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[Stanley, Roy, Wieteke Wijte en Denzel]

Tame Impala is misschien wel Stanley's lievelingsband. Dus deze podcast zat eraan te komen. Hij raakte samen met Roy en Denzel niet uitgepraat deze avond. We hadden special guest Wieteke Wijte met engelengeduld. En jawel producer Joeri kreeg het voor elkaar om de eerste vijftien minuten kwijt te raken. Dit Frankenstein's monster is een bijzondere geworden. Maar we plaatsen hem zoals altijd toch gewoon weer.

Aflevering 32 - Tame Impala

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You can currently download the Tame Impala - Currents album for free in mp3, flac formats at wowalbums.com. It is also possible to buy "Tame Impala - Currents" on Amazon, Discogs as listen or rent it on Spotify, Apple Music.
The music on this album is an interesting mix of bright pop and psychedelic rock. It has an alternative vibe to it all, but there is that hazy feel to it that suggests a psychedelic sound. The music uses a heavy amount of electronics and synthesizers with processed sound from other instruments that make for a unique sound. The brightness of the music makes is sound cheery, but the lyrics don't necessarily match that positive sound. Vocals are raspy but melodic and appealing, and there are often echo effects and an airy timbre to them. There are similarities to other bands like "MGMT", "Of Montreal" and even "The Flaming Lips" in that there is that pop sound, but it's not really typical because there is the underlying psychedelic sound and the melodies are a bit more complex. The music on "Tasmania" is much more groove oriented than on most of their previous albums with solid beats and constant manipulation with the instruments and riffs to keep things unique. There is a danceable feel to the first 4 tracks, but each still feel unique. There is some variation here too, not everything is an upbeat track as is the case with "Hand Mouth Dancer" which uses a more moderate, yet still funky groove with deep synths, and has a more emotional sound in the vocals and a stately riff. The sound changes about halfway in the track as things become beautifully lush and then a steady beat takes hold as a chopped up keyboard melody comes in. "Goodnight P.C.C." goes off in a more experimental direction during the instrumental breaks and a sparse percussive beat during the vocals keep this track more in the psychedelic genre than the pop genre. As it continues, the electronic manipulation gives it all a dreamy quality that is quite nice. "Burnt Out Star" is the longest track here at over 8 minutes, and it is definitely a lush yet trippy sound with some amazing harmonics and very minimal percussion as it feels more like a free floating track. Soon an electronic beat gets established as synth washes ebb and flow around you and the echoing vocals seem almost random also become part of the atmosphere of the track. Just before the 6 minute mark, a heavy rhythm section makes the track suddenly more tight and intense. This trippy, yet somewhat poppy sound continues through the rest of the album. The music is thick in electronics and synthesizers, but retains that lush and psychedelic sound throughout, even in the R&B influenced "Selene" which also featured layered guitars in the instrumental break. It is understandable, because of the hazy feel of the album, that it would be included in the Psychedelic genre, but just know that even though the album has this pop vibe, that it is still complex and unique enough to keep the prog heads interested. Even though the first part of the album has a danceable vibe to it, it veers away from this after the first four tracks, but even those songs are unique and interesting in their own way. The production and mixing on this album is quite amazing also, it seems like a lot of work went into this album, making it accessible, but not totally commercial, and best of all, very unique. The music is very colorful, just like the album cover. social review comments  | Review PermalinkPosted Saturday, March 30, 2019 | Review this album | Report (Review #2169751) 7ad9723583

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The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope (P.S.)

Now a Netflix Film, Starring and Directed by Chiwetel Ejiofor of 12 Years a SlaveWilliam Kamkwamba was born in Malawi, a country where magic ruled and modern science was mystery. It was also a land withered by drought and hunger. But William had read about windmills, and he dreamed of building one that would bring to his small village a set of luxuries that only 2 percent of Malawians could enjoy: electricity and running water. His neighbors called him misala?crazy?but William refused to let go of his dreams. With a small pile of once-forgotten science textbooks some scrap metal, tractor parts, and bicycle halves and an armory of curiosity and determination, he embarked on a daring plan to forge an unlikely contraption and small miracle that would change the lives around him.The Boy Who Harnessed the Wind?is a remarkable true story about human inventiveness and its power to overcome crippling adversity. It will inspire anyone who doubts the power of one individual's ability to change 
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credits goes to currents for producing this song. i do not own it in any way.

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Gearboiiis is een muziekpodcast over bands en hun gear. Een avond samen met muzieknerds die er vooral om kunnen lachen met een biertje erbij.

Gearboiiis zijn:

Joeri Valent (presentator/producent)
Aljo Leijdekkers (presentator/vormgeving)
Stanley van den Hoek (presentator)
Gerben Bielderman
Roy Laane (mixing)
Peter Peskens 
Jordy Sanger (impresario)
Bart van der Elst
Emiel de Nennie
Darek Mercks
Max Vet
Nicky Hustinx
Chino Ayala

te gast waren:
Robbi Meertens
Can Ur
Frank Verweijmeren
Reid Steenhuis 
Roos van Tuil
Wesley Fransen
Josephine van Schaik
Storm van 't Westeinde
Denzel Sprenkeling
Mehdi Tallal
Sweder Al
Wieteke Wijte
Bram van den Brekel
Duncan Daalmeijer
Victor ter Veld

New tracks tagged #Currents