"Yes or No?" is an experimental composition.
Some female and male voices say the words "yes", "no" and a few others. Another male voice only pronounces phonemes, single letters and makes various sounds.
The initial 5-Beat Rhythm consists of a succession of durations based on the Fibonacci numbers 2, 3, 5, 8, 13.

I used free and open source software on Linux.
DAW: Ardour 8.1
Plugins: Surge XT, Vitalium, ZynAddSubFX, sfizz, "BassGuitar" and "BarModel" plugins from Iain McCurdy's Cabbage patches
Hydrogen Drum samples
Kick samples from freesound.org (CC0 license)
Various voices sounds from freesound.org (CC0 license)

USB MIDI Interface: Roland UM-ONE

Cover art: collage of my drawings (fineliner pens on paper), scanned and processed in GIMP. 
You can see the original drawings on my IG page https://www.instagram.com/oasynth/
Titles made with Inkscape.

Image editor: GIMP 2.10
OS: Ubuntu 22.04

Yes or No?

In the last resort, symbols are always signal, material configurations.
Mathieu Triclot

Feedback, sampling, enveloping.

edce_01

virtual forest made in plugdata. with the reference from the book 'designing sound'

pd forest (1)

town ft pt prod me lol

compSciMidtermAnswers.mp3

For the Best

Juaa

documents folder

FRAME TWELVE (ePWsM 22) - 2025

Astral Thum

Synergy

Today, as part of our aperiodic Instrumental Hump Day, we’re offering you something a bit different: here’s a preview of a side project we’ve been working on for a few months: a 🕹️Chiptune👾 album (we’ll let you know when it’s coming out, but definitely not before June)!
In this track (and in the others that will follow in this style), our guitarist and especially our lead singer focused on production and mixing, only playing a few notes here and there. Needless to say, it’s all a fully digital work, aiming to bring back that 80s vibe (with a splash of the 90s and our personal twist). 
If you’ve never heard of Chiptune before, here’s a quick intro:
https://en.wikipedia.org/wiki/Chiptune
Let us know what you think! 🫶
©2025 Beating Edge

Pathfinder (Instrumental - Chiptune)

SOPHIE - It's Okay To Cry (Remix)

Unexplainable Complexity of Reality - Computer Language

TEN FRAMES (ePWsM 24) - 2025

Hey SoundCloud peeps!🤗 Here’s another chiptune for you! Blame Mary for the title, and her obsession with cute, fluffy creatures! And don’t mind if the poor alien or creature from another dimension (whatever it is... it could’ve come straight out of one of our guitarist’s fever dreams) plugged the jack into the strap hook instead of the output of its guitar with 5 tuning keys and 6 strings! A cute little pink creature like that gets a free pass, right? We hope you’ll also forgive us for creating all of this.😅
See you in a few days with a real song. Catch you in the comments!🫶

Pink Chubby Creature (Instrumental - Chiptune)

Hello I'am a Music Maker
My songs will be available on Bandlab And YouTube so feel free to listen there!!
Bandlab Account: 🎵 SKiDO3 MUSIC 🎵

And I might post my songs here.
Started making music: September 03, 2021

There is thunder in my heart.

https://recarteblog.wordpress.com/
https://recarte.bandcamp.com/
https://www.instagram.com/oscar.recarte/

degen 
hmu 4 fts
#MANTRA
#CODEBLUE

.

shoutout Fxllen Playa 187 he my biggest fan

Electronic music composer, performer and producer. All tracks made with open-source software on Linux. Draftsman. The cover artworks are my drawings.

ABSTRACT, CONTEMPORARY, SCI-FI, ELECTRONIC SOUL MUSIC

Marco Molteni ha studiato composizione con Luciano Chailly e con Giuseppe Giuliano presso il Conservatorio  G.Verdi di Milano, diplomandosi nel 1985.
Nello stesso istituto ha poi studiato musica elettronica con Riccardo Sinigaglia, diplomandosi a pieni voti nel 1988.
Nel 1983 e 1984 ha frequentato i corsi di perfezionamento in composizione tenuti da Franco Donatoni presso l’Accademia Musicale Chigiana di Siena e l’Associazione francese MC2 Musique Contemporaine di Avignone.
Nel 1985 ha frequentato l’Atelier de Recherche Instrumental organizzato da Pierre Yves Artaud presso l’Ircam di Parigi.
Dal 1986 al 1992 ha preso parte ai Ferienkurse fur Neue Musik di Darmstadt.

Ha vinto o è stato segnalato in numerosi concorsi nazionali ed internazionali, tra cui:
"Icoms" Torino
"Alfredo Casella" Siena
"Concorso Internazionale Guido D’Arezzo"
"International Review of Composers" Belgrado
"Festival WNMD 2010" Sydney
"IBLA Grand Prize (23rd Annual World Music Competition)" NY
"International Festival MUSLAB", Messico
NY City Electroacoustic Music Festival 2016
etc.

La sua musica, pubblicata da Arspublica, è stata suonata in importanti festivals  internazionali da numerosi e prestigiosi interpreti ed inserita nei programmi d'esame per il conseguimento di masters di perfezionamento musicale.

Suoi interventi critici sono stati pubblicati dalla rivista 1985 La Musica (Roma-1989).

A Milano, nel 1988 è andato in scena il suo lavoro di teatro musicale Zwei Szenen uber Paul (su testo da Eliot, Jabes e Pasolini) con la regia di Giovanni Carluccio, commissionato dal CRT – Centro di Ricerca Teatrale e dalla Civica Scuola di Musica di Milano.

DISCOGRAFIA

Confiteor – flauto in sol – PY. Artaud – CD PAN 3034 – Edipan Roma 1992

Prologo (dall’operina di teatro musicale “Zwei Szenen uber Paul” 1988) – nastro magnetico – CD 003 G Pagano Editoriale – Napoli 1999

Zig Zag Bubble – pianoforte solo – Neda Hofman – Association of Serbian Composer – 2002

Come Frisso perse Elle, la viva luce – pianoforte solo – Neda Hofman – Association of Serbian Composer – 2003

Come Frisso perse Elle, la viva luce / AElia Minimix2 / Folio uno (valzer lento) / Zig Zag Bubble / Three Pills (n.1 memory Walk / n.2 Dance) – Alfonso Alberti – Guido Boselli – DOUBLE NATURE – CD Ars Publica ARS 141-014 – 2011









Music brings us all together. 

Releasing projects as they come, all releases are just a timestamp of my progression. Embrace the trip & Enter the void.

🔗https://ffm.bio/beatingedge 👈
🙌Welcome (back) to the (Beating) Edge! ⚡🔥
👉We are an eclectic band that blends elements of electronic dance, metal, pop, punk, rock, synth wave and more to create a unique and engaging sound (..🎧 listen and decide for yourself… if you're ready for the journey)! Our identities are top-secret, forgive us, we're a bunch of very shy aliens🛸 (4 males 💁🏻‍♂️🙎‍♂️🙋🏼‍♂️🦸🏼‍♂️ and 1 female🙅‍♀️, the guitarist/backup singer). Our earthly names (and nicknames) are Tom ("Lucifer" - lead vocals and occasional keyboards/guitar), Mary ("Vampira" or just "V" - guitarist and backing vocals), Mauro ("Maux" - keyboards, piano, synths and winds), Davide ("Dave", "Quiet D" or just "D" - bass and synth bass), and Valerio ("Brad", drums and percussions). And you definitely DON'T want to know the origin of some of our nicknames!😅

Come back and visit this page regularly, as you can expect an increasing number of songs over time (as long as we don't hit any creativity slumps!).

Enjoy the music!😉

The label BE Melody and the recording/production studio BE Studios are owned by Beating Edge and are © 2024-25.
© 2024-25 Beating Edge. All songs, lyrics, artworks, and rights reserved.

New tracks tagged #Computermusic