"Blues In The Closet" is one of the most enduring jazz blues compositions, written by virtuoso bassist Oscar Pettiford in 1953. Originally titled “Collard Greens and Black Eyed Peas,” the piece quickly became a jam session favorite thanks to its catchy, swinging melody and straightforward 12-bar blues structure. Pettiford, a key figure in the bebop and hard bop eras, showcased the bass as a lead instrument, inspiring generations of jazz musicians.

The tune has been performed and recorded by countless jazz greats, including Bud Powell, Ray Brown, and Oscar Peterson. Its singable head, relaxed feel, and endless possibilities for improvisation make it a standard for both small combos and big bands.

Fun fact: Pettiford’s version often featured the cello—an unusual jazz instrument—which he played pizzicato, giving the tune a distinctive sound and making “Blues In The Closet” a symbol of jazz’s openness to experimentation.

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Blues In The Closet - O. Pettiford

"The Blues Walk" is a celebrated jazz blues tune composed and first recorded by the legendary trumpeter Clifford Brown in 1955. Featured on the album Clifford Brown & Max Roach, this piece is known for its infectious swing, joyful melody, and strong groove—a signature of Brown’s lyrical, virtuosic style. “The Blues Walk” quickly became a jam session staple, beloved for its catchy riff and dynamic interplay.

Clifford Brown’s tragically short career left an enormous impact on jazz. His version of “The Blues Walk” stands out for its crisp trumpet lines, tight ensemble work, and the uplifting, dancing character of the melody. The tune has been covered by countless jazz musicians and remains a favorite among students and professionals alike for both learning and improvisation.

Fun fact: The album featuring “The Blues Walk” is considered one of the definitive hard bop recordings, highlighting Brown’s mastery and joyful approach to the blues.

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The Bues Walk - C. brown

"Bloomdido" is a bebop classic composed and first recorded by the legendary alto saxophonist Charlie Parker in 1950. The tune was featured on the famous "Bird & Diz" album, which brought together Parker and trumpeter Dizzy Gillespie—two titans of the bebop era. Written in the key of B-flat, "Bloomdido" is built on a straightforward 12-bar blues form but is played at a brisk, swinging tempo and packed with Parker’s signature inventive phrasing and harmonic sophistication.

The name “Bloomdido” is one of Parker’s playful, nonsensical titles—typical of his approach to naming tunes. The piece has become a staple of the jazz repertoire, loved by musicians for its accessibility and room for improvisation, and used widely as a teaching tool in jazz education.

Fun fact: The original recording session for "Bloomdido" featured an all-star lineup: Charlie Parker, Dizzy Gillespie, Thelonious Monk, Curly Russell, and Buddy Rich—making it a bebop “supergroup” event!

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Bloomdido - C. Parker

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"Blues March" is an iconic jazz composition by tenor saxophonist Benny Golson, first recorded in 1958 by Art Blakey & The Jazz Messengers on their legendary album Moanin’. The tune is famous for its unique blend of gospel-inspired blues with the rhythmic swagger of a traditional military march. Golson wrote “Blues March” specifically for The Jazz Messengers, seeking to capture the soulful feeling of a marching band procession combined with hard bop’s improvisational flair.

The composition’s structure alternates between stately march rhythms and swinging jazz sections, making it both instantly memorable and an audience favorite. “Blues March” has become a jazz standard, performed and recorded by countless artists and big bands, and remains a must-play for jazz ensembles around the world.

Fun fact: Benny Golson’s writing for The Jazz Messengers helped define the sound of hard bop. “Blues March” was so successful that it was later adopted as a signature tune by marching bands, bridging the worlds of jazz and American parade music.

Blues March - B. Golson

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"So What" is a landmark jazz composition by legendary trumpeter Miles Davis, introduced as the opening track on his groundbreaking 1959 album Kind of Blue. This tune is widely regarded as one of the most influential pieces in jazz history, representing the essence of modal jazz—a style that favors scales and modes over traditional chord changes, offering musicians more freedom for melodic improvisation.

Written by Davis and featuring an iconic ensemble—including John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb—“So What” is built on a simple call-and-response theme and a 32-bar AABA form. Its main motif, played by the bass, is instantly recognizable, and the tune’s Dorian modal structure encourages spacious, introspective solos that have captivated generations of jazz musicians and listeners.

Fun fact: Kind of Blue is the best-selling jazz album of all time, and “So What” has been covered and studied by countless jazz artists. Its cool, relaxed vibe and innovative approach have made it a must-learn piece for anyone exploring modern jazz.

So What - Miles Davis

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A fun and feel-good jazz song in a typical 'Golden Age' of jazz style, featuring a combo of piano, upright bass, guitar, drums, horns and vocal. The lyric is a lighthearted and nostalgic, feel-good story about a group of old friends getting together every summer. Vocal performed by Chris Weeks. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com

LYRICS:

'S that time of year
I got a spring in my step
What's that I hear?
There's life in the old boys yet?
 
March has given way
April was not here to stay
 
And when the month of May is out of the way,
as sure as toffee sticks
Comin' out of their homes, with their seasonal goals
They're out to get their kicks
 
We're gettin' the boys together again
A rag-tag bunch of childhood friends 
 
(Instrumental break)
 
Summer is here
's time for us all to come out
What's that I hear?
That'll be them, no doubt
 
Let me get my stuff
I can't get there soon enough
 
'Cos when the month of May is out of the way,
As sure as pickles and beer
When I know the fun has just begun
And all the old guys are here
 
We're gettin' the boys together again
An unlikely band of lifelong friends

Buy/License

Lynne Jazz Ensemble - Gettin the Boys Together Again feat Chris Weeks

Lynne Publishing is a music label representing a library of high-quality, carefully developed, production music / stock music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

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