Outroduction

“Light After the Leaving” is about dealing with loss and slowly finding your way back to yourself. Trying to put into words what it feels like to carry someone’s memory while learning how to move forward again. The track talks about the quiet moments, the heaviness, and the small steps that help you heal bit by bit. Every verse is about accepting what’s gone, holding on to what mattered, and choosing to rise with whatever strength you have left.


Lyrics:
I been tryna outrun ghosts with my shoes unlaced, 
Memories hit heavy, every breath misplaced. 
Grief sit quiet in the corners of my face, 
Whispering the names that time can’t erase. 
Life pulled carpets, left me bare on the floor, 
Heart cracked open like a half shut door. 
Pain moved in and wouldn’t leave no more, 
Had to learn that healing ain’t a race I score. 

Nights get cruel when the echoes get loud, 
Tears turn rain when the sky feels proud. 
But I still stand up when the hurt says bow, 
Voices from the past say “live somehow.”  

I’m getting over life lost, slow like dawn, 
Carrying the names of the gone, still strong. 
Light in the cracks where the pain held on, 
I rise, I rise, even when I’m wrong. 
Getting over life lost, breath by breath, 
Turning every silence into something left. 
Love don’t die, it just shifts its depth, 
And I walk with the memory beside my step.  

Had days I ain’t speak to the world outside, 
Felt small like a heartbeat trying to hide. 
Sorrow like a chain I could barely untie, 
But the soul finds air when the tears run dry.
Lessons in the hurt that I never did ask, 
Life shed skins, and I peel my past. 
Holding on to moments that fade too fast, 
Still learning how to loosen my grasp. 

I can feel the sun leaning in on me now, 
Warm on the wounds that I stitched somehow. 
Lost ain’t gone, it just hums in the sound, 
Of the steps I take while I’m fate bound.

I’m getting over life lost, slow like dawn, 
Carrying the names of the gone, still strong. 
Light in the cracks where the pain held on, 
I rise, I rise, even when I’m wrong. 
Getting over life lost, breath by breath, 
Turning every silence into something left.
Love don’t die, it just shifts its depth, 
And I walk with the memory beside my step. 

Yeah, I speak to the shadows, they speak back soft, 
Tell me every heartbreak come with a cost.
But I climb from the ruin, never truly lost, 
Healing is a flame that survives the frost.

So here’s to the people I keep in my chest, 
The lessons they gave, the ways they blessed. 
I’m learning to live in the space of the rest, 
And I rise in the light where the leaving pressed.

Produced and arranged by : Afiqsafs

Light after the Leaving

Chill instrumental with a steady, reflective melody and a relaxed pace

After the Work is Done

“Im Rückspiegel schön” is a reflection in motion — a slow-burning rock ballad that looks back with warmth instead of regret. It’s a story about learning to let go while cherishing what once was. Between the lines, there’s acceptance, self-discovery, and the quiet beauty of closure. The song captures that moment when the past finally feels like a friend — still shimmering in the rearview mirror, but no longer pulling you back.

„Im Rückspiegel schön“ ist eine Rückschau in Bewegung – eine gefühlvolle Rockballade, die mit Wärme statt Wehmut zurückblickt. Es ist eine Geschichte vom Loslassen und vom Bewahren dessen, was einmal war. Zwischen den Zeilen liegen Erkenntnis, Selbstfindung und die stille Schönheit des Abschieds. Der Song fängt diesen Moment ein, in dem die Vergangenheit endlich zu einer Freundin wird – noch leuchtend im Rückspiegel, aber ohne dich festzuhalten.

Wunderschön

Solang’s noch knistert, bleib ich hier
Hab ich mir gedacht
War verdammt schön mit dir

Wir war’n zu echt für „heile Welt“
Schräg, verrückt, gut drauf
Will‘s nicht missen
Für kein Geld der Welt

Ich hab gelernt, den Sturm zu mögen
Ehrlich gesagt
Manchmal kommt er mir sogar gelegen
Hab dich lang nicht mehr gesehen
Und trotzdem...
Was wir waren, bleibt im Rückspiegel schön

Heute weiß ich:
Liebe ist kein Ziel, sie ist der Weg
Schmerzhaft, schön
Je nachdem
Wir zwei sind der Beleg

Hab gelernt, den Sturm zu mögen
Ehrlich gesagt
Heut kommt er mir gelegen
Ich hab dich lang nicht mehr gesehen
Und trotzdem...
Was wir waren, bleibt im Rückspiegel schön

Schön

Bin bei mir angekommen
Paar Narben mehr, aber kein Groll
Hab verloren, hab gewonnen
Wie gesagt:
Angekommen

Hab dich lang nicht mehr gesehen
Und trotzdem...
Was wir waren, bleibt im Rückspiegel schön

So schön

Wunderschön


Im Rückspiegel schön

I will be forever reflecting on what an honour it was to be given the opportunity to support Hernan Cattaneo and Anthony Pappa at the Sudbeat Official after party for Return to Rio. 

A dream, which came into reality. 

The crowd was awesome and so vibrant and fully 'in it' after an epic Sudbeat event at the Roundhouse during the day. 

This will stay with me for a lifetime. 

Thank you, as always, to Ricky and Alex from Return to Rio.

I hope you enjoy the set.

Much love

LUCY x

Tracklist:

1. Fran Garay -  Lazhar (Original Mix) {Solis Records}
2. Paul Deep (AR) - Dohko (Original Mix) {Sudbeat Music}
3. Eichenbaum, Nacho Barcús - Delayed Senses (Nicolas Leonelli Remix) {3rd         Avenue}
4. Gai Barone - No Way (Original Mix) {A Line In The Sand}
5. Nicolas Rada - Balanced (Original Mix) {Soundteller Records}
6. Khen - Florida (Original Mix) {Closure}
7. Michael A - Difference (Original Mix) {Deep Down Music}
8. Nicolas Rada - Zeitgeist (Original Mix) {The Soundgarden}
9. Nick Varon - Over & Out (Nicolas Rada Remix) {Suffused Muisc}
10. Khen - Never Lose Your Innocence (Original Mix) {Sudbeat Music}
11. Robin Thurston - Lost in the Moment (Luciano Scheffer Mix) {BC2}

LUCY - Warm up w/Hernan Cattaneo & Anthony Pappa, Sudbeat Official After Party

Papa Bear is a Melbourne-born DJ based in Hong Kong and an active member of the Anjunafamily communities in both cities. A lifelong devotee of trance and melodic electronic music, he’s played across Melbourne, Hong Kong, Tokyo, and Shenzhen, and has supported international acts including Estiva, Kyau & Albert, and Daniel Skyver.

Papa Bear is known for his deep track knowledge and ability to take listeners on an emotive journey.

https://soundcloud.com/markdemetrious
https://www.instagram.com/markdemetrious/

Cumulus Sounds - Mix 028 - Papa Bear

"Meri Jaan” follows a lover, seeker, and wanderer chasing closure and peace within. It’s about moving forward while haunted by the views in rearview mirror. With emotionally charged vocals and layered metaphors, it explores heartbreak, divine refuge, and existential wandering. A fusion of Alternative R&B and Trap Soul, the track speaks to listeners navigating love, loss, and inner longing.

Main Chala

LoveNotMercedes Ft. Reo Move (Unfinished)

Voices Closure (2025) – electronics


Performed, recorded and produced by Predrag Pedja Milojkovic 

All rights reserved by author

Voices closure

Idfk what the f to write here just listen ig or not, upto u yk. Ima copy and paste this on everysingle one of my tracks lol, im lazy af ngl

Pussy

Floating Dreams are a Melbourne based collective of DJs playing the best and latest Organic, Deep and Melodic House. 

They have held residencies at Music Room Melbourne, Arbory Afloat and the UK-based radio station AATM Radio and have supported international and local artists including:

- Sébastien Léger [All Day I Dream / Lost Miracle];
- Double Touch [All Day I Dream, TRYBESof];
- Martin Roth [Anjunadeep];
- Genix [Anjunabeats];
- Fede Pals [3rd Avenue; The Purr];
- Kasey Taylor & Karl Pilbrow [Sudbeat] 
- James Beetham [Late Night Music]
- DJ Koze [Pampa Records]
- Gerd Janson [Running Back, DE]
- GMJ & Matter [Meanwhile / Sudbeat]
- Weird Sounding Dude [Anjunadeep / The Soundgarden
- Dosem [Anjunadeep]
- Jim Rider [All Day I Dream]
- Nox Vahn [Anjunadeep]
- Braxton [Anjunadeep]
- Simon Doty [Anjunadeep]
- Eli & Fur [Anjunadeep]
- Nils Hoffmann [Anjunadeep]
- M.O.S [Anjunadeep, All Day I Dream, The Soundgarden]
- Blake.08 [Anjunadeep]
- Dee Montero [Anjunadeep, All Day I Dream, Futurescope]
- CRi [Anjunadeep]
- Shingo Nakamura [Monstercat Silk, Anjunadeep, Otographic]

i do not get paid from my music, its just for fun

I am an Adventurer, explorer, philosophist. A fool, a beast, a soul: space-n-timeless. I seek, I wonder n admire, I believe in me, I cry. 
I am humbled by ways of this universe, I am thankful, I m strong-headed, softhearted, I am a questioner.
I am an enduring entity, master of my will, I collapse, I rise thru my ashes - I am a phoenix. 

I am nothing. I m shaping my shellings. i do. i am consciousness. 
I have lost, m gaining: a li'l weight. li'i wisdom. a lot of experience. 
I love women, respect women. I respect life - large n small n young n old. I love hyenas.
I observe n absorb the good bad n ugly, i m passionate as red. Deep purple too and bright white. I can speak the truth,  walk my talk, n laugh my heart out.

I am expressive, m a listener. Untamed, m d king of my heart. 
I wander - I am a vagabond. 

I take chances, drink milk, n make sense. MAKE NONSENSE. Make love.

I trust. 
I am my best bet! I am d love, d light, n d pain i feel. 
I am an electron. 
I m a book already written, not opened. Being opened, unwritten being written.
 
I can run n stop ( n surprize!)..n end.
I m abrupt.
I am elaborate.
'em a magic spell....I create! 
And all that I am... as I am, I Begin...

Anyone got $100 Im tryna buy a game pretty plz

 always work on yourself as a person to be the best you can possibly be and always stay positive. Im here for yall. Hit me up if u wanna talk/vent❤️‍💗 18 n shi

I create music in styles and genres I love (and there are a LOT). I especially enjoy experimenting with genre fusion, instrumentation, and arrangement. If it brings you joy, that makes me happy.

This music is not monetized. It's to bring musical joy to me (and hopefully you!). Thanks so much for listening

Released under the name Flannel Salad (formerly Scurlock).

I make music for the things I can’t say out loud

Lucy is a rising force in Sydney’s electronic music scene, known for deep, immersive sets that weave dark textures, dreamy soundscapes, hypnotic rhythms and is digging the 'wonky' prog as she likes to call it which adds to guiding listeners on a journey of self-discovery.

She’s played for Return to Rio, supporting artists like Henry Saiz and Monkey Safari, plus Nick Warren, and Patrice Bäumel at the 2023 festival, and most recently Kamilo Sanclemente and Guy Mantzur. Other standout gigs include Bootz n Catz supporting Marsh, T1000 Events supporting Dave Seaman & Quivver, The Sunset Project, Tempo Comodo, and more,

Her club appearances span Carousel, Civic Underground, The Abercrombie, Manning Bar, Oxford Underground, Café del Mar, Club 77, and The Lucky Cat.

Drawing inspiration from the likes of John Digweed, Patrice Bäumel, Four Candles, and Kasey Taylor, Lucy curates deep, progressive, and melodic journeys that resonate on an emotional and spiritual level.

Driven by passion and curiosity, she continues to evolve as a DJ. “Dancing connects you to your tribe,” she says, “to an experience of feeling open, free, and truly alive.”

#©OMPOSe®#  Orchestration and arranger
....CV shall be updated soon..


…born in Požarevac (1969)… …completed music education in the class of Professor Olga Popov…. …among international courses participate at… ….1995,17th Summer Course for Young Composers organized by ISCM (International Society for Contemporary Music, Polish Section). The event was run by Martin Bresnik (USA), Silvano Bussotti (Italy), Daryl Runswick (UK), Sigune von Osten (Germany), Claude Lefevre (France), and Witold Szalonek (Poland). ….participant of the Belgrade International Forum of Composers …Music Academies’ meeting in Montenegro… …1996, participant of the International Summer Course for Young Composers in Czech Republic organized by their ISCM Section. This one was run by Sofia Gubaidulina (Russia – Germany), Viktor Suslin (Germany) and Marek Kopelent (Czech Republic)… ….. “Blue” - for accordion, harp and percussion instruments was performed at the Belgrade International Forum of Composers…. same year 1996, he started working at Jeunesses Musicales of Serbia office as an Editor & Organizer of music events… …1997 was appointed Secretary General of Jeunesses Musicales Yugoslavia…. ….graduated from the Belgrade Faculty of Music, Department for Composition and orchestration, in the class of Professor Vlastimir Trajković. ….Molto espressivo for full orchestra, was composed for the final exam…. … has been performed and recorded by the Belgrade Radio and TV Orchestra conducted by Biljana Radovanovic… …Molto espressivo was broadcasted on National TV network many times…. …1998. Participant of the Academies’ meeting in Belgrade (presentig Molto espressivo for full orchestra…. …1998. Participant of the Seminar for International Youth Leaders (July 02-05.Athens, Greece) …. Participant of the 6th International Academy for New Composition and Audio-Art (August 18-31. Schwaz / Tirol – AUSTRIA) –granted with a scholarship by the society ”KulturKontakt Austria” *se picture…. ….1999. Participant of the International Summer course in Stuttgart TEILNAHMEBESTATIGUNG Marek Choloniewski (Krak6w) Komposition computermusik (Intera aktive Systeme, I ive- Elektronik) Komposition Computerm usik (Animation, Detphi) algorithmische Komposition (Smalltalk) Siegfried Eipper (stuttgart) nnalyse Neue Musilg Komposition Matthias Hermann (Stuttgaft) nnatyse Neue Musik, uusiilrwissenschaft Igor Stepanow Studio- und produktionstechnik Manuel Hidalgo (Stuttgaft) Maciej Walczak (Stuttgart lL6dr) Georg Wiitzer (Stuttga rt)Jan Choloniewski (Krak6w) Ulrike Stortz (Stuttgaft) Werner Taube (Stuttgart) Bernhard SchleiB (Stuttgart) Jiirgen Kruse (Stuttgart) Anja Fiisti (Stuttgaft) Jan Pilch (Krak6w) Com puterkurs (Internet, Homepages)……Violine Violoncello Klarinette Klavier Schlagzeug Schlagzeug…. ….2000. REX’s festival for short video forms in Belgrade ….2001 International Forum of composers, audio-video art project PASSAGES in Belgrade …. END OF PART I….. Working experience 1996-2012 had I full time job at Jeunesses Musicales of Serbia and Jeunesses Musicales of Belgrade - 1996 start to work as an Editor/Organizer - from 1997-2012 worked as Editor, Editor for International Programs and Projects ( major projects shall be updated ) , Assistant of Editor in Chief, Editor in Chief Jeunesses Musicales od Serbia, Editor in Chief Jeunesses Musicales of Belgrade, Director of Jeunesses Musicales of Serbia and Jeunesses Musicales of Belgrade, Director of International Jeunesses Musicales Competition Belgrade ( -until 2012)..... (1997) appointed Secretary General Jeunesses Musicales of Yugoslavia(ex Yugoslavia-Serbia and Montenegro) (.....) Jeunesses Musicales Belgrade Secretary (.....) Secretary General Jeunesses Musicales Serbia (.....) Secretary General Jeunesses Musicales Belgrade SOON WILL UPDATED AND ...from 2016 cooperate and working with NGO sector in Belgrade ....

SOON WILL UPDATED AND CORECTED https://soundcloud.com/pedja-milojkovic

New tracks tagged #Closure