Sway Light

VINYL CRACKLES COMPLATION

Available now - https://www.adsrsounds.com/product/uncategorized/cycles-and-spots-lo-fi-loops-2-samples-loops

Cycles & Spots once more crafted 400 superb Lo-Fi Wav loops for beatmakers, ambient, experimental music productions and more.

With various methods of wonderfully degrading the sound signature of these loops, you can expect all kinds of noise, crackles, 12-bit aesthetics and tape wow / flutter action. Underneath, rich musical content is implemented inside this pack which makes it special and highly potential to inspire your productions.

A rhythm folder provides both full beats and percussive parts. There are synthesizers and live instruments as sources for the loops, so drum machine acoustic drums/bass guitar and artificial bass.

You’ll easily find matching loops and you can layer more stuff on top to help you finish your productions in the most fun way.

Pack Contents:

100 Rhythm/Beats
100 Synth
100 Instruments
50 Bass Guitar
50 Bass Synth

Total Number Of Files:

400
1.36 GB

Cycles & Spots - Lo-Fi Loops 2

Contemporay Jazz aus Hamburg

Das Hamburger Duo kombiniert intelligentes Songwriting mit eingängigen Grooves und durchdachten, harmonisch vielschichtigen Jazzelementen: Eine besondere Mischung, die das Duo selbst "Conteporary Vocal Jazz" nennt.

Takadoon - Crackles

It's been so long since my last track! I have a few abandoned ones between this and the last, but this one just wanted out.

Corrosion and decay in a world of a low drone. A bit of piano, a bit of arpeggio, all dominated by that low constant humming, ripping, tearing sound. And then there's a kick, but it doesn't drive, it's falling apart as much. And a clap, but it's not a clap, it shouts into the ether and reverberates into nothingness.

And always the track goes back to the drone. That low, crunchy single note.

Have fun! ...I think 😆

Transmissions from the Void

Album out now!

Oxidized Frequencies

Beolost - Haze of memories [MOR REC]

« In taking up the "International Polar Year" (2007/2008) challenge, Dominique Blais recaptured distant echoes of Kircher’s cosmogonic frolics. For several weeks he stayed in a scientific village based on the island of Spitsbergen, part of a remote archipelago far within the Arctic Circle, surrounded by researchers specializing in climatic conditions, biodiversity, glaciers and atmospheric chemistry. In summer, the climate is less hostile and there is permanent daylight,
highly favourable to recordings of the electromagnetic field.
Blending in with the scientists for the occasion, like them Blais went out to gather data—infrathin information on the periphery of barely visible or audible physics, the imperceptible physics that fostered the experimental approaches of Chladni, Ritter and Orsted. Given the data collection conditions, compact portable equipment was a must:
a low frequency radio receiver, for listening to and recording very small wavelengths, as well as transcribing them electronically. On this occasion Blais also joined forces with a cohort less scientific and more capricious in its objectives and methods—small communities, met through social networking sites on the Internet, who are passionate about the world of sound and electromagnetic waves.
These groups come together at forums dedicated to seeking environments conducive to the optimized reception of these subliminal VLF (Very Low Frequency) vibrations. With its lack of interference, the Arctic Circle is one of the most favourable biotopes to this epiphany of the inaudible; it is here that we seek out the auditory equivalent of the Aurora Borealis, those sumptuous streaks of light whose electric particles create a radio signature, in the manner of someone like Orsted when he recorded on those plates the signature of the
electromagnetic field itself. But Dominique Blais is careful to avoid index-linking this signature too much to a visual phenomenon, as if it were a case of better resisting modernism’s opticality. Some spectre of pyrotechnics is indeed apparent in the resultant recording (a crackling sound reminiscent of a fireworks display) but this also refers us more directly to the scrunching sound of vinyl surfaces that recall not only a culture of listening to music but also the apex of
sound’s graphic inscription. » Pascal Rousseau (Translated by Susan Schneider)

Apparatus

My name is Joe, I'm the founder and owner of Library of Sounds. I offer a multitude of services for professional video & sound production. These services include videography, sound recording and a full post-production workflow. Please contact me if you’re looking for any of these services. I also record and sell high-quality royalty-free sound libraries which can browsed on my website.

Email: info@libraryofsounds.com

Website: www.libraryofsounds.com

Synth Presets, Sounds & Music Production Courses

Swiss Geek 🤖 Musical Nerd 🎹 Code Monkey 🐒 Trans Girl (she/her) 🏳️‍⚧️

classical composition, lo-fi electronica, sugary synth pop.

https://parkertichko.bandcamp.com/follow_me

New tracks tagged #Crackles