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Dans le cadre de l'exposition Panorama 24 - L'autre côté (30/09 - 31/12/22) au Fresnoy - Studio national, nous vous proposons d'écouter les artistes exposés vous présenter leur installation.
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Loin de perpétuer l’illusion de faire sien le destin des vivants, d’en faire l’objet d’une autorité en le rendant explicitement observable, la domesticité associée au vivarium prend un autre sens dans l’usage récurent qu’en fait Edith Dekyndt.

Entre ses parois vitrées, ORGAN accueille des Tineola bisselliella, lépidoptères appartenant à la famille des Tineidae, plus communément appelés mites. Elles y ont engagé avec la laine animale, matériau complice à leur perpétuation, une étreinte dévorante qui durera, aux dires des scientifiques, des centaines d’années. Les chants nuptiaux émis par la colonie, des ondes vibratoires d’une amplitude infime, très lointaines de celles discernées par les humains, ont été captés par un dispositif d’enregistrement ultrasensible dans un sas acoustique particulièrement isolé.

Le vivarium n’est ici, ni l’outil de la domination de la nature par l’homme, ni celui d’une mise en scène de l’harmonie retrouvée. Délesté de nos désirs de réification, il se fait l’organe d’une
domesticité inappropriée, d’une alliance ambiguë ou de l’anomalie qu’ont si bien explorée, à travers le devenir-animal, les écrits de Gilles Deleuze et Félix Guattari ou ceux de Virginia Woolf.

Edith Dekyndt | ORGAN

The Cosmic Hug (Māori - Aotearoa / New Zealand)
This story is from the Māori people explaining how the earth and the sky were separated so that light could enable forests and plants to grow, followed by animals and humans. 

In the beginning there is nothing but the cosmos. Rangi (Ranginui) the sky father and Papatua (Papatūānuku) the earth mother hold each other in a tight embrace. Papatua gives birth to 70 sons who are caught between their mother and father with very little space and no light. They have to find a way out. Eventually, led by Tāne , (who becomes god of the forests) they manage to prize their parents apart. (Tāwhiri) Tāwhirimātea the god of the weather or wind doesn't agree with his brothers separating their mother and father. The other brothers featured are Tu (Tūmātauenga  - angry face) God of war, Whiro, god of darkness and Uru, the first born and god of light. As they prize their parents apart light shines through and the forests begins to grow and the earth becomes populated by plants and animals. 

The ancestors of the Māori people arrived in Aotearoa (translated as land of the thick white cloud) from the Polynesian Islands by boat over 1000 years ago and settled in this new land. They first encountered Europeans in the 1600’s when the Dutch landed onshore and called this island Nieuw Zeeland after the Dutch province Zeeland. The next Europeans to arrive where the British in 1769 led by Captain Cook and the colonisation by the British began.

In Māori society there is a long tradition of singing and storytelling. History is passed on through the many stories shared from generation to generation through song, dance and chants. 
Creation stories from around the world, dramatised for radio. An immersive audio adventure back to the beginning time…
Why are we here, how did we get here and who are we anyway? These profound questions have given rise to creation stories, shared across cultures and societies to help us humans make sense of the world and there are many commonalities between these stories. In the Beginning brings ten of these ancestral tales to life. 

These stories transport us through the cosmos, into dreamtime, down a golden chain and through nature’s arc where we meet animals, gods and spirits -  the makers, shapers and creators. 


More information http://www.inthebeginning.world

Credits
Researched, written and directed by Lucia Scazzocchio & Hawa Kahn 
Presented by Chizzy Akudolu, narrated by Nicole Davis
Cast: Chizzy Akudolu, Rosie-Marie Christian, Darren Hart, Arnie Hewitt, Hawa Khan, Paul Marlon, Katherine Mosely, James Price, Narinder Samra. 
Children: Quinceo Parkes, Omara Parkes, Della Parkes, Sierra Kaitell, Gabriel Goba
Casting Director: Hawa Khan 
Audio production and sound design: Lucia Scazzocchio
Additional research: Leona Fensome
Original music: Gail Tasker
Cover Art: Delphine
A Sonomatopoeia / Social Broadcasts production. Supported by the Audio Content Fund.

The Cosmic Hug

7. The Council of the Orishas (Yoruba - Nigeria, Benin, Togo)
These two stories from the Yoruba people describe how humans were created, the coming of a great flood and how Oshun, the goddess of fertility made sure women had a voice.

The Orishas are the gods who live in the sky. Obatala (creator of mankind) decides to go down to create the earth - he is given a gold chain, a shell, a hen and a black cat. He then attempts to makes humans but gets drunk on palm wine and makes them all wonky. He has to start again.  Once the earth is populated, Olukun, god of the seas is annoyed that the other gods didn’t consult him, so he creates a flood and drowns the earth. A few people survive. Oshun, the goddess of fertility is annoyed because the other gods keep ignoring her and she isn't heard. She persuades all the women to go on strike. Things become unbearable for the men and no babies are born, so women are promptly given a seat at the table both in the skies and on earth. 

The Yoruba are an ancient people with roots that date back over 2000 years and were the rulers of the Oyo Kingdom, a West African Empire covering what is now West Nigeria to Zaire and Sudan. The main city of Ile-Ife cultivated a great cultural tradition. Traditional Yoruba religion has a pantheon of deities (gods) called the Orisha with hundreds of different gods representing natural elements and human emotions and worshipped for many different purposes. Ife is the Yoruba word for Earth and was named by the creator Obatala who also created mankind.

Creation stories from around the world, dramatised for radio. An immersive audio adventure back to the beginning time…
Why are we here, how did we get here and who are we anyway? These profound questions have given rise to creation stories, shared across cultures and societies to help us humans make sense of the world and there are many commonalities between these stories. In the Beginning brings ten of these ancestral tales to life. 

These stories transport us through the cosmos, into dreamtime, down a golden chain and through nature’s arc where we meet animals, gods and spirits -  the makers, shapers and creators. 


More information http://www.inthebeginning.world

Credits
Researched, written and directed by Lucia Scazzocchio & Hawa Kahn 
Presented by Chizzy Akudolu, narrated by Nicole Davis
Cast: Chizzy Akudolu, Rosie-Marie Christian, Darren Hart, Arnie Hewitt, Hawa Khan, Paul Marlon, Katherine Mosely, James Price, Narinder Samra. 
Children: Quinceo Parkes, Omara Parkes, Della Parkes, Sierra Kaitell, Gabriel Goba
Casting Director: Hawa Khan 
Audio production and sound design: Lucia Scazzocchio
Additional research: Leona Fensome
Original music: Gail Tasker
Cover Art: Delphine
A Sonomatopoeia / Social Broadcasts production. Supported by the Audio Content Fund.

The Council Of The Orishas

8. Where The Sun And The Moon Came From (Taíno- Cuba)
This story from the Taíno people begins with a great flood forcing everyone to hide in caves, even the Sun and the Moon. This story explains why the Sun and the Moon rise and set at different times.

In the beginning there was a great flood. many people hide in caves to escape the flood and so do the Sun and the Moon. The Sun kicks the Moon out as there isn’t enough space in the cave they are sharing. The moon goes up to the sky and find that it's much more spacious. The Sun misses the moon so goes up to the sky to find her and realises that’s it’s much better than his cave. He tries to reconnect with the moon but she is not having it, so they are always set to be apart forever. 

The Taíno were an Arawak people who were the indigenous people of the Caribbean and Florida. At the time of European contact in the late 15th century, they were the principal inhabitants of most of Cuba, Jamaica, Hispaniola (the Dominican Republic and Haiti), and Puerto Rico. Once thought to have completely disappeared there is now "Taíno restoration", a revival movement for Taíno culture that seeks official recognition of the survival of the Taíno people. In Puerto Rico, the history of the Taíno is being taught in schools and children are encouraged to celebrate the culture and identity of Taíno through dance, costumes and crafts.

Creation stories from around the world, dramatised for radio. An immersive audio adventure back to the beginning time…
Why are we here, how did we get here and who are we anyway? These profound questions have given rise to creation stories, shared across cultures and societies to help us humans make sense of the world and there are many commonalities between these stories. In the Beginning brings ten of these ancestral tales to life. 

These stories transport us through the cosmos, into dreamtime, down a golden chain and through nature’s arc where we meet animals, gods and spirits -  the makers, shapers and creators. 


More information http://www.inthebeginning.world

Credits
Researched, written and directed by Lucia Scazzocchio & Hawa Kahn 
Presented by Chizzy Akudolu, narrated by Nicole Davis
Cast: Chizzy Akudolu, Rosie-Marie Christian, Darren Hart, Arnie Hewitt, Hawa Khan, Paul Marlon, Katherine Mosely, James Price, Narinder Samra. 
Children: Quinceo Parkes, Omara Parkes, Della Parkes, Sierra Kaitell, Gabriel Goba
Casting Director: Hawa Khan 
Audio production and sound design: Lucia Scazzocchio
Additional research: Leona Fensome
Original music: Gail Tasker
Cover Art: Delphine
A Sonomatopoeia / Social Broadcasts production. Supported by the Audio Content Fund.

Where The Sun And The Moon Came From

9. The Corn People (Maya - Central America)
This story from the Maya people explains how humans were created out of corn after several attempts using different materials and how the creator gods Tepeu and Gucumatz made sure that humans did not have the constant access to supernatural vision.

Gucamatz (The Maker and Tapeau (The Feathered spirt) imagine the world, plants and animas into being. As supreme beings they need to be worshiped so they try to get the animals to praise them but that doesn’t work. They then create clay people but they just crack and break. They make wooden people but when they are asked to worship it’s wooden and without feeling so they drown them and they turn into monkeys. Then the animals bring them corn to make people out of. This works! These people praise them but they also have extra vision and can see and know as much as the gods which is problematic as this should be reserved for supreme beings. They swiftly have their third eye removed so they can praise the gods appropriately. 


Ancient Maya culture once stretched from central Mexico to Honduras and included parts of what is now Guatemala, Belize, El Salvador. More than 40 cities were founded on the Yucátan Peninsula in Mexico and in this area where they have now become tourist attractions.  Most of what we know about Maya religion, myth and history comes from a sacred book called The Popol Vuh (Book of Community) which is the most important book of the K’iche Maya of the Guatamalan highlands. It is presented in three parts. The first talks about the creation of the world and its first inhabitants, the second narrates the story of the Hero Twins, a couple of semi-gods; and the third part is the story of the Quiché noble family dynasties.
In Maya mythology, Tepeu (The Maker)  and Gucumatz (The Feathered Spirit also known as Kukulkan, and as the Aztec's Quetzalcoatl) are referred to as the Creators, the Makers, and the Forefathers. They were two of the first beings to exist although there were around 150 other gods.

Creation stories from around the world, dramatised for radio. An immersive audio adventure back to the beginning time…
Why are we here, how did we get here and who are we anyway? These profound questions have given rise to creation stories, shared across cultures and societies to help us humans make sense of the world and there are many commonalities between these stories. In the Beginning brings ten of these ancestral tales to life. 

These stories transport us through the cosmos, into dreamtime, down a golden chain and through nature’s arc where we meet animals, gods and spirits -  the makers, shapers and creators. 


More information http://www.inthebeginning.world

Credits
Researched, written and directed by Lucia Scazzocchio & Hawa Kahn 
Presented by Chizzy Akudolu, narrated by Nicole Davis
Cast: Chizzy Akudolu, Rosie-Marie Christian, Darren Hart, Arnie Hewitt, Hawa Khan, Paul Marlon, Katherine Mosely, James Price, Narinder Samra. 
Children: Quinceo Parkes, Omara Parkes, Della Parkes, Sierra Kaitell, Gabriel Goba
Casting Director: Hawa Khan 
Audio production and sound design: Lucia Scazzocchio
Additional research: Leona Fensome
Original music: Gail Tasker
Cover Art: Delphine
A Sonomatopoeia / Social Broadcasts production. Supported by the Audio Content Fund.

The Corn People

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Dans le cadre de l'exposition Panorama 24 - L'autre côté (30/09 - 31/12/22) au Fresnoy - Studio national, nous vous proposons d'écouter les artistes exposés vous présenter leur installation.
👉 panorama24.lefresnoy.net

« Dans Phalène, le territoire et l’époque sont incertains. Les deux héroïnes s’affairent ici à des tâches quotidiennes dont la régularité décrit une existence réglée par les rites les plus anodins : dormir, manger, laver, soit des activités qui inscrivent le récit dans la sphère de la domesticité. Les actions se substituant aux mots, l’absence de dialogue a pour effet d’accroître la précision des gestes. Pareille chorégraphie ménagère est d’autant plus visible que les deux personnages sont comme le double de l’autre. Leur ressemblance physique se déploie d’ailleurs dans leur étrange mouvement en miroir. Ainsi, la vie journalière est empreinte d’un mystère que le film ne va cesser d’intensifier, à travers le soudain décalage entre ces deux corps synchronisés. » Fabien Danesi

La pratique artistique de Sarah-Anaïs Desbenoit se développe autour de la question de l’illusion, du désir de sublimer, de créer des strates diverses de la réalité. Fascinée par le pouvoir absorbant des images, elle cherche constamment à faire état de leurs facultés poétiques et hypnotiques, en expérimentant les mécanismes d’apparition et de disparition, à travers des installations visuelles et sonores.

Sarah - Anaïs Desbenoit | Phalène

10. The Arrogance of Fam (Fang/Bantu - Central Africa)
This story from the Fang people is about the creation of the first human Fam who was given absolute power. This power went to his head as he destroyed the earth and disrespected the other animals that have been created.

In the beginning Membere (who is 3 gods in one) creates elephant, leopard and monkey and then decides to create man to rule over them, the first man is called Fam and he is given ultimate power over the animals as well as being immortal. He starts building, burning and destroying the earth and treating the animals badly. He refuses to worship Member when he is invited by the animals and just caries on building dams, developments and tearing up the place. The animals are in despair. Membere decides to flood the earth and Fam is made to wander alone forever. 

This story reflects the importance of looking after our environment, especially the equatorial rainforests where the Fang live that are abundant in natural resources such as timber, diamonds, oil and calton (used in phones) as well as palm oil plantations which are also a growing threat.  

Creation stories from around the world, dramatised for radio. An immersive audio adventure back to the beginning time…
Why are we here, how did we get here and who are we anyway? These profound questions have given rise to creation stories, shared across cultures and societies to help us humans make sense of the world and there are many commonalities between these stories. In the Beginning brings ten of these ancestral tales to life. 

These stories transport us through the cosmos, into dreamtime, down a golden chain and through nature’s arc where we meet animals, gods and spirits -  the makers, shapers and creators. 


More information http://www.inthebeginning.world

Credits
Researched, written and directed by Lucia Scazzocchio & Hawa Kahn 
Presented by Chizzy Akudolu, narrated by Nicole Davis
Cast: Chizzy Akudolu, Rosie-Marie Christian, Darren Hart, Arnie Hewitt, Hawa Khan, Paul Marlon, Katherine Mosely, James Price, Narinder Samra. 
Children: Quinceo Parkes, Omara Parkes, Della Parkes, Sierra Kaitell, Gabriel Goba
Casting Director: Hawa Khan 
Audio production and sound design: Lucia Scazzocchio
Additional research: Leona Fensome
Original music: Gail Tasker
Cover Art: Delphine
A Sonomatopoeia / Social Broadcasts production. Supported by the Audio Content Fund.

The Arrogance Of Fam

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Dans le cadre de l'exposition Panorama 24 - L'autre côté (30/09 - 31/12/22) au Fresnoy - Studio national, nous vous proposons d'écouter les artistes exposés vous présenter leur installation.
👉 panorama24.lefresnoy.net

La série ENTITIES est dotée de « machines performantes », d’objets en mouvement qui, du fait de leur source d’énergie indépendante et de leur comportement singulier, sont performants sans le soutien ni la fréquentation des êtres humains.
Ils tournent à l’énergie solaire, à l’énergie éolienne, et même à l’énergie résiduelle du système de ventilation d’un immeuble, comme des parasites.

Il s’agit de considérer l’énergie comme un phénomène naturel, instable et en constante évolution. Par conséquent, les machines qui sont alimentées par cette source devraient également obéir à cette instabilité naturelle. Le but de cette recherche est de poser une question fondamentale : et si les machines obéissaient à une dynamique fondamentalement irrégulière ? Et si notre environnement technique ne reposait pas sur une efficacité continue et instantanée, mais fonctionnait plutôt comme un écosystème ?

Les parties mécaniques d’ENTITIES s’appuient toutes sur une mécanique à la Vinci, comme les pivots,
les charnières, les leviers, etc. Ces mécanismes confèrent à l’installation une portée « magique », comme si les objets en mouvement n’étaient pas réels, comme si la gravité n’existait pas.

Kris Verdonck | ENTITIES

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Dans le cadre de l'exposition Panorama 24 - L'autre côté (30/09 - 31/12/22) au Fresnoy - Studio national, nous vous proposons d'écouter les artistes exposés vous présenter leur installation.
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Am I too viscous ? est une installation comportant trois sculptures mécaniques conçues à partir de l'équation de conservation de la quantité de mouvement (Navier-Stokes). 
Dans cette équation, les trois acteurs du mouvement fluide, le gradient de pression, les forces visqueuses et les forces volumiques sont mis en relation. Chacun de ces trois acteurs sont représentés dans les sculptures où des expériences se déroulent en direct face au spectateur, lui permettant de percevoir la relation entre fluidité et changement. Le spectateur est alors invité à s’interroger : quelles forces extérieures agissent sur moi ? 

« Comme tout autre corps fluide, moi aussi je suis soumis à des forces de cisaillement. Moi aussi je suis attiré vers les situations de moindre pression. (…) Je réagis différemment aux forces extérieures qui s'appliquent aussi sur mes pairs. Il suffit de peu pour qu'on soit guidés dans des chemins opposés. » Rolando Cruz Marquez

Scientifique invité au Fresnoy en 2021-2022, Rolando Cruz Marquez est doctorant en aérodynamique au centre ONERA de Lille. Ses recherches portent sur la dynamique et le contrôle des vortex de sillage créés par les aéronefs. La mécanique des fluides lui permet d’étudier l’interaction entre notre sensibilité et le monde extérieur.

Rolando Cruz Marquez | Am I too viscous ?

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Dans le cadre de l'exposition Panorama 24 - L'autre côté (30/09 - 31/12/22) au Fresnoy - Studio national, nous vous proposons d'écouter les artistes exposés vous présenter leur installation.
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"Objets-mondes" s’intéresse aux traces que laissent les humains sur l’environnement, ainsi qu’à la manière dont celles-ci deviennent une partie intrinsèque de notre écosystème. Des objets laissés à l’abandon, tels des voitures ou des écrans d’ordinateur, ont été capturés avec l’aide de la photogrammétrie, technique qui permet la numérisation en trois dimensions d’éléments tirés de la réalité, afin de créer un collage vidéo. Recontextualisés dans des proportions démesurément grandes au sein de paysages vus de loin, ces rebus s’imposent telles des ruines d’architectures monumentales. L’absence de vie ainsi que l’ambiance lumineuse de l’œuvre créent une tension entre sentiment apocalyptique et nostalgie, entre objet précieux et rebus, entre nature idéalisée et présence indélébile des traces humaines.
Ces vestiges de l’anthropocène sont déployés au sein d’un dispositif interactif, en collaboration avec Guillaume Arseneault, et d’une trame sonore composée par Roger Tellier-Craig. Deux impressions viennent compléter l'installation.

Sabrina Ratté | Objets-mondes

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Dans le cadre de l'exposition Panorama 24 - L'autre côté (30/09 - 31/12/22) au Fresnoy - Studio national, nous vous proposons d'écouter les artistes exposés vous présenter leur installation.
👉 panorama24.lefresnoy.net

L’Éléphant s’évapore questionne la frontière entre l’imagination et la réalité, l’existence et la disparition, le virtuel et l’analogique. 

Le film raconte l’histoire surréaliste de Chang (« éléphant » en thaïlandais), qui s’oublie dans la recherche de son chat appelé Bye Bye. L’éléphant désigne les images. Le philosophe chinois Han Fei Zi, un lettré qui vivait au IIIe siècle avant notre ère, remarqua que : « Les humains voient rarement un éléphant vivant, mais lorsqu’ils trouvent la carcasse d’un éléphant mort, ils se fondent sur cette vision pour se le figurer vivant. ». Depuis lors, l’éléphant sert à désigner tout ce qui permet à l’esprit humain de se faire une idée : emblème, symbole, figure...

Les images, intermédiaires entre les êtres sensibles et invisibles ou alors symboles, sont une évocation du réel. Et les images sont destinées à disparaître, tout comme le chat perdu appelé Bye Bye et un robot qui fait office de chat, portant un panneau stop sur un passage piéton.

Chuxun Ran | L'Éléphant s'évapore

Création sonore par le groupe de jeunes du Sessad

4 - AMBIANCE SONORE LA MER - SESSAD ToursNord

3 - LA VIE C'EST COOL - SESSAD ToursNord

Arrangement de la chanson originale écrite par Hélène Bohy

2 - LES CHEMINS DE L'EAU - SESSAD ToursNord

1 - TAPIS SONORE RESTO - SESSAD ToursNord

Creation by JF AVILES, voices with Emvoice

2022

Nothing change

Break the chains

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Theme: Treasured by God

Title: God's Love for Us

Speaker: Denzil Dolce

Key text: https://www.bible.com/bible/59/PSA.139.13-14.esv

Theme: Treasured by God

Title: God's Love for Us

Speaker: Denzil Dolce

Key text: https://www.bible.com/bible/59/PSA.139.13-14.esv

Bulletin/Notes: http://bible.com/events/48961504

Date: October 1, 2022

Tags: #psdatv #treasure #treasured #control #God #praise #create #creation #creator

For more life lessons and inspirational content, please visit us at http://www.plantationsda.tv.

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CCLI Streaming Plus License: 21338439

Treasured by God

Tu crois que je suis dans quel bail

École d'art contemporain à Tourcoing, Métropole européenne de Lille
🤩 Formation, production et diffusion artistiques
👀 Exposition | Panorama 24 - L'autre côté, 30 septembre - 31 décembre 22
🎬 Cinéma

musicien artiste compositeur et interprète

Plantation SDA Church 
People Building People for the God's Kingdom. 
Connect, Grow, Serve and Go!
400 NW 118th Ave
Plantation, FL 33325

New tracks tagged #Creation