(Music and lyrics by me.)

I went down 31st Street,
get me a jug of alcohol,
I went down 31st Street,
get me a jug of alcohol, oh yes,


I said don't you put no water,
didn't put in a drop at all,


Well,I sure like whiskey,
my baby sure like gin,
the little girl I got right now
sure put me in the mess I'm in,
I went down 31st Street,
get me a jug of alcohol, oh yes,


I said don't you put no water,
didn't put in a drop at all,


Well, whiskey make me drowsy,
and gin'll make you think,
the common cold'll kill ya
but it was a woman who made me drink,
I went down 31st Street,
get me a jug of alcohol, oh yes,


I said don't you put no water,
no he didn't put in a drop at all,


Well, I was walkin' down Main Street,
and who do ya think I see?
He was all dressed up for Sunday
but I could tell he was the chief o' police,
he said, "Hey there young lad,
what you got in that brown paper bag?"


Well, he raised the bottle to his lips,
he said, "Gee, that's the best whiskey I ever had!"


Oh, well, hey there bartender,
why don't you hear me call?
oh, well, hey there bartender,
you don't listen to a thing at all,
I said, hey there bartender,
why don't you hear me call?


Don't want Jonny Walker,
no, I won't complain at all.


Oh, well, hey there bartender,
just gimmie somethin' strong,
I don't care what it is,
I don't care if it's short or long,
I said, hey there bartender,
I don't care what it is at all,


So, I raised out my glass
and he poured me a glass... of ethanol.

Home Recording

Too Much Alcohol

Messed up the chorus a bunch of times but it was fun and this was the first take.
(Music and lyrics by me.)

The lights along the highway,
they all roll along like ripples,
brandy on a broken heart turns a
drunk into a cripple,
ain't no road that leads away from love,
it's only lost with time,
better guzzle days like gasoline
'fore you skid across the line,

You hit the road,
you never known that,
the whole globe, 
just spins like a dice,
You hit the road,
you never known that,
every mile is paid with a price,

Just slip by another Sunday,
Foodman, give us daily bread,
can't run away from memories,
there's a pileup in your head,
there's roadworks on tomorrow,
the line's comin' up behind,
fuel gauge runnin' low, you know,
but don't pay it any mind,

(chorus)

Got whiplash from the weekend,
got a flat from Friday night,
must be blinded by the lights
you think she gone patch you up tonight,
can't give you nuthin', man,
man, you runnin' on fumes,
a headache's what you call it
but that's what WE call the blues,

(chorus)

The Highway, Man

Greg talks about the history of crooning in a radio interview. He demonstrates the technique by singing 'Learn to Croon' unaccompanied.

Learn To Croon Interview with Greg Poppleton & Lachlan A'Court 2SER radio

Timeless Allure

Have you ever wondered what your high school sweetheart is doing after you broke up 50 years ago?  What if you had the chance to meet again?

If We Met Again

Dylan Smucker | OurVinyl LiveEP

She Keeps Me Tender (OurVinyl LiveEP)

Hot Nights (OurVinyl LiveEP)

Get Your Heart Broken (OurVinyl LiveEP)

Do You Still Love Me (OurVinyl LiveEP)

Cowboy Killers (OurVinyl LiveEP)

i had to break your heart first
fore youre gonna break mine
its what i heard from the grape vine
i had to break your heart first
cause i knew youre gonna break mine
its what i heard from the grape vine
he turns water into wine
he turns water into wine
he turns water into wine
he turns water into wine
oh hes so divine

and you cant even taste me
something bitter like vinaigrette
but so sweet you need me
i know you need me
i know baby we aint finished yet
said im artwork but im not finished yet
you said im awkward but im really weird
i swear girl im really weird oh
you understood my autism like no one understood it yeah
i keep punishin myself for what i did
but my liver aint gon take any more hits
so all these drugs that i take i quit
its been months i been sober again
and i know what it means to him
to see you in his dreams

i had to break your heart first
fore youre gonna break mine
its what i heard from the grape vine
i had to break your heart first
cause i knew youre gonna break mine
its what i heard from the grape vine
he turns water into wine
he turns water into wine
he turns water into wine
he turns water into wine
oh hes so divine


water into wine

I'M NOT THE ONE

A lush orchestrated ballad that haunts in the vein of The Righteous Brothers, Roy Orbison, and the great crooners

Right From The Start

Sunday Wind

again - doris day cover by xanayra

What you want me to beg for it or something? ...cuz I will. I even did 2 verses this time.

LOW MAINTENANCE (DEMO)

Space King Elvis Presley The Movie (DEMO)

snow

I tell tall tales.  1,000 year Old Fish, caught i have hehehehehe...

All things are possible with God.
https://linktr.ee/adamsavedtheworld
Inquiries- adamsavedtheworld@gmail.com

💚🌎



inspired by rap acoustic folk blues rock hip hop & jazz. timbaland pharrell uncle snoop no limit 
Then in middle school I discovered my chemical romance and green day. Midwest emo rap and hip hop. 50 cents first 2 albums were the first rap albums I heard in like 6th grade, probably played them 600 times. The whole dj screw Houston scene. Andre 3k. Three6. I first heard Eminem’s first album in elementary, that shit inspired me. Then I discovered mixtape and codeine era lil Wayne and scoured limewire to find everything he ever made. Around that time I fell in love with the autotuned vocals of him and Tpain. 9th grade I listened to epiphany the first time and it changed my life.
i also i had a period where i was listening to plies
gucci mane can be sited as my favorite rapper from 2003-2010.

I saw lil Wayne’s documentary short after and learned about his recording process and said, that’s going to be me. Then I found out about Midwest emo and screamo music, that was a phase, that lasted a long time, I really liked chiodos, blessthefall, alesana, etc.

Then as a sophomore I found out about curren$y and i only listened to him. His story truly inspires me. Not just the jetLife movement, but how he turned down working with young money and chartered his own venture. How lucky he was to grow up learning from Master P. New Orleans truly inspired me. I hope to visit some day and meet them.

My favorite “SoundCloud era” artist is lil peep. 🪽
i like kodak black rn
Now I’ve got thousands of songs in a vault and my life goal is to share them with you.

-Adam
A$TW

https://linktr.ee/adamsavedtheworld

Waterfront Maestro produces and performs a mix original rock songs and classic rock covers with vocals and lead violin.

Founded by songwriter, lead vocalist & guitarist Greg Erba, Greg & The Gallows has been making waves on the rock & country circuit with their signature blend of Southern Rock, Outlaw Country, Gospel & Soul. For listening is the new & unreleased self-produced debut album, "True Stories from a Neo=Outlaw". Seeking a label for distribution/promotion, and management for booking.

Welcome to the dimension of the cosmic serpent! Demos and such can be found here but visit our Bandcamp (link below) for official releases and check back often for more stuff! And bring mice!

New album - Tin Pan Alley Vol. 3 - 1920s-30s songs sung by Greg Poppleton now online.
Hi, I’m Greg Poppleton. When I was 3, I saw Louis Armstrong on TV and was hooked on 1920s – 1930s jazz and swing from then on. Now the Greg Poppleton 1920s jazz band and 1930s swing band play clubs, restaurants, balls, hotels and festivals. And I love playing private functions, too – your wedding, birthday, house party and corporate event.

I bring the era to life so your event will be a dazzling Hollywood experience. Think vintage glamour, prohibition and speakeasies. I appear in the movies Moulin Rouge! and Chronicles of Narnia Voyage of the Dawn Treader.

“FIVE STARS. Poppleton’s vocals capture the essence of the 1920s- 1930s with uncanny accuracy.” — John Gilbert, eJazzNews (U.S)

“Last year at the Melbourne Jazz Festival and the Thredbo Jazz Festival I saw some great acts. I made Greg Poppleton an offer [to play at the Waiheke International Jazz Festival] on the spot.” — John Quigley, Director Waiheke International Jazz Festival

“Captures the 1920s - 1930s vocal style to perfection.”
— Kevin Jones 102.5 Fine Music FM

“Absolutely flooring. Greg Poppleton’s 1920s - 1930s jazz and swing always hits the spot.”
— Women's Vintage Radio (U.S)

 “Greg Poppleton was considered a little eccentric growing up in the mid-‘70s, rifling through the back shelves of music stores looking for recordings from the Swing Era” 
— Sue Javes, Sydney Morning Herald

“Greg nails the 1920s vocal stylings.”
— Bill Lawson, Radio Adelaide

“Awesome. Totally fun.”
— Jesse Miner - ‘Hey, Mr Jesse’ Swing Podcast (US)

“Poppleton and company get inside each tune with their complete commitment to the style.”
— Budd Kopman, All About Jazz (U.S)

“Hi Greg. I “met” you (not in person) during your Friday evening performance at the Waiheke Jazz Festival. I live my life on purpose and in the moment, rarely missing a calling / opportunity. However, during your performance I totally froze when you made eye contact, and I could not bring myself to talk to you afterwards. I regret not telling you that your music has moved and inspired me. Thank you for giving of yourself so generously! With best wishes for your future,” — W.T.  NZ

Singer songwriter looking for funk / jazz musicians to collaborate with. Currently doing the one-man-band thing with a loop pedal. All lyrics available in the song descriptions.

Ishmael Montague, also known as ISM or ISM Beats, was born on April 19, 1997. His musical journey began at the age of 3 when he started playing drums, eventually leading him to perform in churches and bands throughout his childhood and teenage years. After graduating from William G Enloe High School, ISM made the bold move to Los Angeles, where he achieved remarkable success in the music industry, accumulating multiple RIAA Gold and Platinum certifications and BMI awards.

Upon returning to Raleigh, ISM delved into the family real estate business, F7 Development. Here, he immersed himself in learning about residential construction project management and real estate development, expanding his skill set beyond music. ISM's passion for creativity and business acumen shine through in his dual pursuits of music production and real estate development.

Follow ISM on his journey as he continues to make waves in both the music and real estate industries, blending his talents to create a unique and dynamic future

Contact: ISMBeatsMGMT@GMAIL.COM

We film authentic artists performing original music. Check out some of our videos here.... http://youtube.com/ourvinyl

New tracks tagged #Crooning