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Jojo Maria - Chello Intermezzo (Instrumental)

@vileradio by mags
Volume 1 is "TURN UP THE MUSIC"
Thanks for listening


1. life lessons @vileradio
2. the volume @vileradio
3. christie @vileradio
4. stereo sound @vileradio
5. i just clicked this in @vileradio
6. put your headphones on @vileradio
7. the bpm @vileradio
8. we're done here @vileradio

vile radio vol. 1 - "TURN UP THE MUSIC" Spring 2025

它假裝柔和、甚至有一點溫情 vibe，但每拍都像有人穿著軟綿拖鞋踹你下巴——你還以為在被安慰

Sympathetic Stamp

W H I T E ~ M A T E R I A - (900 followers omg!)

Dark but melancholic broken shuffle breaks with uk future garage elements.

Bladerunner (Advanced Edit)

節奏非常快，但不冷血——反而像小孩在嬉鬧中不小心把房子炸了

Vicious Play

Start the Riot!

Start the Riot! (ATR Cover)

loops.05

everybody wants me (official demo)

Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame resonances and apply quick corrective steps that enhance vocal clarity and ensure the performance sits perfectly in the track.

Chapters
00:00 - Introduction
00:30 - Common Vocal Track Issues
01:04 - Example 1: De-essing Sibilance
08:57 - Example 2: Taming Resonance With EQ
16:13 - Example 3: Reverb Ducking
25:22 - Example 4: Frequency Ducking

Track Credits
Example 1 - written and performed by David Plummer and Becky Bremner - https://www.smokinggoats.co.uk
Examples 2, 3 and 4 - ‘Puppet’ written, performed and recorded by John Walden, vocals by Yvonne McKeown

#SSLVocalStrip #FabFilterProDS #FabFilterProQ3 #FabFilterMBC #FabFilterProC #UnfilteredAudioTails #TokyoDawnNovaGE

Eddie Bazil Biog
Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.
During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.
Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.
https://eddiebazil.co.uk/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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Recording & Mixing

Vocal Processing Techniques

Show Notes

Vocal Processing Techniques | Podcast

eEeEEEeEeeeeeEEeeEego

A driving 130 BPM meditative trance journey built on hypnotic rhythm and pure tone. Stripped of excess, it focuses on the essence of trance: steady pulse, immersive flow, and entrancing clarity. Designed for deep dance-floor meditation and timeless movement. Tuned to 432mhz.

130bpm_meditation_432mhz

I'm Mona Ines, nice to meet you 💙 versus stuff out here cuz inside Every diva is MONA

Producer and Singer: 
Youtube Channel: https://www.youtube.com/@JojoMariaOfficial

Beatstars: - My Beats to Buy
https://www.beatstars.com/didibondi

Learning to hate myself in a DAW: My music journal.

Most things uploaded here are ideas I found interesting, but didn't commit to and are VERY roughly mixed.  Figured better to put somewhere than just let rot.

I'm pretty good at guitar and bass.  I like analog synthesizers, and hate music that sounds overly digital.  I'd like to play music with other people.  Let's collaborate!

If you want any individual tracks or files, message me and I'll probably give them to you.

Hey! I'm making melancholic UK Future Garage, Drum and Bass, Breakbeat and Trance influenced tunes. If you like my tracks. hit the follow button(i'm gonna follow u back)! Also i do Dark Techno & D'n'B mixes. Yeah and one last thing, if you want to collab with me, hit me a message!

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
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Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
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Plus the best Musician/Mix Engineer/Record Producer interviews you'll read anywhere. &#13;
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Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

19 asd they/them

business: incarnatemus@gmail.com

@artbyform @goophouse @snaresociety @penis-label

New tracks tagged #Compression