We got enough.
.....So much
..........it's obvious
we've got enough.
But it's not,
not ever enough
to stop us wanting
more.
.....More.
..........More.
We constantly feast.
We eat and we eat
'till we can't eat anymore.
The barns are full-
stuffed on all the floors
full up to the doors.
We can't get more meat
inside the freezer stores.
We got
.....plenty
..........plenty                
...............plenty.
One dark spark
says we might run empty.
It creates a frenzy and
driven by fear and envy
we all cry out for more.
More.
.....More.
..........More.

YOU HEAR ME?
YOU HEAR ME?
YOU HEAR ME?

We got enough.
.....So much
..........it's obvious
we've got enough.
But it's not,
not ever enough
to stop us wanting
more.
.....More.
..........More.

It's a very small world
full of very tall stories.
Fakers on the make.
The greedy on the take.
And it's a big mistake
to believe in the TV.
But no-one will be told.
It's the same old,
.....same old,
..........same old.
The greedy are grinning
happy that they're winning.
The poor
.....stay hungry and hangry.
Plenty
.....ain't coming their way.
It's a very small world
full of very tall stories.
Fakers on the make.
The greedy on the take.
And it's a big mistake
to believe in the TV.
But no-one will be told.
It's the same old,
.....same old,
..........same old.
The greedy are grinning
happy that they're winning.
The poor
.....stay hungry and hangry.
Plenty
.....ain't coming their way.

We got enough.
.....So much
..........it's obvious
we've got enough.
But it's not,
not ever enough
to stop us wanting
more.
.....More.
..........More.
We constantly feast.
We eat and we eat
'till we can't eat anymore.
The barns are full-
stuffed on all the floors
full up to the doors.
We can't get more meat
inside the freezer stores.
We got
.....plenty
..........plenty                
...............plenty.
One dark spark
says we might run empty.
It creates a frenzy and
driven by fear and envy
we all cry out for more.
More.
.....More.
..........More.

YOU HEAR ME?
YOU HEAR ME?
YOU HEAR ME?

We got enough.
.....So much
..........it's obvious
we've got enough.
But it's not,
not ever enough
to stop us wanting
more.
.....More.
..........More.

It's a very small world
full of very tall stories.
Fakers on the make.
The greedy on the take.
And it's a big mistake
to believe in the TV.
But no-one will be told.
It's the same old,
.....same old,
..........same old.
The greedy are grinning
happy that they're winning.
The poor
.....stay hungry and hangry.
Plenty
.....ain't coming their way.
It's a very small world
full of very tall stories.
Fakers on the make.
The greedy on the take.
And it's a big mistake
to believe in the TV.
But no-one will be told.
It's the same old,
.....same old,
..........same old.
The greedy are grinning
happy that they're winning.
The poor
.....stay hungry and hangry.
Plenty
.....ain't coming their way.

YOU HEAR ME?
YOU HEAR ME?
YOU HEAR ME?

PLENTY

"I'm only human."
Noted. Priced. Sold!

***
https://lupusvox.com

Out Of Stock

Wow, another episode! It's not quite seven years in the making but we actually recorded this on 2025-05-16 (this is the best and most sensible date format, btw). Meant to post it immediately but life, cats, and travel got in the way. All I remember is that we talked about the beautiful inferno that consumed the mansion on the Nottoway Plantation, the largest of its kind and a place where people would book their weddings even though countless enslaved people were tortured and murdered there. Fuck that place and fuck everyone who ever loved it.

In any case, we also talked about the current emerging trend of blandness in fashion (shoutout to Nikita Dumptruck aka Nikita Redkar who was the first person I heard calling attention to it; she's wildly smart and worth following on every platform — https://linktr.ee/nikitadumptruck) and blandness on Instagram (via stuff like the plain girl aesthetic). That's all really a reaction to fascism becoming more overt in society, calling for a kind of uniformity that people can conform too both in obedience and for safety. 

Basically, though, people need to get weirder, bolder, and more queer to combat the blandness and the fascism and signal to others that us other weirdos are out here being ourselves. The more of us that stand up unapologetically as who we are, resisting the urge to be smaller and conform, shows the fascists that there are more of us than they can handle. Maybe paradoxically, it helps make us safer in a lot of ways.

As usual, we're all over the place and there's a bunch of those pop culture references that you love, too.

-jose

Episode 2025-05-29: "It's Like Rain On Your Wedding Day" and Fashy Blandness

We begin a look at how propaganda functions in the corporate sphere. 

(243)S11E41 Propaganda and Corporatism

We continue looking at propaganda as wielded by corporations by exploring Corey Wimberly's work, "How Propaganda Became PR." 

(244)S11E42 How Propaganda Became Public Relations

agrofunk (remaster)

prod. dexey!, tainiykick

lyrics:
*I wish I could've had five different lives instead of one. Then, instead of one town, I could've been born to a family in five different towns... And in every one of those lives I would've fallen in love with the same person...*

Love me, love me like a good friend
Fuck on me like a good friend
I know you wanna more
I know you want my core
Follow me to my home (follow)
Be my friend, not my hoe (not my hoe)
I know you're getting thirsty (I know)
I know that you want it (you want it)

Rip my heart out and eat it (eat it)
Leave me dead out bleeding (bleeding)
Use me twice, then leave me (leave me)
Love me once, then kill me (kill me)
Forget me, erase me from your mind (yeah)
Like Rock Lee, I will give you my life (I'll give you)
Let's watch Love Island together (please)
I'll buy you matcha and Labubu (*the one and only*)
Labubu (labubu)
Matcha and labubu (bubu)
And crumbl cookie (*crumbl cookie*)
Dubai chocolate
I'll give it all to you (I'll give it)
You make my balls go blue (you do)
Love me, I'll love you too (I love you)
I'll make my flower bloom (yeah) [?]
And even though it all comes to an end (yeah, yeah)
I want you to be my friend (uh-uh-uh)
I want you to be my friend
Yeah, yeah, yeah

Love me, love me like a good friend (like a good friend)
Fuck on me like a good friend (like a good friend)
I know you wanna more (I know)
I know you want my core (you want it)
Follow me to my home (follow)
Be my friend, not my hoe (not my hoe)
I know you're getting thirsty (I know)
I know that you want it

Let's be friends, let's be friends forever (wa-want it)
*He is the golden one, he is the chosen one and he is 24 carat gold*
Let's be friends, let's be friends forever

friends₊✩˚౨˚

2021: give me 3 years i'll take you for a ride 
2025: why couldnt u have waited a bit longer...❤️‍🩹
+@22020

ever dreamed of ｡°✩

FEED INTO IT, FEED INTO IT,
YOU MUST CONSUME, YOU MUST CONSUME
THEY TAKE CONTROL, THEY TAKE CONTROL

MONOLITH

** A BBC RADIO 2 BOOK CLUB PICK **
‘Lord of the Flies meets Love Island – dark, thrilling, and delightfully twisted’ LOUISE O'NEILL

'So gripping and propulsive that it beats reality TV at its own game. Why watch TV when Aisling Rawle does it better?' TORREY PETERS

'THIS is the book to read this summer… 10 out of 10' CECELIA AHERN 

 –––––––––––––––––––––––––––––––––––––––––––––––––––––––
You wake up in a compound in the middle of the desert, along with nine other women.

All of you are young, all beautiful, all keen to escape the grinding poverty, political unrest and environmental catastrophe of the outside world.

You realise that cameras are tracking your every move, broadcasting to millions of reality TV fans.

Soon, ten men will arrive on foot – if they all survive the journey.

What will you have to do to win?

And what happens to the losers?

The Compound is an addictive literary satire on modern excess: it holds a twisted mirror up to our obsession with winning, losing and, above all, watching.

–––––––––––––––––––––––––––––––––––––––––––––––––––––––

READERS ARE GRIPPED
‘THE must read hot book of summer 2025!’ ⭐⭐⭐⭐⭐

‘Ok I seriously loved this. The story is so addictive. There are sudden twists, simmering uneasiness and a wholly fitting ending that has stayed with me since I finished reading it’ ⭐⭐⭐⭐⭐

‘Deliciously dark, this was a real page turner that I couldn't wait to get back to each night' ⭐⭐⭐⭐⭐

‘There aren't many books that I would want to read twice, but this is one of them' ⭐⭐⭐⭐⭐

‘This was sold to me as Love Island meets Big Brother meets Survivor, and oh my gosh it didn't disappoint!’ ⭐⭐⭐⭐⭐

‘Fans of Black Mirror and The Hunger Games will find The Compound both thought-provoking and disturbingly relevant' ⭐⭐⭐⭐

‘A fun beach read, perfect for the summer' ⭐⭐⭐⭐⭐

‘I absolutely inhaled this. What a read. Materialism, wealth, love… Wow. So original and well written' ⭐⭐⭐⭐⭐

The Compound, By Aisling Rawle, Read by Lucy Boynton

ああ、イン新しいプロダクト、プロダクト！

名声に溺れて、満たされぬ！
そして、あたしの・コンダクト、コンダクト！
圧倒されて、集中は短く！
見て！あれも！値段に魅せられ？
惹かれる？足りぬ！
クレジットパートナー、罪の相棒
前の乞食？
見なかったことに！
ああ！素敵なサイクル！
ディスカウント、ディスミス！アカウント、支払え！必要なんて気にするな
画面の中に全部ある！
バカな真似はやめて
ああ、そうあなたはアンタックド、アンタックド
笑顔をつけて、いつも満足！
そして、てめえのディフェクト、ディフェクト
目立つ、みんなの視線がずっと！
見て！私を！あの人を！
誰が上手い？
私っていい？足りない
最高になれるよ！
物議？私のせいじゃない！
ああ！中毒サイクル！
払わぬ？痛みなし！
アマウント？ア⇢マウント!
気にするな、あいつら！
全部ビューの中にある！
敏感やめて、クッサてめえ
泣き虫すぎる君
世界の視線に圧倒されて
カメラを合図にして
バカな無垢なふりはやめろ
LABUBU
LABU /ラブ?/ LABUBU
LABUBU
ラブ /ラブ?/ LABUBU
LABUBU
LABU /ラブ?/ LABUBU
LABUBU
ラブ ラブ
LABUBU?


© (2025) [StringOnion]. All rights reserved.
This song and artwork are original creations by (StringOnion). Unauthorized copying, reproduction, or distribution of this material in any form is strictly prohibited.

MUTE/BLIND/BUY

Fast fashion trends on social media are exploding, but so is textile waste. Here we'll deep dive into how social media fuels consumerism, from fast fashion hauls to influencer culture. Each episode unpacks the trends shaping what we buy, why we buy it, and who profits from it. 

The Algorithm Made Me Do It

The Key

thirty percent off better be quick 🎼♪(^∇^*)
https://www.youtube.com/watch?v=7yCU05vKH54

black friday 🛍️ (zombiebutnotdead)

The official 2025 Remix of "Empty Space" by Holy Hearts.

A high-fidelity reimaging of the original track which collided 80s synth pop sci-fi elements with pop/rap electronic hip hop. This version fuses electronic, atmospherically cinematic and soulful styles.

🎙 Lyrics: 

[Verse 1]
I bought a window so I could see
I bought a car so I could be free
I bought insurance so I could be me
I bought a lot of things that I don't need
I bought four walls and inside you can see
Two chairs in front of my big screen TV
I bought beer so I can feel glee
But it all means nothing if you're not here with me

[Chorus]
I took the long way 'round to get to the truth
Only to find it was never me and you
I got drunk 'til I dropped and cried inside
But I'm not surprised th e clouds are grey outside, it's all because of you

[Verse 2]
Let me in with a deeper meaning
My soul's are breathing 
So it's time for the show this evening
Riding the darker day, with the warmth of night
Backwards vids thrown into play
They're telling me i'm sick this beat, I was stoned when I writ this beat
See the stars are aligning this team
Team Alpha with the lion themes

[Verse 3]
I bought a door and I gave you the key
I bought a bed for you and me to sleep
I bought you rings, hoping you would've seen
I bought a lot of things that I still don't need
I built a home and inside you can see
All the empty space that surrounds me
I bought your love, you've done nothing for me
But this all means nothing if you're not listening

[Chorus]
I took the long way 'round to get to the truth
Only to find it was never me and you
I got drunk 'til I dropped and cried inside
But I'm not surprised the clouds are grey outside, and it's all because of you

[break]
Empty space
(Never me and you)
Empty space
Empty space around me
Empty space surrounds me
Oh all this empty space
Empty space

[Verse 4]
I bought a window so I could see
I bought a car so I could be free
I bought insurance so I could be me
I bought a lot of things that I don't need
I bought four walls and inside you can see
Two chairs in front of my big screen TV
I bought beer so I can feel glee
But it all means nothing if you're not here with me

[Chorus]
I took the long way 'round to get to the truth
Only to find it was never me and you
I got drunk 'til I dropped and cried inside
But I'm not surprised the clouds are grey outside, it's all because of you
(Never me and you) 

📅 Year: 2025 🎹 Vibe: Deep / Hip Hop / S oulful / Pop-Rap / Cinematic

Empty Space (2025)

dumb boy
(-86db)
aka kim reaper aka djmozibe9k aka pocari sweat drinker

We are a couple of musicians from the United Kingdom: Chris Madoch - mainly lyrics & Veli Finn - mainly music.

ボカロPと歌い手になりたい。頑張ろう

Lupus Vox /ˈluː.pʊs vɔks/ — Synth-powered creature. Born in the '70s, analog heart beating in human skin. 

Habitat: neon-lit soundscapes, the space between reflection and dance.

Behavior: oscillates between melancholy and celebration, irony and sincerity. Often found howling at the absurdity of existence, occasionally whispering truths. A living entity, navigating the digital world with a wink and a smirk.

Warning: May dance, may brood, sometimes likes to swear or damage some manuscripts.

Careless Fires is emotionally honest music that blends lyrics written straight from the lived experience of songwriter and lyricist Amanda French with AI-generated soundscapes and vocals. Themes of darkness, healing, and personal transformation carry throughout, touching on both inner struggles and social truths. With a mix of raw emotion, inspiring energy, and body-moving beats, Careless Fires invites listeners into a space that feels vulnerable, creative, and deeply human.

Publishers of award-winning fiction and non-fiction audiobooks for adults and children. Listen to exclusive clips from our books and free audioook extracts here on Soundcloud.

Do everything guy in ‘consumer poison’
Bass player for ‘chainsaw fight’
Ex member of ‘24 beers later’ ‘radio silence’ & ‘life of lies’
Influenced by but, not limited to - rudimentary peni, crass, subhumans/culture shock/citizen fish, ministry, 80’s thrash metal, dead kennedys, logical nonsense, 80’s anarcho, etc etc

Essex, England-based electronic music producer known for a versatile, dynamic sound palette. Creating high-impact tracks that span the spectrum of modern electronic music—from pulsating House and energetic Dance/Electro to deep, powerful Drum and Bass and Dubstep. A recognized presence, with compositions featured across major platforms including BBC Radio and Amazing Radio.

Nina & Jose are married and perform improv comedy in Phoenix / O'odham Jeved in Arizona (and sometimes at festivals) We realized there weren't enough podcasts in the world, so here's our conversations analyzing the lyrics of "Ironic" by Alanis Morissette plus diverging to talk about pop culture and our crumbling society at large, FUN! The audio is raw AF — one take, unedited — and has no fancy intro or outro. Lo-fi and DIY — THIS IS THE WAY. Enjoy one of the last free things on earth!

It seems to get worse when the seasons change

A podcast focused on nonviolence, social justice, and Kingdom living

New tracks tagged #Consumerism