Melodic progressive metal with brass jazz infusion from the debut self-titled album by Red Dust of Mars

Chronos Kairos

Umbra

Atlas

Myriads

Animata

Work for two pianos "Materia Prima"

A twelve-step program for people who can’t stop counting in prime numbers.

Denominators Anonymous

Zitat: https://www.electrowow.net/the-most-experimental-remix-shizo-van-de-sunflower

Shizo van de Sunflower rewrites German electronic music rules with his experimental remix of “Nebengleis” by Körpa Klauz and Mino Lasido. The full rework package dropped a few days ago, and it proves how adaptable a solid Hip-Hop tune is when reinterpreted through diverse synths and noise palettes.

As a matter of fact, the original track successfully captured the relatable anxiety of getting older and feeling marginalized or forgotten, like being diverted to a railroad siding (“Nebengleis”). However, Shizo van de Sunflower gives it a much deeper interpretation. Undoubtedly, Shizo van de Sunflower stands out with this dope experimental remix, utilizing wild, fragmented GlitchBeat that makes the whole idea of time feel broken and stuttered. In other words, it’s like a trip around hallucinatory sounds.

Nebengleis Shizo van de Sunflower GlitchBeat Remix

“The Age of Drifting” portrays a civilization suspended between abundance and paralysis — a time when endless freedom, digital overstimulation, and constant connectivity have eroded purpose and momentum. The verses describe a quiet crisis of inertia: people scrolling, waiting, numbed by choice and noise rather than conflict or catastrophe. Beneath the apathy lies a deeper exhaustion — a culture overwhelmed by its own possibilities, where creation has been replaced by consumption and time itself feels stalled. Yet the song refuses despair. Through its gradual build from electronic haze to organic renewal, it transforms passivity into awakening, urging listeners to reclaim agency through small, intentional acts — breathing, building, planting, writing. The closing lines turn the metaphor of drifting into dancing: a collective rediscovery of rhythm, meaning, and presence. Ultimately, it is both diagnosis and remedy — an anthem for re-humanizing time in an age that has forgotten how to begin 

THE AGE OF DRIFTING Part 2

a storm of thought and tension unfolds in this hybrid Metal Fusion track, where the mind - once awoken - races through pieces of memory, half formed sentences, and relentless internal pressure to battle existence 
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LYRICS:
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Waking still drifting from the night
Quiet settling right
A weightless mind without defense
No story yet to fight

Breath moving slowly 
Through the thoughts
A gentle vacancy
The world waits 
Somewhere past the sheets
But it can wait to be

Soft as it starts
A tremor through the chest
A whisper that warns
This calm won't rest

Feel it crawling in
A pulse too sharp to tame
Every sound beneath the skin
Turns comfort into strain
Trying hard to hold the line
But something starts to slip
Gravity redesigns
The fuse along the grip

Midday bends the frame off course
Leaning hard against the noise
Too many faces
Rushed and raw
Too many careless toys
Talking the mind into a grip
But nothing seems to stay
Every thought is contradicting
What was meant to say

Telling it steady
But steady doesn't come
Logic meant to guide
Has started coming undone

Feel it breaking loose
Sense unspooled again
Everything once used to ground
Gets twisted
Overruled

Trying not to feed the fire
But sparks refuse to fade
Losing sight of boundaries
Memory itself made

counting backwards
tracking fractures through the day
every vow made quietly
keeps peeling away

pacing in the mind
like a figure trapped in glass
begging for a moment
but the moment doesn't pass

pressure coding patterns
no one living could predict
and the harder that it's named
the more tightly it constricts
words collide at crooked angles
won't align or stay in place
architect of chaos
in a self-designed maze

slow it down if only
mute the sound, but how?
everything accelerating
none of it allowed...

the mind keeps pacing without feet
dragging whole hours behind it 
like metal drums on concrete

no permission asked
no rhythm chosen
everything repeats in the wrong order
a hallway of thoughts turning inward
each door opening into the same room

with the same question
that never waits for an answer
voices that aren't voices
nudging the spine
saying move
but not saying where...

just move
move-
move before the next thought 
catches up
and rewrites the last one

feeling the memory of a memory
trying to speak through the cracks
but the mouth is somewhere else
and the meaning 
keeps falling through

half-formed sentences
that dissolve before landing
the self keeps splitting 
Into smaller versions
arguing directions
one calm
one trembling
one counting backward 
from numbers that don't exist

one insisting that nothing is wrong
while everything tilts
just slightly enough
to make gravity 
feel personal

and the center
whatever the center used to be
is now a moving target
dragged across the mind
by invisible hands
that won't say why

Feel, the senses pulling back
From the roar beneath the bone
Not a villain to attack
Just a mind left overgrown

Reaching through the overload
Grabbing anything to hold
Falling from the edge again
Stories still untold

One faint breath beneath the weight
A promise still to keep

Tomorrow may recalibrate
Tonight -
Return to sleep

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SPIRALING

This is the music project of Steve Lewis, a classically trained cellist and multi-instrumental singer-songwriter based in Berlin, Germany. 

The name eklektika.berlin is striking and layered—it carries both an immediate sonic appeal and a set of resonances that fits the project’s artistic and philosophical ambitions:

1. Wordplay and Etymology
-Eklektika derives from the Greek eklektikos (“selective,” “choosing the best”), which in modern usage signals eclecticism—an openness to many styles and influences.
-The -ika ending also hints at “musica,” giving it a subtle musical cadence.
-Written in a slightly unexpected “k” spelling, it feels at once ancient and contemporary, European yet cosmopolitan.

2. Berlin Anchor
-Pairing it with .berlin instantly grounds the project in a city long known as a crossroads of cultures and avant-garde experimentation—from Weimar cabaret and Bauhaus to today’s electronic scene.
-The domain-style format suggests digital nativity and a living online presence; it reads simultaneously as a brand, a collective, and a web address.

3. Artistic Implications
-“Eklektika” signals that the work blends genres, eras and media—classical forms, rock energy, AI-generated textures—without being confined to one school.
-The Berlin reference underscores a tradition of boundary-pushing art and hints at an international, forward-looking ethos.

4. Memorable & Marketable
-Short, easy to pronounce in many languages, and visually distinctive with its twin “k”s, it is search-friendly and brand-ready.
-It invites curiosity—people instinctively want to know what “eklektika” means and why it’s tied to Berlin.

eklektika.berlin communicates exactly what the project embodies: a bold, eclectic fusion rooted in Berlin’s creative energy while open to global and futuristic influences—an identity that feels both timeless and unmistakably of the AI-age.

Melodic progressive metal with a brass jazz infusion

Producer DJ & VJ | House, Electro, Chill, Ambient, IDM, Drum and Bass, Dubstep

**Shizo van de Sunflower: From Working-Class Child to Celebrated DJ and Producer – A Life for Music**

DJ & Producer / Deep House, House, Electro, IDM, Drum and Bass, Dubstep Works – Highest-Quality Remaster. Shizo van de Sunflower, born in 1977, spent his youth in Apolda, Thuringia. As the child of a working-class family, he grew up with little financial freedom. The period of upheaval following reunification brought with it, for him, as for many in eastern Germany, the dark side of capitalism. In 2000, he found himself heavily in debt. But instead of resigning himself, the following years were characterized by hard work, retraining, and a relentless focus on his musical development. This persistence is now paying off, as his re-releases and the eagerly anticipated new album "Healing Rain 2025" represent the latest milestones in his impressive career.

Following the coronavirus pandemic and personal setbacks, Shizo van de Sunflower has emerged from a period of depression and released two albums within two years, while already working on further projects. The fun-loving TV junkie, sports fanatic, passionate sound tinkerer, and track tinkerer is thus continuously expanding his fan base and simultaneously celebrating his social media comeback. Following the success of the 2020 IDM EP "Simple Mind," this year's ambient album "Drone 1," and the drum and bass single "Changes," the Dresden-based artist is laying the next musical foundation.

Shizo van de Sunflower has reissued his 14 best musical works, created between 2006 and 2016, for video creators and image filmmakers, remastering all of the tracks to a high standard. This is exciting news for video artists and anyone who wants to experience the artist's full sonic spectrum: "I simply want to position my music better than it currently is on the Creative Commons Platform. My successes this year demonstrate the interest in my music. Therefore, changing platforms and re-releasing it was inevitable for me to bring the music up to current quality standards."

The remarkable success of "Drone 1," which was released on February 28, 2022, and quickly reached over 11,000 streams on Spotify, as well as the drum and bass single "Changes," released on October 7, 2022, which has already garnered over 14,500 streams, speak for themselves. With his first album and the successes he's accumulated, Shizo van de Sunflower has not only found his fan base, but also already has the next "shizoelectric hammer" under his belt: "Works (2006-2016)," the concentrated work of the great Dresden native, was released on November 11, 2022.

The feeling? Vinyl! Such figures and perspectives naturally lift Shizo van de Sunflower's spirits. "I'm blown away by this success," confirms the now 48-year-old do-it-yourself artist. "There's hardly anything more fulfilling than simply doing your own thing and reaching and inspiring people with it. It's a good feeling." That's why he decided to produce his album on vinyl, limited to 100 copies, available at Amazon, at the Dresden vinyl shop GrooveAmt, in Jena at FATPlastics, in Munich at Monkey Island Records, and at the Cologne Kompakt Recordstore.

At the same time, he wants to actively entertain his fans and anyone who wants to become one again as a DJ: "Getting people moving with music, even if they're just tapping their feet, is simply awesome," enthuses Shizo van de Sunflower. Alongside all the dancing and vibrating vibes in Shizo's music, fans who want to let go, who need to be caught, who are looking for peace and balance, will also find a home.

In summary: In Shizo van de Sunflower's world, those who are vibing and listening will be just as captivated as those who let their feet dance uncontrollably across the floor. What else is there to add? May the sun be with him – and we can already look forward to "Healing Rain 2025"!

Writer and producer based in Atlanta making country, electronic, folk, hardcore, and anything else I can get away with. Think less “genre-bending visionary,” more “attention span with a studio.”

SINCERE IMPOSTER is an intimate collection of artists exploring a curious mixture of New Wave, Dance, EDM, Folk Rock, Metal, Art Pop, Electro, Dreamwave, and Experimental World Pop. Collectively, this is known as QUIRKPOP — music that pushes the creative limits of traditional pop.

Expect an unpredictable journey through sound, emotion, and humor, where genres collide and pop bends in strange new ways. Each song is conceived, composed, and performed with total sincerity, whether it’s built from voices, instruments, software, or hybrid experimentation. The focus is on the music itself: if it resonates, it resonates. No explanation required.

SINCERE IMPOSTER is curated by two musicians, both living within the same body, sharing a singular existence. They identify as Danielle & Dave. They are both psychologically and musically confused, yet extremely and unapologetically sincere.

Influences range from Weird Al and Nathan Fielder to David Lynch, Rosalia, Monatik, Atarashii Gakko!, Rammstein, T-Pain, and T-Swift. 

Danielle & Dave’s favorite inventions include the vacuum and the peach pitter. Their father is simply known as Vessel… who may be an entity or a god.


New tracks tagged #Complex rhythms