The title says it all... 
Words & Music: J. Kruft Van Rossum
Performed and recorded by Jerome Van Rossum
Rhodes: Eric van de Bovenkamp
Drums: Darby Todd, Erik Dekker
Background female vocal: Johanna Delgado
YouTube video available with performance by G.E.E.K. https://www.youtube.com/watch?v=sfu97dBpVc0
Image: JVR with ChatGPT

Ignorance Rules the World

Ignorance Rules The World (Original Version)

another example in my 'isolated tracks' series, this is a short snippet from 'The Get Down' by the Eclectic Collective, featuring just the clavinet chorus along with Josh's slick bass riff and some nifty percussion from Ken.  

here's the full song with the detailed description:
(likely a different sounding mix than you've heard before)  😎

https://soundcloud.com/user-432503709/the-get-down-mark-mix-audio

The Get Down (ISOLATED clavinet with rhythm section)

Slow instrumental jam, electric bass, bass synth, drum beat, clavinet, synths with Gustavo Bulgach (saxophones)
@gustavo-bulgach

de parte de quien? (featuring g.bulgach) instrumental groove

A tender jazz-funk/sophisti-pop duet where two voices truly “see” one another. Rhodes, clavinet, horn section and brushed kit cradle D-minor verses (94 BPM) that bloom into a radiant, harmony-stacked chorus. Male-female interplay (Norah Jones/Lianne La Havas vibe) invites slow-dance replays.
For industry: intimate-to-anthem arcs ideal for drama/relationship sync; lyrical universals (“seen,” “recognised”) and clean instrumental breakdowns. For curators: Duet Gems, Late-Night Jazz-Pop, Soulful City Lights.

Through Your Eyes

Post-disco adrenaline with MJ/Prince DNA: TR-808/Linn snap, clavinet funk, slap-bass fireworks, and chant-along hooks built for festivals. A key-change finale and crowd-vocal lifts seal this as a dance-floor flamethrower.

Light Up the Floor

A slow, laid-back funk groove with jazzy sax, clavinet, deep fender jazz bass, and abstract synth textures.
Smooth, atmospheric, and slightly cinematic — the kind of track that lives between a modal jam and a chill-out or lounge beat.

Performed by DD - clavinet, electric bass, abstract synth, drum program.
With Miguel Yanover - Tenor saxophone

For this @disquiet challenge:
https://llllllll.co/t/disquiet-junto-project-0720-one-from-two/

Golpe de Suerte - disquiet0720

Dr. Grated ad Parmesan

Light that candle… see who blows it out.

Black cat chillin’ on the windowsill,
Mirror cracked — yeah, time stands still.
Salt on the floor and the door won’t close,
I got a cold wind singin’ down my nose.

Every little sign got a funky sound,
Can’t tell if it’s fate or the bass gettin’ down.

Bad luck’s got rhythm tonight,
Tappin’ its heels in the pale moonlight.
If trouble’s a groove, I’m doin’ it right —
Bad luck’s got rhythm tonight.

Deck of cards dealt face-down wrong,
Seven’s gone missin’ from the gambler’s song.
Crossed two shadows on the same old street,
I heard my echo keepin’ beat for beat.

Every knockin’ ghost knows the one-two-three,
Playin’ percussion on my prophecy.

Bad luck’s got rhythm tonight,
Rollin’ the dice under flickerin’ light.
If the curse got funk, I might just bite —
Bad luck’s got rhythm tonight.

“Who’s knockin’?”
“You, baby, it’s you!”
“Who’s jinxed?”
That groove you threw!”
“Who’s countin’?”
“Not me — the signs all lie.”
“But the rhythm don’t ever die.”

Spilled my coffee in the shape of a cross,
Laugh so hard I forget the loss.
Moon in the mirror keeps winkin’ twice,
Guess even omens got good advice.

Bad luck’s got rhythm tonight,
Tappin’ its heels in the pale moonlight.
If the world’s off-beat, I’ll make it tight —
Bad luck’s got rhythm tonight.
(Repeat and fade: “Bad luck’s got rhythm… tonight…”)

Bad luck’s got rhythm tonight

DJ, turn it down a little
Keep the lights low, let me breathe

Closet full of colors I don’t recognize
Mirror says a stranger’s in my size
Footsteps on the tiles, I fake the glide
Trying on a name that isn’t mine

Heartbeat in the kick, but I’m out of time
Reaching for a face I left behind

I feel so far from myself
So far, so far
I feel so far from myself
Don’t know who you are

Laughing with a mouth that feels like glass
Smiles made of paper never last
Hands up in the air, it looks like joy
Inside I’m a quiet, broken noise

Calling from a distance I can’t find
Dancing like a shadow out of line

I feel so far from myself
So far, so far
I feel so far from myself
Don’t know who you are

So far, so far, I’m drifting
So far, so far, keep shifting
Call me back, call me back, to center
Hold me close, hold me close, don’t let go

If I take this mask off, will the room go cold
Will the music stop, will the truth unfold
If I say my real name, will I disappear
Or finally arrive and still be here

I feel so far from myself
So far, so far
I feel so far from myself
Don’t know who you are

I feel so far from myself
So far, so far
I feel so far from myself
Bring me back to who we are

DJ, fade it slow
Maybe I’ll find my way home

So far from myself

Ritmo Veloce

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

Stream Us Everywhere!
➽ https://linktr.ee/Logical_Miracle
➽ Youtube  https://www.youtube.com/@logical_miracle
➽ Tiktok @logical_miracle
➽ Instagram @logical_miracle

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Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

A collection of original music inspired by the vibes of the 70s and 80s. Written and performed by V-LAD.

Jerome Van Rossum is a Dutch composer, multi-instrumentalist, producer, arranger and band leader. He started his career in New York with a variety of bands, theater companies and record labels, releasing his first solo album "Diplomatic Immunity" in 1998 (Irma Records). His latin-funk Orquesta Mata Buena played clubs and festivals in the US, and later in Europe, when Jerome moved back to Europe. Jerome is now back in the studio, recording new musical projects, some of which will appear here on SoundCloud.

New tracks tagged #Clavinet