Liquid Forest

Its the things you dont see, that you really need to worry about

Glacial Dream

Yes I'm Changing (A Tame Impala Cover)

Divin

Lyrics:
Don’t you give up now 
You’re almost half way 
You made it this far
But you’re in your own way 

Lost in the moment 
Don’t want to hold on 
Maybe again 
Sometime tomorrow

Maybe Again, Sometime Tomorrow?

Have some cozy winter vibes <3

From the Sketchbook

Enjoy <3

⬅️ DL Enabled ✨

Currents

"La corriente de Florida podría estar desacelerándose, pero no por mucho"
De Grace van Deelen
Publicado en Eos.org 21 noviembre 2024
Traducción de Saúl A. Villafañe-Barajas

Grabación de audio de Rosana Aguilera Becker

La corriente de Florida podría estar desacelerándose, pero no por mucho

the less I know the better - cover

Lyrics:
Beneath fluorescent glow, our glances collide,
Cryptic dialogues amid the mundane.
Shared breaths in the elevator's steel confines,
Unwritten codes exchanged, tethered in restraint.
Your presence lingers in the cafe air,
A fleeting brush, a touch we never dare.

Invisible lines we draw with careful care,
An unplayed game of truths we wouldn't share.
A silent storm in the calm of our charade,
Unbroken surface hides the depths we’ve made.
Hidden behind stations, a truth delayed,
A burning question that will never fade.

Uncharted waters, we navigate the same,
Eyes mapping boundaries neither will betray.
An unvoiced pledge cloaked in office grey,
Longing masked by routine's daily sway.
Tomorrow's clock will tick the same refrain,
Colourless harmony, our secret to sustain.

A gaze that speaks in whispers, soft and plain,
In corridors of darkness, we remain.
In crowded rooms, a silent pulse we trace,
A rhythm unspoken, yet felt in place.
Fingers brushing close, but never near,
Bound by a tension we both revere.
A fleeting pause as shadows intertwine,
Words unsaid that echo down the line.
In passing glances, secrets left to stew,
A silent pact between me and you.

This song is from the 2025 1.0 Album.

The 2025 trilogy is my reckoning with the past and an uncompromising embrace of the future. Three albums—2025 1.0, 2025 The Internationals, and 2025 2.0 - will stand as a testament to my unrelenting need to create, even as I distance myself from the human chaos that once defined my musical career. Spanning up to 50 works, this monumental release splits into three distinct identities while maintaining their cohesion as a singular artistic statement.

Mid 2021, everything changed for me. The band dynamic that had dictated my creativity for decades was gone, leaving behind a hollow, venomous resentment for the compromises and burdens I had carried. For nearly 40 years, I was always the one: the one with the reliable car, the one funding the studio time when others came up short, the one dealing with the egos of unreliable bandmates. That grind left scars that are still raw.

When I finally walked away from bands and the pitiful Australian Music Industry (unless you’re drinking with or taking drugs with the right people you have no chance), I thought I was done. But music and creativity doesn’t just let go. By 2024, 20 tracks were ready for vocals, and then floodgates unexpectedly opened. Even as I resented the relentless drive to create, stealing my sleep and dragging me back into long hours of recording, I couldn’t stop. Yet this time, it was on my terms. No live performances. No face-to-face collaboration. No compromises.

My refusal to collaborate in person isn’t stubbornness; it’s survival. The toxicity of past experiences pushed me to sever ties with the traditional music-making process. Nearly four decades of dragging bandmates and their baggage through every stage of creation left me bitter and done with humanity’s role in music. I don’t mince words about it: "I’m fucking over it. I’ll never share a rehearsal room, stage, or studio with anyone ever again."

But out of this anger, a new way of working emerged—a way that fueled my creativity without reopening old wounds. Texts and emails with Mauro Elias, the album’s vocalist, brought refreshing simplicity. Mauro’s immense talent and organic approach to crafting melodies proved to me that music doesn’t require the chaos of human proximity.

Is this the end? I want to believe it is, but I’m no Nostradamus. The future looms large, with artificial intelligence already playing a role in the visual components of 2025. While AI hasn’t yet touched the music, lyrics, or vocals, I see its potential. AI could eliminate human messiness from music production entirely, something I entirely welcome. If anything can convince me to keep going, it’s the idea of embracing a future where creation no longer hinges on human involvement.

2025 1.0

Unspoken Currents

In the Winding Currents

Borderline - Tame Impala cover (Jam Session Version)

Natural Fool here with a brand new loungy chill tune!

Follow us for more ❤
@SoaveRecords
@SelectedTunes
@SoaveDusk
@SoaveRadio
@SoaveMusique

www.soaverecords.com
Facebook.com/soaverecords
Twitter.com/soaverecords
Instagram.com/soave.records
Youtube.com/soaverecords
Spotify: bit.ly/soavespotify

Stream/Buy

Natural Fool - Currents

2025.02.15 Desolate Soundscapes on UA four.valve

An odyssey into the abyss, where sound flows like ocean currents and basslines pulse like bioluminescent signals in the dark. This set, recorded live at "Insel der Freuden," immerses you in a deep-sea dreamscape—melodic techno and progressive house intertwine with the hypnotic intensity of psytech. Waves of sound rise and crash, pulling you deeper into the unknown. Surrender to the tides.

Phantom Currents @Insel der Freuden, Freiburg

Kill the Ache(Vocal Cover)

I believe in the significance of human lo-tech in the sounds automatically constructed with digital tools.
Twitter: twitter.com/49thCode
Email:   soundelica@gmail.com

Just making noise for the ears 
YT(some more stuff)~ https://www.youtube.com/@IndraPath
Twitter~ https://twitter.com/HollowedLife

-... -.-- / -- . .-.. / --- -. / .-.. . -- --- -.

Album Synopsis:
Artist: Paul Louis Villani 
Release Titles: 2025 1.0, 2025 The Internationals, 2025 2.0 
Release Date: 2025 

Overview: 

The 2025 trilogy is my reckoning with the past and an uncompromising embrace of the future. Three albums—2025 1.0, 2025 The Internationals, and 2025 2.0 - will stand as a testament to my unrelenting need to create, even as I distance myself from the human chaos that once defined my musical career. Spanning up to 50 works, this monumental release splits into three distinct identities while maintaining their cohesion as a singular artistic statement. 

Background: 

Mid 2021, everything changed for me. The band dynamic that had dictated my creativity for decades was gone, leaving behind a hollow, venomous resentment for the compromises and burdens I had carried. For nearly 40 years, I was always the one: the one with the reliable car, the one funding the studio time when others came up short, the one dealing with the egos of unreliable bandmates. That grind left scars that are still raw. 

When I finally walked away from bands and the pitiful Australian Music Industry (unless you’re drinking with or taking drugs with the right people you have no chance), I thought I was done. But music and creativity doesn’t just let go. By 2024, 20 tracks were ready for vocals, and then floodgates unexpectedly opened. Even as I resented the relentless drive to create, stealing my sleep and dragging me back into long hours of recording, I couldn’t stop. Yet this time, it was on my terms. No live performances. No face-to-face collaboration. No compromises. 

Challenges and Resilience: 

My refusal to collaborate in person isn’t stubbornness; it’s survival. The toxicity of past experiences pushed me to sever ties with the traditional music-making process. Nearly four decades of dragging bandmates and their baggage through every stage of creation left me bitter and done with humanity’s role in music. I don’t mince words about it: "I’m fucking over it. I’ll never share a rehearsal room, stage, or studio with anyone ever again." 

But out of this anger, a new way of working emerged—a way that fueled my creativity without reopening old wounds. Texts and emails with Mauro Elias, the album’s vocalist, brought refreshing simplicity. Mauro’s immense talent and organic approach to crafting melodies proved to me that music doesn’t require the chaos of human proximity. 

Looking Forward: 

Is this the end? I want to believe it is, but I’m no Nostradamus. The future looms large, with artificial intelligence already playing a role in the visual components of 2025. While AI hasn’t yet touched the music, lyrics, or vocals, I see its potential. AI could eliminate human messiness from music production entirely, something I entirely welcome. If anything can convince me to keep going, it’s the idea of embracing a future where creation no longer hinges on human involvement. 

For now, 2025 isn’t just a trilogy of releases; it’s my statement. It’s my defiance. It’s my refusal to let the weight of the past crush my urge to create. And whether it’s my swan song or the start of something new, 2025 is a raw, unfiltered declaration of who I am, what I’ve endured, and where I refuse to go back to.

Soave: a direction to play a piece of music tenderly, gently, smooth and sweet. Soave Radio is the chiller side of @soaverecords. 

Submit your demo via soaverecords.com/demos

(F.K.A BaadDreamms) if you like my music follow me on Instagram @Mango_Hideout, i’ll send you a gift I promise  :)

Welcome to the home of all my music projects :) 
Everything is made by me unless I’ve stated otherwise 

Mostly covers with a few originals sprinkled throughout.
I enjoy the process of starting and finishing a project and improving my skills as a producer, I either program or play all of the instruments on my tracks and I make everything with Logic Pro and garageband on my iPhone

Producer, Engineer, DJ, Multi-Instrumentalist

Part of @RinseFM, @SubtleRadio & nekolektif

LDN

info@torbm.com

a/k/a CHRIS CYPHER
[FUTURE_WITCH\TRICK]
author of 'LANTERNGLASS'
and
'an UNASSEMBLED VERSE'
verseweld.substack.com

Eos is a leading source for trustworthy news and perspectives about the Earth and space sciences and their impact. Published by the American Geophysical Union.

New tracks tagged #Currents