Audio práce vytvořená v roce 2018 pro Galerii Output na pražské UMRPUM. Namluvila: Sofie Adamová, zvuk: Jonáš Richter 

Komplikace (Complication) - Galerie Output 2018

“He/His/Him” – an original monodrama by Wojciech Wójcik. It is a bold, performative story about masculinity – personal experiences, observations, and conversations that together create an emotional, physical, and musical portrait of the modern man.

What do men not talk about? What defines true masculinity? And is there really a crisis of masculinity—or not?
These are the questions Wojciech Wójcik tackles in his monodrama, breaking stereotypes and giving voice to those who are immersed in it—by birth or by choice. The performance is a mosaic of real statements and creative impressions, enriched with dynamic choreography and original music by chytkowsky

Director and Scriptwriter: Wojciech Wójcik
Dramaturgical and Directorial Consultation: Andre de la Cruz
Movement Direction: Kamil Bończyk
Audiovisual Materials: Filip Rybczyński
Music: Michał Chytkowski

The performance was created during the 5th edition of the “Szklarnia – Theatre Incubator” residency program.
The event is part of the Spaces of Art Łódź – Theatre 2025 program.

The Spaces of Art program is financed by the Ministry of Culture and National Heritage and implemented by the Zbigniew Raszewski Theatre Institute.

The program is co-financed by the City of Łódź Office.

poster by Wojtek Wójcik

7 chytkowsky - that pain in the chest (motivation) - HE HIS HIM 2025

5 chytkowsky - I need someone to talk to (danger) - HE HIS HIM 2025

1 chytkowsky - help me please (superhero) - HE HIS HIM 2025

9 chytkowsky - south side (fight) - HE HIS HIM 2025

3 chytkowsky - no one will cry (long flashbacks) - HE HIS HIM 2025

6 chytkowsky - who am I (expectations) - HE HIS HIM 2025

8 chytkowsky - new chaos order (perfectionism and workaholism) - HE HIS HIM 2025

4 chytkowsky - no one will cry (short flashbacks) - HE HIS HIM 2025

10 chytkowsky - you better work pussy (short) - HE HIS HIM 2025

In this Metod talk, niilas helander will discuss his art practice and activism through the lens of Marxism and racialised capitalism (also known as black Marxism) as a starting point, or possibly a method. Two separate engagements, but with a common thread running through both.

niilas helander is an artist and poet from Álletnjárga in Sápmi, now living in Athens. He has a BA from the School of Photography in Gothenburg and a Master of Fine Arts from the Malmö Art Academy (2015).

The talk will be held in English.

Metod is an ongoing series of talks about working methods within the field of contemporary art and culture.

Sámi Marxism, niilas helander

Artist Christopher Winter talks to artist and director of Project 78 Gallery Patrick Jones about his solo show 'FATHOMS' at Project 78.

In conversation with the artist Christopher Winter

Collaboration avec l'artiste Esther Stevens pour la bande-son de son exposition, Herbarium.

Herbarium

Architecture That Lingers is an experimental sound project emerging from my film Architecture Score, which reimagines architecture as a composition of the senses.
The three tracks — Sound, Smell, and Memory — are made entirely from voice-over recordings of people recalling what sound, smell, or feeling brings them back to a place.

Each voice originates from a collective survey: fragments of memory, smell, and sensation stitched into sonic form. The human voices were stripped, fragmented, and reassembled into new musical textures — oscillating between melody and machinery, emotion and algorithm.

The result is a sonic architecture:

The first track translates the resonance of sound — rhythmic, glitchy, and raw.

The second captures smell as melody — fluid, atmospheric, intimate.

The third holds memory as harmony — a drifting landscape of voices dissolving into each other.

Together, they form a sensorial archive — an architecture that lingers beyond sight, one that you don’t see, but feel, hear, and remember.

II SCENTS OF SPACE

III SPACES OF MEMORY

ECHOES OF SPACE

« In taking up the "International Polar Year" (2007/2008) challenge, Dominique Blais recaptured distant echoes of Kircher’s cosmogonic frolics. For several weeks he stayed in a scientific village based on the island of Spitsbergen, part of a remote archipelago far within the Arctic Circle, surrounded by researchers specializing in climatic conditions, biodiversity, glaciers and atmospheric chemistry. In summer, the climate is less hostile and there is permanent daylight,
highly favourable to recordings of the electromagnetic field.
Blending in with the scientists for the occasion, like them Blais went out to gather data—infrathin information on the periphery of barely visible or audible physics, the imperceptible physics that fostered the experimental approaches of Chladni, Ritter and Orsted. Given the data collection conditions, compact portable equipment was a must:
a low frequency radio receiver, for listening to and recording very small wavelengths, as well as transcribing them electronically. On this occasion Blais also joined forces with a cohort less scientific and more capricious in its objectives and methods—small communities, met through social networking sites on the Internet, who are passionate about the world of sound and electromagnetic waves.
These groups come together at forums dedicated to seeking environments conducive to the optimized reception of these subliminal VLF (Very Low Frequency) vibrations. With its lack of interference, the Arctic Circle is one of the most favourable biotopes to this epiphany of the inaudible; it is here that we seek out the auditory equivalent of the Aurora Borealis, those sumptuous streaks of light whose electric particles create a radio signature, in the manner of someone like Orsted when he recorded on those plates the signature of the
electromagnetic field itself. But Dominique Blais is careful to avoid index-linking this signature too much to a visual phenomenon, as if it were a case of better resisting modernism’s opticality. Some spectre of pyrotechnics is indeed apparent in the resultant recording (a crackling sound reminiscent of a fireworks display) but this also refers us more directly to the scrunching sound of vinyl surfaces that recall not only a culture of listening to music but also the apex of
sound’s graphic inscription. » Pascal Rousseau (Translated by Susan Schneider)

Apparatus

This composition was recorded on April 6, 2023, in Zalevki, Ukraine, when the world around and within the author was collapsing. In this composition, the author attempts to convey experiences unformed into words through the resonance of piano strings.

Rec025 060423

Manos Saklas invites Jana Winderen—a Norwegian artist and composer with a background in mathematics, chemistry, and fish ecology—for a discussion on Otoliths in Flux.
Their discussion delves into Winderen’s artistic practice, focusing on her long time fascination with uncharted sonic environments—from the depths of the ocean and the heart of glacial ice to ultrasonic frequency ranges. Winderen shares stories from her field trips around the world, exploring ecological themes related to unheard biodiversity, extinction, and climate change through mediated listening.
Furthermore, she discusses her compositional methodologies, which transform environmental sound matter into sonic narratives, listening spaces, multichannel sound installations, records, concerts and publications.
Winderen researches the hidden depths with the latest technology; her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses are brought to the surface.
Otoliths in Flux is a digital platform exploring emerging sonic art through artist talks, discussions, and radio pieces with influential contemporary artists, theorists, and composers.


Otoliths in Flux • Artist Talk • Jana Winderen w/ Manos Saklas (27.10.2025)

MY MUSIC BIO & PORTFOLIO

"I dream. I dream a lot. There are abstract things."

I've been making music for over 10 years, exploring everything from ambient textures and electronic sounds to classical composition. 

I compose music for performances, movies, short films and my artistic visions.


MY ORIGINAL SOUNDTRACKS:

2025 Przestrzenie Sztuki Łódź -  „Szklarnia – Inkubator Teatralny” Poland
performance “HE/HIS/HIM” by Wojciech Wójcik | an experimental monodrama exploring modern-day masculinity with original music by Michał Chytkowski

2025  theatre performance „Little Prince” Antoine de Saint-Exupéry | directed by Paweł Buszewicz | Teatr Bynajmniej | Poland

2024 – present – composing music for my experimental band HUSHME

2024 music and dance performance „Quantum Experience” | directed by Bogumiła Delimata, Christo Osorio | Alchemia Club Cracow | Poland

2023 theatre performance „Finally learn to live” | directed by Tomasz Wygoda | Teatr Łaźnia Nowa | Cracow | Poland

2023 short film „The Astronauts” | directed by Wojciech Chowaniec, Katarzyna Baran | Poland

2023 theatre performance „Fables for Robots” Stanisław Lem | directed by Paweł Buszewicz | Teatr Bynajmniej | Poland

2022 short experimental film „| COSMOSES |”  | directed by Michał Chytkowski | Poland

2021 dance theatre performance „SKIN HUNGER” | directed by Joe Alter | Teatr Polski in Wrocław | Poland | performance toured the United States and Mexico in 2023 with performances held in Jersey City, San Diego, and Tijuana | United States of America, Mexico

2021 dance theatre performance „Alfa Centauri” | directed by Katarzyna Baran, Kamil Wawrzuta, Bartek Bandura | Luxemburg

2020 theatre performance „Alurican” | directed by Paweł Buszewicz | Poland

2020 short film „Balladyna”  | directed by Michał Chytkowski | Poland

2019 theatre performance „The other girl” | directed by Pawel Buszewicz | Poland

2018 music for trailer | theatre performance "Don Quixote" by Miguel Cervantes | directed by Paweł Buszewicz | Poland

2017 theatre performance „Mannequins' Ball” by Bruno Jasieński | directed by Paweł Buszewicz | Poland

2017 short film „Luna the dog” | directed by Michał Chytkowski | Poland

2017 short film „ Un unemployed man's dream” | directed by Michał Chytkowski | Poland

I am an awesome inhabitant of planet Earth.

New album just released:
Hypnagogia and Alternate Realities
https://tinyurl.com/3cwr7r9s

https://tometotheweathermachine.com/blog/impossibility-of-silence-m620

New tracks tagged #Contemporary art