per tiorba. Questo movimento mette in luce l’energia ritmica tipica della danza barocca, caratterizzata da un andamento ternario rapido e da un fraseggio elegante e vivace. Zamboni, maestro del barocco italiano, seppe unire la raffinatezza contrappuntistica con una vena melodica immediata e cantabile. L’opera trasporta l’ascoltatore nel cuore dell’estetica musicale seicentesca, con la sua fusione di eleganza e vitalità danzante.

Baroque Resonances – Frescobaldi, Zamboni, Bach & Brescianello

Sonata IX - Giga

Giga – Giovanni Zamboni Romano (1664–1721), Sonata IX

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

Circles weaves piano, electronic textures, and strings into an atmospheric reflection on the circles of life.
Different stories, people, and paths intertwine — sometimes harmoniously, sometimes with difficulty.
This piece is about opening up and finding ways to connect your inner circle with others, creating unity within diversity.

Circles

Grateful is a gentle piano piece infused with subtle atmospheric textures.
It reflects moments of stillness and appreciation — for the people around us, for fleeting beauty, for the small circles of light in everyday life.
A piece about pausing, breathing, and recognizing what truly matters.

Grateful

“Glissando” – an abstract orchestral–ambient soundscape with a cinematic edge.  
Blending real instruments and string samples, it evokes the mood of a modern trailer soundtrack: immersive, expansive, and atmospheric.


For this haiku:
naviarhaiku613

Star above the peak -
a silk worm-breeding village
silently asleep

Poem by Mizuhara Shuoshi
Photo by Fabrizio Conti

Above The Peak, Glissando - naviarhaiku613

این قطعه، کاوشی در نبرد ابدی میان اراده برای برخاستن و ترس از سقوط است. سفری از کلام تا اوج ارکسترال.

Music & Declamation by: @BlackKeyEcho

متن دکلمه:
ضعیفان منتظر اجازه هستند تا زنده بمانند.
زورمندان هدف خود را خلق می‌کنند.
دنیا با کسانی که تردید می‌کنند مهربان نیست.

هستی رو به جلو حرکت می‌کند؛
کسانی که از گام برداشتن می‌ترسند را در هم می‌کوبد.

هیچ سرنوشتی وجود ندارد.
هیچ نقشه الهی وجود ندارد.
فقط اراده برای برخاستن یا ترس از سقوط است.

کسانی که رنج را به عنوان معلم خود می‌پذیرند،
کسانی که جنگ را به عنوان آتش درون خود به آغوش می‌گیرند،
صعود خواهند کرد.

و کسانی که آسایش را بیشتر از عظمت می‌جویند، فراموش خواهند شد.

Follow BlackKeyEcho:
YouTube: [https://youtube.com/@blackkeyecho?si=7gDMpAq043GzteAd]
Instagram: [https://www.instagram.com/blackkeyecho?igsh=MTB3eDdoMnBzZnRuaA==]

اگر این موسیقی با شما ارتباط برقرار کرد، دکمه ری‌پست (Repost) را بزنید و جمله مورد علاقه خود را در کامنت‌ها به ما بگویید!

BlackKeyEcho - The Will or the Fall (اراده یا سقوط)

A hard-hitting hip-hop 2010 remix for 2025, inspired by the Gears of War universe. Heavy bass, war horns, and aggressive energy built for battle.
This track hits like a Lancer burst — cinematic, dark, and raw.
Crank it loud, and feel the war zone come alive.

Gears of War - 2025 (Duke Snoogens Remix)

“Dustin” is a serene, wordless meditation from SkniTuneS — an instrumental journey that drifts between warmth and melancholy. Lush pads, delicate piano, and subtle textures blend into a cinematic landscape that captures both memory and motion, evoking quiet reflection and gentle resilience.

SkniTuneS - Dustin (Instrumental)

Tchaikovsky’s great and exhilarating classic piece “Russian Dance” ("Trepak"), from ‘The Nutcracker’. A Christmas season favourite!

Composer: Pyotr Ilyich Tchaikovsky (d.1893)
Arranger: Jeffrey Z Music

The Nutcracker: Russian Dance - Molto Vivace

BlackKeyEcho is a musical project that builds a bridge between the epic soundscapes of Western progressive rock and the soulful depth of classic Iranian music. The name itself is born from the artist's journey: from the "Black Key" of the piano in childhood to his formative rock band, "Echo".

Inspired by legends like Pink Floyd and the enduring spirit of Iranian icons such as Farhad, BlackKeyEcho creates a cinematic, sonic legacy for the discerning listener; a soundtrack for night drives and deep moments of reflection.

Instant composer of whispered melodies - Authentic. Every song is written in a single breath — a musical memory, inspired by people and moments that crossed my path. Piano stories to breathe, heal, love, and reflect. Music is most beautiful when it’s shared. 🎹✨
Thank you for listening   - No AI --

I make "Duke Music", especially for you.

ALL 100% Original Handcrafted Tracks.
This is an Original Music Page.

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Film music composer. Need custom film scoring for a project you're working on? Feel free to contact me.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

New tracks tagged #Classical,