This is the 12th track for the album The King Of Space And His Courtyard Of Chaos
I hope you enjoy this track

The War Is Just Another Price You Pay

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Residual

CIRCUS

AMERICAN MADE

Recurring Dreams

“One Happy Vibe” is a high-energy dubstep track built on heavy basslines, wobbling synths, and a euphoric edge. Filthy drops collide with uplifting melodies, creating a balance of grit and brightness that keeps the energy surging. Designed for headbanging and smiling at the same time, it’s a bass-heavy journey that captures the raw spirit of dubstep while radiating positivity.

One Happy Vibe

Entropy

Flickering Dream

(dispersed signal) versions fragment the original material through granular time-warping, scattering its rhythmic core into drifting pulses and textured echoes. Like a fading transmission from deep space, these pieces unravel slowly, leaving behind only traces of their origin.

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Flickering Dream (dispersed signal)

#Headfullofgore

MONOLOGUE

Dispersed Signal pt.I.

Surfaced Reverie

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A ritual born from madness and devotion. Epistle to the Queen of the Cull is an original track by FuckFace Whisperer, inspired by the psychological darkness explored in Monster: Season 3 (Netflix). The song reimagines obsession, control, and decay as a cyber-ritual — a letter whispered through distortion to a queen who rules over ruin. Chains for rhythm. A skull for a bell. Worship through chaos.

FuckFace Whisperer - EPISTLE TO THE QUEEN OF THE CULL

An October mix filled with inspiration from Ethio-Jazz, Surf Rock, Detuned works, Spooky and Moody vibes.

HEARTBEATS VOL 2 (A Mix by SaraProblem)

Collective Resonance pt.I.

feel

an older edit before my headphones were discontinued #m.i.a just for fun edit, never finalized; this was the start of detuning instruments.

free *little simz (tempo edit 93bpm)

We pretty much started when we were kids, but we were really crap haha.. but we have been getting better and better so we thought why not just upload our music on the internet! We do all our recording in a little room in a shed which we call "The Dog Box".

Over the years the lineup has changed, at this stage M.U.S is a solo project that does collabs from time to time.

Its actually really hard to describe the soundscape of the music because it vary's so much.

The first three albums we recorded, (two of which are ancient made when we were just young lads :p), sound like murder haha.. But the stuff that's being uploaded now is recent, which should be a big YAY! For you cause you won't die from bleeding out your ears :)

Influences vary a lot too, some of my influences include: Steve Vai, Joe Satriani, Eric Clapton, Devin Townsend, Metallica, Tool, Joe Bonamassa, plus a whole bunch more!

There's probably a million chaps better out there but meh, I still love to make music, mistakes and all.

I hope you enjoy some of this music! Or all of it..

Tristan Williams—also known by his producer alias, T.B. On The Beat—doesn’t follow the industry. He ran from it with both middle fingers raised. Heartbroken, broke, and barely holding on, he started building songs the only way he knew how: messy, loud, full of soul. What began as therapy in a dark room turned into a body of work that spans the raw country ache of Life in a Small Town and Golden Years, the cinematic dream-pop haze of Sunshine & Rainbows I, and the ambient confessions of Purity Culture I & II.

He got tired of the same old crap—sterile mixing, lifeless masters, paint-by-numbers pop songs with no blood in them. So he burned the blueprint. His mixes are flawed on purpose. His sound is grief, nostalgia, and growth—warped like an old VHS tape, but still warm to the touch. Every chord has a scar. Every lyric’s been lived.

Tristan doesn’t chase perfection—he chases feeling. His production is built for people who want something real again.

He doesn’t just make music. He makes what saved him.
And now he’s giving it back—with no apologies.

you can expect remixes/flips/edits of various music I like.

Ever tried. Ever failed. No matter.
Try again. Fail again. Fail better.

🎧 Headphones recommended 🎧

I almost always use a beyerdynamic DT 770 PRO connected through a Soundblaster X1 to make and listen to music. So using headphones is highly recommended.

Most of this is created by connecting random signals to random things and pressing random(ize) buttons in random places ¯\_(ツ)_/¯

Ambient textures, granular atmospheres, and evolving soundscapes.

100% human-made music - no AI involved.

I release new tracks almost daily - fragments of tone shaped by silence, noise, and time.

Follow to drift with me.

🎶Electronic music producer
🤖Dubstep + vibes

Utilizing the connection between sound and art through the genres of House Nouveau and Technouveau.

New tracks tagged #DETUNED