Remise en musique du court-métrage d'animation Code Rose.

Composée et orchestrée par Kamil Bicgel
Mixage/ Mastering: Kamil Bicgel

One Flamingo, Two Flamingos...

A Pink Visitor

Freedom

Quiet Routine

War Waltz

Wedding overture (S&A)

ComCom

Un morceau instrumental mélancolique au son de cordes et piano.
Abonnez-vous !
Follow me for more epic cinematic music ! 

The Way of Tears

The Way Of Tears

Extrait du court métrage "Onchocercose" de Christophe Gautry, production La Poudrière

The Clarinet Waltz

"Les îles blondes" reste ma chanson préférée de par son parcours atypique..
https://www.youtube.com/watch?v=2ALODv68tcQ
Bloquée trente ans par un éditeur, remarquée par Eddie Barclay, puis à nouveau libre de droits aujourd'hui je la ressors avec beaucoup d'émotion..
Merci pour vos écoutes!
Paroles:
Elle rêvait d'une vie tellement claire,
Qu'elle en serait banale,
Une vie sans bruit et sans mystère,
Mais quoi de plus normal.
Elle à l'âge ou l'on ose encore croire, 
Aux étreintes d'oubli,
Et pourtant au fond d'un vieux tiroir,
Le journal d'une vie.
Une vie qui ressemble, étrangement à la sienne,
On y parle de vent, d'exil, d'îles lointaines,
Là bas les souvenirs se noient dans l'eau profonde,
Coin de terre oublié, à l'autre bout du monde.

Loin des rêves qui laissent,
Goût de cendre et de laisse,
Au bout des îles blondes,
Elle attend que change le monde.
Loin de l'indifférence,
Des guerres de la violence,
Au bout des îles blondes,
Elle attend comme un autre monde,
Au bout des îles blondes.

Alors vinrent, des années sans lumières,
Puis l'oubli de l'amour,
Choix d'exil quelquefois nécessaire,
Au point de non retour.
Sa vie c'est de l'eau, c'est du vent du sel,
Sentiment d'évasion, d'éternel,
Là bas les souvenirs se noient dans l'eau profonde,
Coin de terre oublié à l'autre bout du monde.

Loin des rêves qui laissent,
Goût de cendre et de laisse,
Au bout des îles blondes,
Elle attend que change le monde.
Loin de l'indifférence,
Des guerres de la violence,
Au bout des îles blondes,
Elle attend comme un autre monde,
Juste un autre monde,
Au bout des îles blondes,
Loin de l'indifférence,
Des guerres de la violence,
Au bout des îles blondes.

Christian PERUTI
auteur, compositeur, interprète

"Les îles blondes" remains my favorite song due to its atypical journey.
Lyrics:
She dreamed of a life so clear,
That it would be banal,
A life without noise and without mystery,
But what could be more normal
She is at the age when one still dares to believe,
In the embraces of oblivion,
And yet at the back of an old drawer,
The journal of a life.
A life that strangely resembles her own,
It speaks of wind, exile, distant islands,
There the memories drown in the deep water,
A forgotten piece of land, at the other end of the world.

Far from dreams that leave,
Taste of ashes and of leash,
At the edge of the blonde islands,
She waits for the world to change.
Far from indifference,
From wars of violence,
At the edge of the blonde islands
,She waits for another world,
Just another world.
Then came, years without light,
Then the forgetting of love,
Choice of exile sometimes necessary,
To the point of no return.
His life is water, it's wind, it's salt
Feeling of escape, of the eternal,
There the memories drown in the deep water,
A forgotten piece of land at the other end of the world.

Far from dreams that leave
,Taste of ashes and of leash,
At the end of the blonde islands,
She waits for the world to change.
Far from indifference,
From wars of violence,
At the end of the blonde islands
,She waits for another world,
Just another world
,At the end of the blonde islands,
Far from indifference,
From wars of violence,
At the end of the blonde islands.

Christian PERUTI
 author, composer, performer

Les îles blondes

Hymne à la Vélorution

Quand on part sur les chemins
Loin des villes et de la pollution
On a le cœur content pour demain
Une seule solution c'est la Vélorution

Hymne à la Vélorution

Cinq pièces pour orchestre à cordes. Violons I et II divisés en trois groupes chacun, altos et violoncelles en deux. On rajoute les "solistes": six violons, deux altos, deux violoncelles. On répartit tout ce beau monde: premiers violons à gauche, seconds violons à droite, séparés par les altos et les violoncelles. Bref, la répartition dite classique, que j'ai adoptée ici après l'avoir longtemps dédaignée... Je trouve qu'elle donne une meilleure "lisibilité" quand le style de composition s'y prête, et je crois bien que pour ces pièces en tout cas c'est ce qu'il fallait.

Première composition pour un quintette à cordes aux inspirations post-romantiques. N'hésitez pas à dire ce que vous en pensez ! 

Quintette à cordes en Ré majeur - Adagio

autodidacte en partie
style "classique alternatif"
Compositeur ,pianiste
m'inspire de texte ,du quotidien ,d'image

Composer of cinematic, epic, modern, and medieval orchestral music. Film and media composer for all types of visual content.

Compositeur de musique orchestrale cinématique, épique, moderne et médiévale. Compositeur de musique à l'image pour tous types de médias.

Auteur, compositeur, interprète, je suis à la recherche d'un label et d'un manager, pour faire de la scène.
Author, composer, performer,  I am  looking for a  label, and a manager.

Kamil Bicgel began playing music with classical guitar. Young pupil of the Francophone School of Music of Istanbul EFMI, he also studied the saxophone since the age of 11 the saxophone with Tamer Temel, renowned musician of the Istanbul Jazz scene.

During the following years, he developed his practice of the instrument by presenting levels 3 and 5 of the ABRSM (the Associated Board of the Royal Schools of Music) in classical guitar where he was awarded each time with mention and congratulations from the Jury. He also increased his ability as a self-taught multi-instrumentalist by learning piano, drums and bass, which will allow him to be versatile in the approach to composition in different styles, such as: classical, jazz, blues, rock, pop, folk, orchestral and world music.

In 2017, he joined the Institut Supérieur des Techniques Sonores ISTS at ESRA Bretagne in order to become a sound engineer. This allows him to develop techniques of sound recording but also mixing. In addition to the diploma, he also obtained the Pro Tools User certificate . At the same time as this course, he joined the Jazz section as a saxophonist at the Rennes' conservatory.

Between 2021 and 2023, he attended an image composition and orchestration Master Degree in Lyon under the direction of Jean-Marc Serre and Laeticia-Pansanel Garric.

He composed many soundtracks for various directors and production companies for short films, films, documentaries, advertisements. He also participated as a mixer, sound editor and sound operator.

Film score, concert music, jazz, songs…
Shop : https://www.sylviafilus.com/category/all-products
Website : www.sylviafilus.com
Composer, born in Poland and established in Paris (France), Sylvia Filus is graduated in Film Music Composition and in Orchestration (First Prize). 

She has composed music for several movies, chamber music ensembles, symphonic orchestra and big band. In 2008, at the request of the Pomeranian Society Musica Sacra and the Chamber Orchestra of Gdynia, Sinfonietta Nordica, she wrote the Cycle of 3 melodies for mezzo-soprano, barytone, and orchestra, which was performed during the festival The Music of Words in Gdynia (Poland). 

In 2010 she was commissioned by the Polish Strauss Society to commemorate Chopin’s 200 Anniversary and wrote Fantasia in "Salt" Minor performed by the orchestra Obligato at the Symphonic Chopin concert in the Salt Mine of Wieliczka (near Cracow). During the same year, Sylvia Filus was honored with the Trophy of Women‘s Success by the Association France-Euro-Méditerranée and became finaliste of the competition International Music Prize for Excellence in Composition awarded by the National Academy of Music.

In 2011 Sylvia Filus composed for her first feature film Le Bout du monde (The End of the World) by the marocan filmmaker Hakim Noury and for the documentary « Avec toi sans toi » by Francesca Ragusa. Commissioned by Lobster Films and SACEM for the european film collection on line Europa Film Treasures she wrote music for two silent movies: “Danseur de jazz” (feature) and “Troppo Bello!” (short). 

In 2012 Sylvia composed for the full length documentary « Fishermen » by Viktoria Marinov and in 2013 she has been awarded in the International Composition Competition "Artistes en herbe" in Luxembourg. 

In 2014 she took part of the B.O. Concert, 25 french composers film music concert in Paris and in the Spring Concert in Padua (Italy), where her piece "The Cobweb" was premiered by the orchestra I Solisti Veneti conducted by Claudio Scimone. 

In 2020, Sylvia Filus composed music for the movie « Quand je serai grande » (When I grow up) by Yves Levy, which received the Sacem grant for original music and in 2021, to the the poetry « Les plaisir de la porte » (The pleasures of the door) by Francis Ponge as well as the poetry by Jolanda Podejma-Eloyanne. 

On 2023 she writes music for the short movie « À Fleur de peau » by Kathie Kriegel and takes part of the program Crescendo and the residency TRIO from Maison du Film and Sacem.

FEATURES:

« Le Bout du monde » (The End of the World) by Hakim Noury - 2011
« Le Danseur de jazz » by Benito Perojo (1927) - 2011

DOCUMENTARIES: 

« Avec toi sans toi » by Francesca Ragusa - 2011
« Fishermen » by Viktoria Marinov - 2012
« Floris » by Jacqueline Kalimunda - 2014

SHORT MOVIES:

« Personal Best » - fiction by Viktoria Marinov - 2004
« Undo » – experimental documentary by Jean-Gabriel Périot - 2005
« Onchocercose » – animation by Christophe Gautry - 2005
« Réconciliation » – fiction by Alain Gilot (France) - Émergences 2006
« Accord parfait » (The Perfect Tune) – animation by Izabela Bartosik - 2006
« Les Saisons du souvenir » (Seasons of Souvenir) – fiction by Nicolas Rogez - 2007
« This Emotion » – experimental by Viktoria Marinov - 2008
« Samare » – animation by Nicolai Troshinsky - 2008
« La Main » (The Hand) – fiction by Rémy Ginestet - 2009
« Troppo bello! » - silent by André Deed (1909) - 2011
« La Cravate Bleue » - fiction by Niels Michon Fisher - 2012
« Confession » - experimental fiction-documentary by Kamil Krolak - 2013
« Quand je serai grande » - 45’ fiction by Yves Levy - 2020
« À Fleur de peau » short fiction by Kathie Kriegel - 2023

PARTICIPATION AS ARRANGER AND/OR MUSIC SUPERVISOR:

« Bis repetita » - feature by Emilie Noblet - 2024
« Sukrit’s Sundays » – short fiction by Vasant Nath - 2009
« Réveries d’antant » – short fiction by Christopher Poulain - 2009

New tracks tagged #Cordes