27. No Waking Up

Electro

Past Future

Samples Used (in order of appearance):
Porter Robinson - Get Your Wish (DJ NOT PORTER ROBINSON REMIX)
Ben Folds - Jesusland
Chicago - If She Would Have Been Faithful
Claude Debussy (Yuji Takahashi) - Reflets Dans L'eau
John Martyn - Bless the Weather
Kingdom Hearts 2 SFX Roxas Breathing (lol)

Dreams Are Memories from Another Life is a dance pop rendition inspired by the idea that dreams connect us to past lives. The lyrics weave a poetic reflection on time, identity, and the cyclical nature of existence. Meticulously crafted with Suno, this track bridges storytelling and melody in a way that’s catchy & immersive.

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Dreams Are Memories From Another Life

Featuring Greg Osby - alto saxophone, Pitchrider, Steve Coleman - alto saxophone, David Gilmore - guitar, Robert Hurst - bass, Marvin "Smitty" Smith - percussion

A Turn Of Events

[the title] derives from the ironization of the best-seller books and popular articles from the past decade(s) or so, which come with the promise of helping you with your life.

the project was constructed under the idea of cyclical periods - a book with no beginning and no ending and a sound which has captures sounds from the beginning in the end - both revolving under a centered piece (such is the forge in the village): the engagement with the metal.

six ways to start a myth

Shining The Sun (Original)

(geschreven door Wessel Wielinga)

Lege dagen, ik staar zacht naar de klok
Elke seconde glijdt als fluweel, maar voelt toch als een blok
Ik dwaal door het leven zonder echt doel of spoor
Alles vlak en kleurloos, ik zoek steeds naar ... meer

Met elke stap lijkt het pad mij te ontwijken
Schaduwen fluisteren, ik kan het licht niet bereiken
Waar schuilt de zin in dit verweesde bestaan?
Ik zoek een kompas, maar weet niet waarheen te gaan

Verdwaald in tijd, verlang ik naar bevrijding
Een antwoord dat breekt door mijn lijden en schuiling
Misschien ligt de weg diep in mijn eigen geest
Een verborgen pad waar hoop zachtjes wordt gefluisterd
(Oh, oh, oh)

Misschien vind ik troost in één teder gebaar
Een fluistering van licht, wonderbaar

Iedereen raast vooruit, ieder naar zijn plek
Ik sta hier met vragen die drukken op mijn nek
Wat schenkt betekenis aan dit lege bestaan?
De stilte in mij blijft maar op me slaan

Ze fluisteren: geluk heerst in jezelf alleen
Maar mijn innerlijke stem klinkt zo klein, zo teer
Het geluid van stilte spelt aan tot een nood
Ik fluister: ontkom ik ooit aan deze broodnood?

Misschien ligt de weg diep in mijn eigen geest
Een verborgen pad waar hoop zachtjes wordt gefluisterd
(Oh, oh, oh)

Misschien vind ik troost in één teder gebaar
Een fluistering van licht, wonderbaar

Het leven voelt leeg, maar niet voor altijd
Want ergens in mij ontwaakt een stille melodie

Compass

LYRICS

Tu dis "Je t’aime" en fermant les yeux,
tes mots sonnent faux, je les connais par cœur.
Tu jures que cette fois, c’est différent,
Pourtant, je vois déjà la fin.

Tes "désolé" sont des mots vides,
Je les entends tomber... comme des pierres.

Tu promets, tu promets,
Mais tu fais la même chose.
Tu regrettes, tu recommences,
Et c’est retour à la case départ…

Tu as brûlé nos lettres dans l’âtre,
"Pour repartir à zéro", tu m’as dit.
Mais sous la cendre, j’ai vu renaître
La même flamme qui nous a trahis.

Tu promets, tu promets,
Mais tu n’es que l’ombre de toi.
Moi, je ferme la porte du jeu,
Plus de case départ... plus de "nous deux".

Case départ

At some point, everyone asks themselves what love really is. Why isn’t it what we thought it would be? Why doesn’t it feel like the movies promised? “Round & Round” is about that quiet shift from believing that love is the most sacred thing in the world to wondering why it often fades. Why people stop caring. Why they fall in and out of love like in circles, round and round. This song is a reflection of that feeling, that doubt, that realisation.

Round & Round

This track analyzes the destructive "Push-Pull" dynamic, often seen between the Anxious and Avoidant attachment styles. It uses a pulsing, cyclical beat and contrasting male vocals (high-register anxiety vs. low-register detachment) to illustrate the never-ending dance of seeking intimacy and demanding distance.

The Push-Pull Dance

I been walking through the same old days
circles drawn in the dust and rain
every step feels new somehow
even when I don’t know how

I’ve been holding what the world can’t keep
letting go so it can breathe
every ending opens wide
to another turn of time
We come back
we come around
every lost thing can be found
what we give
what we are
moves in circles, never far

Nothing ever leaves the light
it just changes shape and size
every voice becomes a song
every right has known a wrong

All the roads I thought were done
lead me back to where I’m from
not the place, but what I see
how the world keeps moving me
We come back
we come around
every lost thing can be found
what we give
what we are
moves in circles, never far
If I falter
if I break
I am part of what I make
every breath
every scar
is the truth of who we are
We come back
we come around
every lost thing can be found
what we give
what we are
moves in circles, never far
we come around
every lost thing can be found
what we give
what we are
moves in circles, never far

We come back
we come around

Samsara

confused - free track - techno 2026

🎧 Bartosz | The Recalibration Architect
Hello there! I create Cinematic Alternative music.

My sound is a constant motion across genres—from the heavy sub-bass of Dark Electro-Blues and the ambient space of Post-Rock, to the vibrant rhythm of Afro-Dance Pop.

The Mission: Every style serves a single, focused purpose: Mental Recalibration.

My work is rooted in deep psychology, exploring attachment patterns, healing trauma, and the journey from chaos to clarity. Each track is a deliberate protocol or map designed to guide the listener through a specific phase of this profound transformation.

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This music is a mission. The creation of these diverse soundscapes (albums like DATA SOUL and the Recalibration Protocol series) requires specialized equipment, cinematic mixing, and high-quality mastering across multiple stylistic boundaries.

Your direct support is essential for transforming these psychological concepts into fully realized audio experiences. Every donation, no matter how small, helps cover the critical costs of production. 😊

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If you value this journey and want to hear the next chapter of the Recalibration, you can buy me a virtual coffee or send any amount you feel comfortable with using the PayPal link in my profile.
Or buy me a coffee. :) 

Thank you for being a crucial part of my musical journey!

IG: bartoszpolak
Just say hi 👋 😊

Music from the Northern Piedmont of North Carolina, between the Blue Ridge and the Outer Banks, and the worlds they are.

Sounds like a Book is a book-making and self-publishing platform that addresses those interested in the book as a medium of artistic expression. As the chosen name suggests, SLB focuses on the visual transmission, conversion, and representation of the sound.

Amethyst Amaris is a Toronto-based recording artist, cultural architect, and founder of Fifth House of Creativity. As the originator of Black NDN Music and Trap Vogue, she built an independent catalog of 300+ fully self-written, self-produced and performed songs between 2020–2024, establishing a distinct sonic identity rooted in discipline and vision. Her SoundCloud archive extends beyond that core body of work through her AI collaboration, Æon Purrr, reflecting her commitment to expansion without compromising authorship. At the center of it all is a creator building both music and infrastructure on her own terms.
(Updated March 2026)

Songs built for late light and long thoughts.

Calen Strath creates spacious, slow-unfolding soundscapes where melody and silence move side by side.

THE WIDE ROOM is an evolving collection of themed volumes, made to be lived with — not rushed through.

New tracks tagged #Cyclical