Inspired by the entire series of Cyberpunk! (Edgerunners and 2077!)
My heart hurt making this so RUN THIS SHIT UPPPP!

Cyber Psychosis (BUNDRIP VER)

Neon Nights

"Couldn't even get through editing this song without tearing up" -Thanosbrah
"Bruh I don't think I've ever seen you hop onto making a hardstyle so fast. Also doesn't deny the fact Rebecca was a better match than Lucy" -Oceansbrah

Soundcloud - https://soundcloud.com/hardstylebrothersmusic

Song - "I Really Want to Stay At Your House" Hardstyle edit by Laaemel (https://www.youtube.com/watch?v=tXFVl2Qb4zc)

Anime - Cyberpunk:Edgerunners
#cyberpunkedgerunnershardstyle #ireallywanttostayatyourhouse #tothemoon #davidmartinez #cyberpunkanime

"To The Moon" - [Cyberpunk: Edgerunners Hardstyle] - {Laaemel}

A remix i made of one Cyberpunk edgerunners saddest song edgerunners always make me sad. I hope this makes you more depressed. I post on youtube mainly, i have a depressing music video for this song

Ugory - Zurawie (Maine death song) REMIXED AND COMPLETLEY REMADE

Hallie Coggins and Rosa Walton

Download
https://deadponyremix.bandcamp.com/album/i-really-want-to-stay-at-your-house-deadpony-remix

Cyberpunk Edgerunners - I Really Want to Stay at Your House (DeadPony Funkot Remix)

becca's lullaby

Specially composed by Owen Grey as part of a demo for "Cyberpunk Edgerunners: Rookie Move"
Graphic Designed by IG: @rankinforever

Cyberpunk Edgerunners Demo

APT. Hardstyle x "You're Special" | Cyberpunk Edgerunners

Show them who you are choom!

Hardstyle Cover by: @ZaveyT1 - https://www.youtube.com/@djzavey

'You're Special' x APT. | Cyberpunk Edgerunners Hardstyle

Original song: https://soundcloud.com/slowlyfallingrain-587316616/jumpstyle_bootleg_2003-ultra si=9c92bc169d954e1a856c18f84cccce2b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Adam Smasher (JumpStyle)

Original version written by Rosa Walton. This was made out of appreciation for the song and the game. Sorry if it sounds like shit.

I Really Want To Stay At Your House (cover by Beryl)

Anna Kurka’s cover -no, rewrite- of "Let You Down" strips the original track back to its emotional core, with an arrangement that centers around piano, violin, cello, and flute. The instrumental backdrop is delicate and evocative, creating a hauntingly beautiful atmosphere. The piano provides the foundation, while the string instruments—violin and cello—add depth and warmth, enhancing the emotional weight of the song. The flute adds an almost ethereal touch, weaving in and out of the melody to create a hauntingly soft, almost dreamlike feel.

Anna’s voice is the centerpiece, carrying an immense vulnerability throughout the track. Her delivery brings a sense of rawness to the lyrics, emphasizing themes of regret, disappointment, and emotional turmoil. The stripped-down arrangement allows her voice to shine, while the strings and piano create a cinematic, introspective mood.

The overall vibe is one of quiet melancholy, giving the song a more reflective and personal tone compared to the original.

Anna Kurka - Let You Down (recomposed)

One Last Gig

I Really Want Stay At Your House (Red-01 Remix) [Cyberpunk: Edgerunners] 
Rosa Walton | Netflix
#anime #cyberpunkedgerunners #IReallyWantStayAtYourHouse #remix #netflix #RosaWalton #cyberpunk2077 #davidmartinez #lucy

I Really Want To Stay At Your House (Red-01 Remix)

Night City Fever is a cyberpunk phonk descent into the underbelly of the city where flesh and chrome collide ⚙️💀. This track paints the brutality of survival in a world where every stim pack scorches your veins, Trauma Team won’t come to save you, and every deal could end in blood.

The verses spit raw paranoia and swagger — corpo dogs breaking circuits, edgerunners stacking bodies, credits piling while corruption runs deep 💵🔪. Choruses slam like contracts signed in neon:
“Bet your life away, hard-crash your cortex chip. Spin the code and flip it, make the system lose its grip.”

It’s an anthem for the sleepless — data couriers, chrome junkies, edgerunners, and drifters speeding through neon-lit streets at 115 BPM 🚨🌃. Heavy distorted 808s and metallic percussion crush through every bar, while low, chant-driven vocals echo like a corrupted system error.

By the outro, the city itself becomes the villain — circuits twitch, flesh and chrome don’t mix, and silence swallows the streets. This isn’t just phonk; it’s a fever dream of survival in a city with no mercy.

NIGHT CITY FEVER

The VIP rework takes S-Y-S-X and pushes it into hard house / hard dance territory 💣💀. Faster, harsher, and built for the festival mainstage, this cut turns every verse into a weapon and every drop into an explosion of donks and distorted kicks.

Where the original stalks like a predator, the VIP attacks head-on — sweat-soaked bodies, flashing lights, and walls shaking under relentless bass. The vocals stay chant-driven and aggressive, but the production goes even harder: bigger builds, heavier breakdowns, and drops that collapse into chaos before rising again.

This isn’t just a remix — it’s the apex form of the track. Made for the ravers who want more speed, more sweat, and more destruction. A full-scale system break.

S-Y-S-X

S-Y-S-X - Cyberpunk Hard House / Hard Dance VIP

S-Y-S-X is the core weapon of the album — a cyberpunk drift phonk anthem sharpened into hardbass form ⚙️🔥. Running at 120 BPM, it smashes distorted 808s, stompy donks, metallic percussion, and neon synths into a relentless floor-killer. Vocals are low, chant-spoken, short and filthy — no melody, just raw aggression, sweat, and domination.

This track is about system overload: sex, drugs, bass, and power colliding until nothing else exists. Every chorus is a detonation — “S-Y-S-X, system break!” — a command for the pit to stomp, squat, and lose control. Russian chants and cyberpunk imagery thread through the verses, celebrating chaos, lust, and the hunger of underground rave culture.

It’s not just music — it’s an initiation ritual. A soundtrack for filthy clubs, Slavic squats, and cybernetic fantasies where rules don’t matter and the only law is the bass.

S-Y-S-X (Original)

▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬­­­­­­­­­­­­­­­­▬▬ ＳＨＵＴ　ＵＰ　ＡＮＤ　ＥＮＪＯＹ　ＴＨＥ　ＮＩＧＨＴＣＯＲＥ▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬­­­­­­­▬▬▬▬▬▬▬▬­­­­­­­­

Taking the best of anime and hardstyle, putting it together and using it to acquire aesthetics. We are Thanosbrah & Oceansbrah, this is our music.

Hi, I’m Anna!  If you like my stuff - Like & Subscribe please!

I’ve always been drawn to creativity in all its forms, and over the years, I’ve found a lot of joy in blending different passions. I create machinima in Second Life, using the virtual world as a canvas to tell stories that are personal and often reflect deeper emotions. For me, it’s less about the visuals and more about connecting with the people who watch, letting them feel something real. When I'm not making films, you’ll probably find me writing and recording music. I love experimenting with sounds, mixing indie and electronic styles, and sometimes you’ll hear me cover songs that resonate with me. I also DJ both in Second Life and on Mixcloud, where I get to share music I love and create spaces for people to vibe out or unwind. It’s all about the little moments of connection—whether through a song, a film, or a mix—and I’m grateful for the chance to share those moments with others.

Just making covers for shiggles.

Just one guy

♡ let's go cyber psycho together~ || Previously Bun from Spice n Bun (Worked on multiple songs) ||  OFFICIALLY ON SPOTIFY, APPLE MUSIC,  TIDAL, AND MOREEEE

Funkot and Breakbeat Remixer/Producer
im@s account @deadponymk2
Breakbeat @deadponybreakbeat
Listen more on Youtube: 
https://www.youtube.com/@AisakaTakasuMusic

DM me if you need anything

Owen Grey is a Los Angeles-based film composer and violinist. His work weaves classical instrumentation with modern textures, creating scores that resonate with emotion and depth.

“Music is a complement to visual media, adding nuance and dimension. With thoughtful, seamless integration, visual storytelling can be expanded, amplifying atmospheres and underscoring emotion.”

🔥⚡ Concrete bass 🧱🔊 Endless night 🌃🌑

I’m not here to fit into genres — I’m here to break them. From 🪩 bass house sweat pits to 🌀 psytrance spirals, from 💀 Russian Hardbass war cries to 🌃 cyberpunk drift phonk nights, my sound is chaos in motion.

808s distorted till they bleed 🔊, donk bass stomping through concrete 🥾, neon synths burning like chrome fire ⚙️🔥, and vocals cut short, filthy, and raw 💋. Every track is built like a weapon — something you feel in your chest before your ears.

This isn’t just music for playlists. It’s music for everywhere the bass can shake the walls: 🏚️ abandoned warehouses, 🚧 back-alley raves, 🌌 night drives under neon skies, 🎧 headphones at 4AM when the world feels too heavy. It’s for freaks, queens 👑, rebels, dreamers, loners, lovers, and anyone who refuses to sit quiet. It’s not about fitting in — it’s about feeling alive. Every drop is rebellion, every synth a spark, every kick a heartbeat.

Vodka shots and bass drops 🍸💣, sweat and freedom, chaos and connection — if you feel it, you’re already part of it. And if you’re here, you already know: the walls won’t hold, the night won’t end, and the system won’t win.

New tracks tagged #CyberpunkEdgerunners