I have loved Larry Carlton since I first heard him play back in the early 80s. I especially love the sounds he's getting so when I got the Tone Master Pro I've been working on a preset that allows me to play with dynamics both from touch as well as from working a volume pedal. 
I know the Mr Carlton uses a Dumble ODS style amp since many years and I also know that at this time there's no Dumble model in the Tone Master Pro. But there was a time before Mr Carlton started using the Dumble and IIRC he was using a Mesa/Boogie with an EV speaker or a Fender Princeton.
So for this preset I used the Boogie amp for a warm and clean rhythm sound and then I set up other pedal models to create the overdrive so I would get a dynamic mid focused and smooth overdrive. An overdrive so smooth that it's almost clean in how I perceive it. I know it doesn't have that initial "chirp" in the attack but feel wise I think this is very close to most of the ODS-style amps I've played over the years. Above all it's a very enjoyable preset to play. At least to me.
When I was done making the preset I wanted a tune so I could tweak it in a musical context and thus I wrote this tune. All guitars in this tune used one and the same preset for both the OD lead and the clean rhythm.

Private Songs 2023

Morning Train To Arizona

Collings 290 DC 18383 Ch1

Collings CL Deluxe 11604 Ch1

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Here's a totally harmless smooth jazz tune with a latin touch. I love this kind of music but I get to play it too seldom.

Private Songs 2024

Constant Movement

This style is definitely not in my comfort zone. It so out of it, I don't even know what to call it. Could it be Swedish Americana? 
I had this kind of lazy timing groove in my head and wanted to do something with it. When I do know what to do with a guitar oriented tune I bring out my Ruokangas Mojo King and just start playing. So the Mojo King does the basic work here with some other guitars getting used in the process.

Plenty Of Juice

My musical roots are quite firmly planted in the music coming from the Los Angeles studios in the 80s and 90s. 
Some call it smooth jazz and I really don't disagree.

Worthwhile

Back in the 80s I listened a lot to Lee Ritenour and whenever I play clean I think that influence shines through. Not the least in this tune.

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