After hitting 10k plays on UmUmUmm on Spotify, I wanted to give something back. Here’s my edit of Michael Bibi’s “Hanging Tree” — warped into a fast, hypnotic groove built for the warehouse—free download, made for DJs and dancers who like it heavy.

Free Download

Michael Bibi - Hanging tree (Bucky edit)

Black Beatles. Hard Techno. Rockstar Energy.

Black Beatles (Hard Techno Remix)

FREE DOWNLOAD ⬇️
https://hypeddit.com/djjdmixes/nobrokeboysxratherbexholdmyhanddjjdmashup
FOLLOW INSTAGRAM ⬇️
www.instagram.com/jdgibsonn

No Broke Boys x Rather Be x Hold My Hand (DJJD Mashup)

Rumple Techno mit Vocals aus World of Warcraft von Cthun ein Old Gott die Stimmung soll mystisch sein

C´Thun | Techno | Louis Bunt

FREE DOWNLOAD!!!   
https://www.toneden.io/esaac-7339-9271/post/mk-dior-esaac-remix

MK - DIOR (ESAAC REMIX)

LaBlackie - Violence (Vitala Edit)

Free Download

Mix y Master @wachurookie

FREE DOWNLOAD

LaBlackie - Violence (Vitala Edit)

Get ready for the ultimate club anthem! LCFM delivers a powerful fusion of Tech House and dark Techno elements, topped with a sassy female vocal and a surprisingly addictive banjo riff. This track is pure festival energy with a huge, choir-backed drop that demands respect and a high-end sound system.

#nobrokeboys #techhouse #techno #femmeboss #vintagelife #davidguettainspired #festivalanthem #clubtool #lcfm

No Broke Boys

'Buy' for free download
instagram: @owensmithhhhhhhhh
contact/bookings: owensmithdj@gmail.com
Chicago, IL

Lil Uzi Vert - Miss Cleo (Owen Smith Bootleg)

Smithski - Gimme More

Music video : https://youtu.be/SkssvTIcUbI

Peak time techno meets a psychedelic world—watch the gate open in 4K.
Hypnotic acid lines, rolling bass—warehouse energy for the late hours.
No vocals, just a relentless visual trip synced to 122 BPM.

Stream / download / buy ➜
(●'◡'●)
https://music.apple.com/us/artist/grass-patch-bum/1596136340
(❁´◡`❁)
https://soundcloud.com/grasspatchbum
☆*: .｡. o(≧▽≦)o .｡.:*☆


The Story  ᓚᘏᗢ  ➜
I. The Sky Breaks Into Petals

On the world‑city of Orialis, ceilings were a polite fiction. The sky drifted like oil on water: slow, prismatic, a dream front politely delayed. Then, without ceremony, the first drop fell—a prism bead that took a century to reach the ground and somehow struck within a heartbeat. It nested in a cup of lichen on the parapet of the Sporespire, and everything remembered how to bloom.

They called it the Lysergide Rain. It came seldom, and when it did, it revised reality. Buildings sighed and decided on better shapes. Streets discovered shortcuts they’d been shy about proposing. Even the light learned new ways to turn corners. Across roofs and terraces, the citizens of Orialis lifted their faces—none of them human, none of them ordinary. They were mycelium‑born with crowns of pale gills, river‑djinn poured into glassy bodies, chrysalis‑knights whose armor molted into sculptures at dusk. And walking among them, as different from them as a question mark is from a meadow, strode Vesryn, a guide chosen by the Lattice.

Vesryn was humanoid the way a constellation is a kind of animal—recognizable, deliberate, never actually seen the same way twice. Filaments threaded their skin like silver roots, and where a heart would be, a slow heliograph pulsed behind their ribs, blinking messages nobody else could read. Their eyes were rings of petrified wood; peer long enough, you could count the seasons they had survived. When the Lysergide Rain started, Vesryn’s inner heliograph flashed a sentence that translated to: It is time to find the place that forgot it was a door.

They drew their Anamnesis Dial from a pouch woven of dried veils of mushroom. The disk looked like a coin sculpted by a fever dream—its markings never steady, its edge always a bit unsure where, precisely, to be. The Dial warmed, and the Lattice sang—soundless, exigent, intimate. Vesryn felt the road think itself into existence beneath their feet.

Orialis responded like a creature being scratched in exactly the right spot. A boulevard unrolled, not paving itself so much as claiming it had always been there. Along its borders, chroma‑moths woke and opened paneled wings that glowed like stained glass rinsed with LSD light: delicate, vectorial, laughing. They took to the air in a rumor of color.

Vesryn set a palm to the Sporespire’s stone and bowed. “I will return. Or I will succeed. Both feel like the same thing.” The spire’s mycelial ribs answered by trembling, a resonance like a conch’s heart.

They walked into rain that edited the world as it fell.

II. The Guide and the Thought‑Road

The road kept remaking itself. It hummed when Vesryn walked, quiet when they paused, impatient when they looked away. It led past mushroom groves with gills that glimmered like cities seen from space; under each cap, spore‑constellations drifted in drifts that spelled diagrams of elsewhere.

Continues on the website.


ಥ_ಥ
Merch Shop : https://grass-patch-bum-shop.fourthwall.com
o(*^＠^*)o
https://open.spotify.com/artist/3q0KcTUD3hmRdi1SUWd6VL
https://grasspatchbum.bandcamp.com/
https://grasspatchbum.com/
ㄟ(≧◇≦)ㄏ
Support the tunes:
https://paypal.me/grasspatchbum


#techno #trippyvisuals #technomusic #visualizer #undergroundtechno #musicvisualizer #4kvideo #4kvisuals #psychedelicvisuals #peaktimetechno #hypnotictechno #drivingtechno #melodictechno #aimusicvideo

Lysergide Rain Over Orialis | Music video on Youtube

Brazilian funk edit of inti chamsi- lotfi bouchnak

bouchnak funk

jungle edit of Ragheb Alama - Alby Eshekha
راغب علامة - قلبي عشقها

ragheb in the jungle

edit of  Nancy Ajram-Oul Tani Eyh (download unpitched)

nancy on speed garage (pitched)

FREE DOWNLOAD : https://hypeddit.com/esaaclore/fredagainstayinitesaacloreremix



#fredagain #houseremix

DOWNLOAD

Fred again.. Lil Yachty Overmono - stayinit (Esaac & Lore Remix)

FREE DL

[FREE DL] Camporeale, Gavrosh - LEON

Artista: @ik86
Sello: @not-like-others

Estreno directo y sin maquillaje. IK86 captura ese minuto entre el ruido y la calma en “Life As It Is”: bombo seco, bajo saturado, pads polvorientos y un hook que no pide permiso—entra y se queda. Club tool con pulso humano, hecha para mezclas largas y luces bajas. Disponible el 7 de noviembre en Not Like Others Records.

Quién es: productor esloveno con pasado en WD2N y alias como Ifan Kovny, Yellow Page y Zumbador. Tras una pausa, vuelve bajo su propio nombre con foco total: pistas honestas, memorables, listas para cabina.

PREMIERE: IK86 – Life As It Is – Not Like Others Records

Blend of The Bitch by Mike Q & DJ Sliiink feat Miss Jay and Chanel by Tyla

The Bitch In Chanel (Tyla x DJ Lawyer Remix)

Some tracks are not created as finished songs, but as snapshots—musical studies that explore ideas without setting a goal.

 “Pump Up the Jam 2025 (Techno Version)” is not a cover version, but a sonic sketch – a raw reinterpretation that quotes the iconic riff of the original and transfers it into a hard, minimalist club context.“Pump Up the Jam 2025 (Techno Version)” is just such a piece: raw, straight from the machine, without frills. Maybe it will become something more, maybe it will simply remain what it is – a functional club beat for the late hours.

Like many of my studies, this is not a finished song, but a fragment of an idea. Maybe something new will develop from it – or maybe it will stay exactly as it is: raw, unpolished, and straight from the engine room.

Pump Up the Jam 2025 (Techno Version)

Your one stop shop for club tools

💽  stay in the loop: 

~ https://hoo.be/its.esaac

🎵 mgmt + bookings:

~ esaac.mgmt@gmail.com

Durante años Vicious Magazine ha sido la revista de referencia para muchos de los seguidores de la música electrónica de la península. Ahora anunciamos su regreso en una nueva e ilusionante etapa en la que conserva su esencia original informativa y de ocio adaptándola a los nuevos tiempos.

Y vuelve en papel y en digital, en un formato dual que colmará las expectativas de los que aún disfrutan acariciando lo que leen y los que lo prefieren gozar desde sus móviles, portátiles., etc.

En la nueva revista Vicious Magazine encontraréis toda la actualidad musical especializada en electrónica de todos los estilos, además de innovadoras secciones dedicadas del sector tendencias para que hojear sus páginas sea una experiencia 360 para todos. Informar y entretener desde una visión bien fundamentada.

Y para ello hemos reunido a un equipo de profesionales de la información de la máxima y más contrastada categoría nacional. Periodistas veteranos y redactores noveles, perfectamente en sintonía, conseguirán informar y entretener desde su visión bien fundamentada de lo que se cuece y sucede, a diario, en el panorama de la electrónica nacional e internacional.

Premieres Curated by @modernphase
Send your request to luisv@viciousmagazine.com

I am Gentle Savage, an artist from Berlin. In my music, I combine melancholic depth with a cinematic atmospheric - a mixture of alternative pop, cinematic folk, dark ambient, and singer-songwriter elements.

instagram: @owensmithhhhhhhhh
contact/bookings: owensmithdj@gmail.com

Bookings: Dm here

Bucky is a DJ and producer from Los Angeles crafting fast, dance-floor-driven grooves that blend hardgroove, techno, and bounce. His track UmUmUmm has been supported by VTSS at major festivals like Coachella and Tomorrowland. Through releases and his SPEEDTRAILS mix series, Bucky is building a brand around high-energy sets and forward-thinking club music.

Camporeale is a French DJ and music producer.
Moving between studio sessions and club nights, he crafts original tracks and remixes, always rooted in heavy drums, powerful basslines, and raw rhythmic energy.

Drawing from both hip-hop and electronic influences, his sound delivers high-impact sets with precise selections and a deep instinct for the dancefloor. His electrifying performances have taken him across France and Europe, including a slot at Peacock Society 2025.

Beyond his own productions, Camporeale runs the Hooligang parties in Paris and has featured on renowned radio stations such as Rinse, Kiosk, and Linea Milano.

Vitala
DJ
oogie boogie
host de @lingo.radio 
booking @galgo.work 
mngmnt Parra@galgo.work
🕷🕷🕷🕷🕷🕷🕷🕷🕷🕷

Dig the tunes? Check out trippy music videos: https://www.youtube.com/@grasspatchbum

Website or Instagram for booking.

Need change - going into the depths.

Techno, Trance, Psytech, Psytrance, and other liquid psychedelic music is where I'm the happiest but I do love a lot of Latin, Tribal, Trip Hop, Lofi, Chillhop so occasionally I'll release something off-beat.

------ Past-Tense Shenanigans ------

Born in the dust-filled vibes of a ‘90s apartment, Grass Patch Bum started spinning records back when vinyl was king and internet cafes were revolutionary. Armed with a crate of vinyl, Grass Patch Bum dived headfirst into underground raves and sweaty house parties, learning the art of blending beats on turntables and (eventually) the "futuristic" CDJs. But the journey didn't stop there.

After taking a hiatus to dive into the world of FL Studio and dissect the mechanics of production, Grass Patch Bum came back stronger, with a repertoire of original sounds and the technical chops to match. Fast forward, and they've turned dancefloors upside down from Thailand to Vietnam, Bali to the heart of Europe. Now, powered by Ableton Live and a creative arsenal that refuses to stay in one genre, Grass Patch Bum weaves sonic journeys that blend groove, grit, and just a sprinkle of nostalgia for the good ol' days.

Catch him live for a taste of nostalgia, modern beats, Latin grooves, electronic melodies, and a wide range of liquid sounds. Whether it's a tropical beach in Thailand or an underground club in Berlin, Grass Patch Bum brings thems booty movements like no other.

bookings/mgmt: businessdjjd@gmail.com
socials: hoo.be/djjdmixes

ALL TRACKS HAVE FREE DL 🪩🪩🪩

Lucas Miranda, also known as LCFM Music, is a tech house producer focused on energetic, upbeat pop tracks, as well as creating dark houses and techno. He produces original tracks, remixes, and bootlegs with a cinematic approach and a minimalist sound. (Not always 😂)

DE.          |Hi, ich bin Louis|
-------------------------------------------
Vorab: Jeder Track enthält genau 0 % KI nicht Thumbnail kein sample, auch nicht sonst irgendwas. Alles von Hand, alles von mir.
Wenn du zweifle hast, schreib mir – ich schick dir die ableiten projekt als proof.
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ich droppe nicht regelmäßig, weil leben. aber jede freie minute geht in musik. und dabei bleibt’s.
wenn was kommt, dann weil es sich richtig anfühlt. Manchmal sind’s Skizzen, die ich produziere, manchmal fertige Tracks, manchmal auch nur ein Groove, der mir im Kopf ist . Viel verschwindet in irgendein Dateien System, aber ab und zu ist dann auch mal was dabei, das plötzlich einfach fertig ist. Ich lade nichts hoch, nur um “aktiv” zu wirken – lieber selten und echt als oft und leer. zwischendurch gibt’s längere pausen, weil ich noch anderes aufm Plan habe, aber ich bleib dran. feedback ist willkommen, kritik auch. dms sind offen, auch für kollabs .Ich antworte, sobald ich kann. Danke fürs Reinhören und fürs Zeit nehmen.

ENG    |Hi, I’m Louis|
--------------------------------
Up front: every track contains exactly 0% AI — not the thumbnail, not a sample, nothing. All by hand, all by me.
If you have doubts, message me — I’ll send the Ableton project files as proof
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I don’t drop regularly — life happens. But every free minute goes into music, and that won’t change.
When something drops, it’s because it feels right. Sometimes it’s sketches I’m working on, sometimes finished tracks, sometimes just a groove stuck in my head. A lot disappears into some folder system, but every now and then something suddenly ends up finished. I don’t upload just to look “active” — I’d rather be rare and real than often and empty. In between there are longer breaks because I’ve got other things on my plate, but I’m sticking with it. Feedback is welcome, so is criticism. DMs are open — collabs too. I’ll reply when I can. Thanks for listening and for your time.

New tracks tagged #Clubtool