Low Sun (Transmission Vocal Mix) by PSYE reimagines Chicane’s downtempo classic into a driving progressive vocal trance anthem. With its soaring synth layers, pulsing bass, and atmospheric vocal textures, this remix delivers an emotional yet dancefloor-ready journey. Set in D major at 122 BPM (Camelot 10B), the track blends nostalgic melodic phrasing with modern trance dynamics—perfect for peak-hour club sets or sunrise festival moments.

Low Sun (Transmission Vocal Mix)

PSYE - Low Sun (Transmission Vocal Mix)

✨ buy an R&B beat: https://traktra.in/cy/2s9Y5U1R9J (instant delivery / untagged)
🌎 free download: https://traktra.in/ty/2s9Y5U1R9J
🏴‍☠️ more of my beats: https://traktra.in/py/2s9Y5U1R9J

prod. by Galaxima

https://open.spotify.com/artist/649kwIn2haR5GsO0wBgL60
https://www.youtube.com/@galaxima
traktrain.com/galaxima
pond5.com/artist/galaxima

https://open.spotify.com/artist/649kwIn2haR5GsO0wBgL60
https://soundcloud.com/galaxima
https://x.com/GalaximaMusic
https://www.instagram.com/galaximamusic/

type beat, Hip Hop beat, R&B beat, Soul beat, Bouncy Hip Hop beat, Dreamy Hip Hop beat, 132 BPM, "SOULED OUT" JHENE AIKO TYPE BEAT 132 BPM G# MINOR, free Hip Hop beat, free R&B beat, free Soul beat, Hip Hop rap beat, R&B rap beat, Bouncy R&B beat, Dreamy Soul beat, beat 2025

IGGY AZALEA TYPE BEAT
SIA TYPE BEAT
THE CHAINSMOKERS TYPE BEAT
SUIGENERIS TYPE BEAT
YUKI CHIBA TYPE BEAT
OLIVER FRANCIS TYPE BEAT
SOUNDCLOUD RAP TYPE BEAT
LIL UZI VERT TYPE BEAT
808 MAFIA TYPE BEAT


HAPPY INSPIRING PIANO RAP BEAT 143 BPM D# MINOR

LEGEND OF ZELDA TYPE BEAT RETRO 143 BPM E MINOR

GOSPEL HIP HOP INSTRUMENTAL GAVIN DEGRAW TYPE BEAT 150 BPM A MAJOR

INSPIRATIONAL TRAP BEAT 69 BPM C# MINOR

NEW AGE TRAP BEAT 100 BPM D MAJOR

“Morning Star” is a bright, energizing pop-rock anthem that captures the magic of waking up with new hope. Built on slap bass, crisp drums, and sharp guitar riffs, it moves from playful morning rituals into a soaring motivational chorus that celebrates sunrise optimism and chasing your dreams. This song is track # 1 of DREAMLIGHT – Dreamlight Chronicles – Vol.1, the debut album by DJMHOUSE.

Morning Star

“Endless Joy” is a euphoric pop anthem that radiates positivity, unity, and celebration. Opening with bright acoustic and electric guitar strums over a driving D–A–G–A progression, the song builds with expressive male vocals and festival-style drums. Shimmering synths and subtle leads lift the pre-chorus, before bursting into a powerful, chant-filled chorus led by crowd vocals and soaring harmonies. With its uplifting message of love, dreams, and togetherness, this track captures the spirit of dancing freely in a sea of smiles. This song is track # 7 of DREAMLIGHT – Dreamlight Chronicles – Vol.1, the debut album by DJMHOUSE.

Endless Joy

“Endless Joy (Bilingual – Festival Version)” brings the same vibrant energy of the original anthem with a unique twist—sung in both Indonesian and English. This festival-inspired pop track opens with bright guitar strums and uplifting male vocals, driven by the infectious D–A–G–A progression. Joyful percussion, shimmering synths, and crowd chants build toward a euphoric, communal chorus. Blending two languages into one harmonious celebration, this version delivers a powerful message of unity, dreams, and unstoppable joy across cultures. Part of the debut album "DREAMLIGHT – dreamlight chronicles – Vol.1" by DJMHOUSE, this is the ultimate finale track to lift hearts worldwide.

Endless Joy - Bilingual Festival Version

Lagu pembuka dari album "Cahaya Mimpi - Dreamlight Chronicles Vol.1" oleh DJMHOUSE, “Bintang Pagi” menghadirkan semangat pagi yang cerah dan penuh harapan. Dengan nuansa funk-pop yang ceria, vokal pria yang ringan dan penuh energi, serta irama yang mengajak untuk terus melangkah, lagu ini menggambarkan semangat mengejar mimpi sejak fajar menyingsing.
“Langkahku pasti, aku dan mimpiku!” – jadi mantra untuk memulai hari dengan senyuman dan tekad baru.
Lagu ini mengusung gaya upbeat dengan sentuhan slap bass, gitar funk, dan synth yang berkilau di kunci D mayor dan tempo 118 BPM.

Bintang Pagi

Versi Pop Rock dari “Bintang Pagi” membawamu ke suasana pagi yang lebih berenergi dan penuh semangat. Dengan gebukan drum yang dinamis, riff gitar elektrik yang tajam, serta vokal pria penuh semangat yang melambung tinggi di bagian chorus, lagu ini memberi suntikan motivasi untuk mengejar mimpi tanpa ragu. Sentuhan power chords, distorsi halus, dan synth yang berkilau menciptakan harmoni antara kekuatan dan harapan.
Versi ini memperkuat pesan optimisme dalam balutan pop-rock modern di kunci D mayor dan tempo 118 BPM. Rasakan energi pagi dengan gaya yang berbeda – ini Bintang Pagi dalam versi rock yang membara!

Bintang Pagi - Pop Rock Version

“Bahagia Tanpa Henti” adalah anthem penuh semangat dan suka cita—sebuah lagu perayaan yang menyatukan energi, musik, dan mimpi dalam satu irama besar. Dengan nuansa festival yang membara, lagu ini mengajak semua untuk bernyanyi, menari, dan merayakan hidup tanpa batas. Iringan gitar akustik dan elektrik yang cerah, vokal pria yang ekspresif, beat besar dengan tepukan tangan dan snare yang lebar, serta harmoni vokal dan crowd chant di bagian chorus menciptakan suasana konser akbar yang meriah.
Lagu track # 8 dari album "Cahaya Mimpi - Dreamlight Chronicles Vol.1" oleh DJMHOUSE ini disusun di kunci D mayor dengan tempo 124 BPM — sebuah lagu yang menyuarakan bahwa kebahagiaan tak harus berhenti. Saatnya bernyanyi lebih keras, bermimpi lebih tinggi — bersama “Bahagia Tanpa Henti”!

Bahagia Tanpa Henti

Sebagai penutup meriah dari album Cahaya Mimpi, “Bahagia Tanpa Henti Ultimate Finale” menyulut semangat kolektif dengan versi yang lebih megah dan terbuka. Vokal yang menggema seperti suara ribuan orang, gitar yang membahana, serta beat festival yang dinamis menjadikan versi ini sebagai klimaks emosional dari seluruh perjalanan musik DJMHOUSE. Dengan susunan yang sama seperti versi original—gitar cerah, vokal ekspresif, harmoni meriah, dan chant crowd—versi ini menambahkan atmosfer panggung terbuka, seolah kamu sedang menyanyikan lagu ini bersama lautan manusia di tengah malam yang penuh cahaya.
Lagu penutup dari album "Cahaya Mimpi - Dreamlight Chronicles Vol.1" oleh DJMHOUSE ini adalah simbol dari perayaan, kebersamaan, dan akhir yang membahagiakan dalam kunci D mayor dengan tempo 124 BPM. Sebuah festival rasa dan mimpi—selesaikan perjalanan ini dengan “Bahagia Tanpa Henti Ultimate Finale”.

Bahagia Tanpa Henti  Ultimate Finale - Festival Version

Clicking and dragging!
Checking and flagging!
Clicking and dragging!
Checking and flagging!

Sunrise, screen's on, time to make the rent
Got a politician who looks heaven-sent
If heaven is a place with sagging skin and stress
Clone Stamp, Healing Brush, I'll fix this holy mess
Blur a wrinkle, tuck a chin, I'm Doctor Frankenstein
Making baby faces from a tired old party line
I'm the pixel-pushing wizard, the master of the lie
Selling perfect plastic people to the public eye

By day I build the fantasy, a filtered, flawless view
By night I hunt for villains and I find out that it's you... or me?
I'm Jekyll with a Wacom, I'm Hyde with a red pen
I build the lie, then tear it down, and build it up again
Who the hell am I today? The faker or the fact?
Stuck inside this digital, schizophrenic act!

Moonlight, laptop, now the other shift
Sifting through the headlines for the latest grift
"Minister wears hamster-hat on state trip to Peru"?
Wait a second, that looks like the crap I'm paid to do
Debunking viral nonsense with a righteous, angry click
While my conscience whispers, "Dude, you're making yourself sick"
I'm a digital detective, a soldier for the truth
Fighting fakes I might have made back in my reckless youth... this morning

By day I build the fantasy, a filtered, flawless view
By night I hunt for villains and I find out that it's you... or me?
I'm Jekyll with a Wacom, I'm Hyde with a red pen
I build the lie, then tear it down, and build it up again
Who the hell am I today? The faker or the fact?
Stuck inside this digital, schizophrenic act!

One-man content crisis, I'm the problem and the cure
Am I saving the whole internet or just shoveling manure?
I'm erasing double chins and then I'm saving the free press
My whole life is just a paradox, a beautiful hot mess!

Clicking and dragging!
Checking and flagging!
Clicking and dragging!
Checking and flagging!

By day I build the fantasy, a filtered, flawless view
By night I hunt for villains and I find out that it's you... (or me?)
I'm Jekyll with a Wacom, I'm Hyde with a red pen
I build the lie, then tear it down, and build it up again
Who the hell am I today? The faker or the fact?
Stuck inside this digital, schizophrenic act!

Clicking and dragging!
Checking and flagging!
Fake it till you make it...
Clicking and dragging!
Check it till you break it...
Checking and flagging!
Clicking and dragging!
Checking and flagging!
Clicking and dragging!
Checking and flagging!

—
Arrangement and vocals: Volker Redder, Udio, Apple's GarageBand
Loops and samples: Volker Redder, Apple's GarageBand
Editing and sound design: Volker Redder, Ozone 11, Sound Studio, GarageBand
Lyrics: Volker Redder, translated with the help of Google Translate
Cover design: Volker Redder, Adobe Photoshop, FLUXpro

Digital Schizophrenic

You've always been by my side, by my side... You've always been ride or die. 
 (135 Bpm D Maj)

All My Days

Download Here

All My Days.wav

Sundown Groove brings the warmth of the 70s back to life — blending soft rock, folk, and country with heartfelt storytelling. “Far From My Door” is a nostalgic ballad about longing for home, carried by acoustic guitars, piano, and soulful vocals. A timeless sound for sunset hours and quiet reflections.

👉 Promo: https://distrokid.com/hyperfollow/sundowngroove/far-from-my-door

Lyrics: 

The road’s been long, and the nights grow colder,
Every mile takes me further away.
I carry the songs that my mama taught me,
But they fade a little more each day.

Oh, I’m missing home, where the lights are kind,
Where the faces I love are etched in my mind.
No matter how far these highways may go,
My heart finds its way back home.

The radio plays those sweet old records,
They sound like the porch at the setting sun.
I close my eyes and I see the kitchen,
Where laughter lived when the day was done.

Oh, I’m missing home, where the lights are kind,
Where the faces I love are etched in my mind.
No matter how far these highways may go,
My heart finds its way back home.

The city can shine, but it feels so lonely,
Nothing compares to where I belong.
If love is a river, it still runs through me,
Carrying me with its steady song.

Oh, I’m missing home, where the lights are kind,
Where the faces I love are etched in my mind.
The farther I travel, the stronger I know,
My heart finds its way back home.

Far From My Door

https://bsta.rs/RFPS0S

vibey ( Jhay Cortez type beat)

Glorious Days

I spent a week in Cape Cod in August of 2025, and stayed in a house in Chatham overlooking the Oyster Pond River. The owner of the kayak and paddleboard rental at the boat launch took us out one day to the Outer Beach, and on the way there and back, regaled us with such a wealth of stories about his life on the water that I couldn't help myself: the guy deserved a song. So I took a couple of hours that evening, and wrote The Ballad of Johnny McGrath. As far as I know, the tales are true, if a little tall. I can verify the bit about his ferrets, though.

I don't consider myself much of a folk singer, but I was the cheapest performer available. So it's my voice, and I played the mandolin, mandocello, and electric upright bass as well. All real performances, no robots involved.

Special guest singing by some of my fellow boat passengers, Alida (11, harmony part) and Aurelia Douros (8, ending melody).

The Ballad of Johnny McGrath

An independent music label dedicated to emotional, cinematic, innovative, and upbeat pop creations — seamlessly integrated with cutting-edge technology.

I’m John AI Smith — producer, songwriter, and sonic architect. My music explores what it means to feel in a digital age, where every track is a meeting point between intuition and algorithm.

🎧 The Algorithm of Emotion — that’s my compass, and the heart of everything I make.

Explore my universe through fifteen unique artist identities:

Nordskygge – melancholic Norwegian folk
Vargkald – Viking spirit & Nordic ambient
Isak Evermore – cinematic melancholy
Calisnor – dreamy ambient & piano
Chill Fader – chill & deep house
OrchraX – cinematic soundscapes
Bassvoid – bass-driven abstraction
Obscyron – 80s nostalgia & synthwave
Strengevind – Norwegian folk-rock
ASHCOIL - Industrial, metal, hard rock
Sundown Groove - 70s folk, country, singer-songwriter
Smooth Lounge Project - Smooth Jazz, Lounge
Jarlon - R&B, Soul
Echoic Mind - Experimental
Tiny Star Lullabies - Classic piano lullabies
And here: John AI Smith – the origin, the core, the experiment.

This page is my playground — where ideas are born, where tracks evolve, and where I can share music with you first. Thanks for listening, commenting, and being part of this journey.

PSYE (pronounced “sigh”) is the rebranded electronic project of Jeremy Brower, a U.S.-based cross-genre producer known for emotionally immersive trance, eurodance, house, and cinematic EDM.

Originally producing under the name Phee Phee, Jeremy built a catalog of conceptually rich singles and EPs—including One, Celestial Realms, Tell Me a Story, and Know Thyself—released through SAID Productions. These works explore themes of memory, transcendence, and transformation, blending ambient house, progressive trance, eurodance, and experimental EDM into a distinct sonic identity.

In 2025, the project evolved into PSYE, marking a creative shift toward deeper intentionality, symbolic sound design, and trance as narrative. Drawing inspiration from the melodic legacy of late-90s and early-2000s European dance (Chicane, ATB, Robert Miles, Enigma, OceanLab), PSYE blends nostalgic motifs with modern production to create emotionally resonant, immersive experiences.

A defining feature of PSYE’s sound is vocal trance—where lyrical expression meets melodic trance architecture. Influenced by vocal-forward producers such as Armin van Buuren and early Anjunabeats, PSYE uses vocals not as embellishment but as storytelling elements. These voices give shape to core themes—transcendence, emotional clarity, and inner renewal—turning each track into a resonant, introspective journey.

Recent releases include Halcyon (Lumen Remix)—a cinematic, pulse-driven reinterpretation of Chicane’s trance classic—and Sun Transmission, a dual-single project exploring light, motion, and memory through layered soundscapes. PSYE also contributed the Transmission (Vocal Mix)—a vocal rework of Chicane’s Low Sun—furthering the project's exploration of trance as storytelling.

Looking ahead, PSYE’s forthcoming LP Sleepwalking (2026) will deepen this evolution—a genre-refined journey into the dreamlike and emotional core of trance, crafted for listeners who seek meaning, emotional depth, and music that grounds their energy.

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.

Welcome to the World of Hip Hop Beats. All of my music which I made in the hip hop spectrum~ Inspired by Trap, Underground Hip Hop, Horrorcore, and Oldschool. Please share this playlist with others and like with friends. Electronic Dance Hits

EDM, House, Trance, Drum and Bass, and Electro. These are genres you can't find anywhere else. For a limited run only! Please share with your friends.

Soon to be timeless classics and just plain good earcandy for you.

Don’t forget to check me out on YouTube, Spotify, Juno, Beatport, and Bandcamp! I appreciate your support!

New tracks tagged #D Major