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The battle in the heavens has left a target on Lindon’s back.His most reliable ally is gone, the Monarchs see him as a threat, and he has inherited one of the most valuable facilities in the world. At any moment, his enemies could band together to kill him.If it weren’t for the Dreadgods.All four are empowered and unleashed, rampaging through Cradle, and grudges old and new must be set aside. The Monarchs need every capable fighter to help them defend their territory.And Lindon needs time.While he fights, he sends his friends off to train. They’ll need to advance impossibly fast if they want to join him in battle against the kings and queens of Cradle.Together, they will need power enough to rival a Dreadgod."...

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Cradle of Empires is a unique combination of two popular game genres. You can build your world while playing match-3 puzzles. Attracting a lot of players by the beautiful scenery, new and mysterious architecture. Along with well-shaped, captivating characters. Many new features will be unlocked as you get closer to this game. Create your empire through the support of the goddess.
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Cradle of Empires is a unique combination of two popular game genres. You can build your world while playing match-3 puzzles. Attract a lot of players by beautiful scenery, strange and mysterious architecture. Along with the characters are beautifully shaped, attractive. More new features will be unlocked as you get closer to this game. Create your empire through goddess support.
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Brahms based the music of his "Wiegenlied" partially on "S'Is Anderscht", a duet by Alexander Baumann [de] published in the 1840s.[2][3][4] The cradle song was dedicated to Brahms's friend, Bertha Faber, on the occasion of the birth of her second son.[5][6] Brahms had been in love with her in her youth and constructed the melody of the "Wiegenlied" to suggest, as a hidden counter-melody, a song she used to sing to him.[7] Simrock published Brahms's Op. 49 in November 1868.[6] The lullaby was first performed in public on 22 December 1869 in Vienna by Luise Dustmann (singer) and Clara Schumann (piano).[6][8]
'Connemara Cradle Song' is an old Irish folksong, set along the coast of the beautiful, rugged area of Connemara in Co Galway. The soothing melody and lyrics about the ocean make it a wonderful lullaby, as well as a sea shanty. The lyrics include 'currach', which is a type of boat traditionally found in Ireland and Scotland. It was originally constructed by stretching animal hides or skins across a wooden frame.
The original composer is unknown, although some sources have attributed the lyrics to Connemara singer and collector of Irish ballads Delia Murphy (1902-1971). The song uses the same air as 'Down in the Valley'.The harp arrangement on Ask about Ireland is by Brenda O'Riordan. 7ad9723583
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While working as a DJ in New York in 2000 he befriended James Murphy, later of LCD Soundsystem, and started a DJ partnership with him.[2] Lambkin moved to rural Germany in 2004 and started producing his own music, with a number of releases on DFA Records from 2006.[2] He released his debut album From the Cradle to the Rave in September 2010 to positive reviews from Entertainment.ie[3] and NME.[4] The album features contributions from Alexis Taylor of Hot Chip and James Murphy amongst others.[2]
"My family think it's hilarious. My wife's parents are German Counts and Countesses and they're not quite so crazy about it," confides Marcus Lambkin, aka Shit Robot, sipping on a drink in a hotel just off Old Street tube station. He's reflecting on his faecal-matter-crossed-with-android moniker; the same pseudonym under which he released his debut album Cradle To The Rave earlier this year, a brilliantly schizophrenically record that serves as a map marking his own treasured musical obsessions including house, techno, rave and electro and which features contributions from fellow DFA residents such as James Murphy, Juan Maclean and Hot Chip's Alexis Taylor. He pauses momentarily - throughout our forty-minute conversation, Lambkin scarcely draws breath for longer than nanoseconds at a time - before laughingly adding: "But my wife's mum loves the music. She even has her friends over to listen to it - sitting there in a castle with her 80-year-old friends listening to 'Wrong Galaxy'."
For someone who now lives in an ancient Schloss belonging to his wife's ancestors and rubs shoulders with the shepherds of his remote village outside Stuttgart ("They have the crooks and everything," he insists), Lambkin's history is fittingly haphazard. There are certain plotting points along the way; markers which take you from A to B, perhaps, but without ever fully explaining the terrain in between. He grew up in Ireland, which is where he first started to discover the music that would form the kernel of Cradle To The Rave, but didn't start to DJ until he applied for a Green Card advertisement he saw in a newspaper, quit his cabinet making apprenticeship and moved to New York at the age of 21. Some years later, after blagging sets in clubs and bars in East Village, he met James Murphy through a mutual friend and the two hit it off by playing each other their favourite records; fast-forward another indistinct period of time, and he'd be in the studio with the LCD Soundsystem frontman working on his debut album, before moving to Germany to apply the finishing touches.
"Well, that's what the press and the reviews have been saying," agrees Lambkin. " '20 years in the making'. It actually took three or four years to make, but I never really sat down to make an album. It was more like, 'I think I have enough tracks to make an album now'. But it's definitely an amalgamation of all the stuff I've been listening to for 20 years. I first started going to raves in the late 80s, and that stuff is what's stuck with me to today, and that's where the main influences of the record are all from."
There, through friends of friends, his first break came playing at legendary not-quite-CBGB's rock venue, Brownies. In an early example of playing Daft Punk to the rock kids, he would spin Euro rave anthems (bought, for cents, from the bargain bins at stores like Vinyl Mania and Sonic Groove) to a, generally, empty Sunday night dancefloor. "I'd play to, like, 15 people, but," stresses Marcus, "that's where I learned to mix and DJ properly."
At its mid-90s peak, that NY club scene was uniquely hedonistic; an amoral vortex of chemicals, bizarre spectacle and provocative behaviour, that was both terrible and compelling. "It was a big shock," says Marcus. "That whole Club Kids period - that ended up with that kid Angel being murdered by Michael Alig - was insane. You'd

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The battle in the heavens has left a target on Lindon’s back.His most reliable ally is gone, the Monarchs see him as a threat, and he has inherited one of the most valuable facilities in the world. At any moment, his enemies could band together to kill him.If it weren’t for the Dreadgods.All four are empowered and unleashed, rampaging through Cradle, and grudges old and new must be set aside. The Monarchs need every capable fighter to help them defend their territory.And Lindon needs time.While he fights, he sends his friends off to train. They’ll need to advance impossibly fast if they want to join him in battle against the kings and queens of Cradle.Together, they will need power enough to rival a Dreadgod."
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The second book in the New York Times bestselling Moonfall series from thriller-master James Rollins, The Cradle of Ice is a page-turning tale of action, adventure, betrayal, ambition, and the struggle for survival in a harsh world that hangs by a thread.To stop the coming apocalypse, a fellowship was formed.A soldier, a thief, a lost prince, and a young girl bonded by fate and looming disaster.Each step along this path has changed the party, forging deep alliances and greaterenmities. All the while, hostile forces have hunted them, fearing what they mightunleash. Armies wage war around them.For each step has come with a cost—in blood, in loss, in heartbreak.Now, they must split, traveling into a vast region of ice and to a sprawling capital of the world they’ve only known in stories. Time is running out and only the truth will save us all.The Moonfall Series:The Starless CrownThe Cradle of Ice"
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The battle in the heavens has left a target on Lindon’s back.His most reliable ally is gone, the Monarchs see him as a threat, and he has inherited one of the most valuable facilities in the world. At any moment, his enemies could band together to kill him.If it weren’t for the Dreadgods.All four are empowered and unleashed, rampaging through Cradle, and grudges old and new must be set aside. The Monarchs need every capable fighter to help them defend their territory.And Lindon needs time.While he fights, he sends his friends off to train. They’ll need to advance impossibly fast if they want to join him in battle against the kings and queens of Cradle.Together, they will need power enough to rival a Dreadgod."
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The second book in the New York Times bestselling Moonfall series from thriller-master James Rollins, The Cradle of Ice is a page-turning tale of action, adventure, betrayal, ambition, and the struggle for survival in a harsh world that hangs by a thread.To stop the coming apocalypse, a fellowship was formed.A soldier, a thief, a lost prince, and a young girl bonded by fate and looming disaster.Each step along this path has changed the party, forging deep alliances and greaterenmities. All the while, hostile forces have hunted them, fearing what they mightunleash. Armies wage war around them.For each step has come with a cost—in blood, in loss, in heartbreak.Now, they must split, traveling into a vast region of ice and to a sprawling capital of the world they’ve only known in stories. Time is running out and only the truth will save us all.The Moonfall Series:The Starless CrownThe Cradle of Ice"

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