The Paradox 
By: Paul Laurence Dunbar

I am the mother of sorrows,
I am the ender of grief;
I am the bud and the blossom,
I am the late-falling leaf.

I am thy priest and thy poet,
I am thy serf and thy king;
I cure the tears of the heartsick,
When I come near they shall sing.

White are my hands as the snowdrop;
Swart are my fingers as clay;
Dark is my frown as the midnight,
Fair is my brow as the day.

Battle and war are my minions,
Doing my will as divine;
I am the calmer of passions,
Peace is a nursling of mine.

Speak to me gently or curse me,
Seek me or fly from my sight;
I am thy fool in the morning,
Thou art my slave in the night.

Down to the grave I will take thee,
Out from the noise of the strife,
Then shalt thou see me and know me--
Death, then, no longer, but life.

Then shalt thou sing at my coming,
Kiss me with passionate breath,
Clasp me and smile to have thought me
Aught save the foeman of death.

Come to me, brother, when weary,
Come when thy lonely heart swells;
I'll guide thy footsteps and lead thee
Down where the Dream Woman dwells.

The Paradox

STEREO!

A poem, accompanied with original background piano music:


Love Despoiled by Paul Laurence Dunbar


    As lone I sat one summer's day,
    With mien dejected, Love came by;
    His face distraught, his locks astray,
    So slow his gait, so sad his eye,
    I hailed him with a pitying cry:

    "Pray, Love, what has disturbed thee so?"
    Said I, amazed. "Thou seem'st bereft;
    And see thy quiver hanging low,--
    What, not a single arrow left?
    Pray, who is guilty of this theft?"

    Poor Love looked in my face and cried:
    "No thief were ever yet so bold
    To rob my quiver at my side.
    But Time, who rules, gave ear to Gold,
    And all my goodly shafts are sold."




Analysis

Paul Laurence Dunbar's "Love Despoiled" explores the theme of lost innocence and the corruption of love. The poem contrasts the purity of youthful love with the harsh realities of betrayal and disillusionment. Dunbar's language reflects a deep sense of regret, as love's initial beauty is tarnished by deceit. The poem captures the pain of realizing that love, once thought to be sacred and pure, can be ruined by human flaws and weaknesses.



Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations.

Love Despoiled By Paul Laurence Dunbar

STEREO!

A poem, accompanied with original background piano music:


Love-Song by Paul Laurence Dunbar

    If Death should claim me for her own to-day,
    And softly I should falter from your side,
    Oh, tell me, loved one, would my memory stay,
    And would my image in your heart abide?
    Or should I be as some forgotten dream,
    That lives its little space, then fades entire?
    Should Time send o'er you its relentless stream,
    To cool your heart, and quench for aye love's fire?

    I would not for the world, love, give you pain,
    Or ever compass what would cause you grief;
    And, oh, how well I know that tears are vain!
    But love is sweet, my dear, and life is brief;
    So if some day before you I should go
    Beyond the sound and sight of song and sea,
    'T would give my spirit stronger wings to know
    That you remembered still and wept for me.



Analysis

Paul Laurence Dunbar's "Love Song" captures the intense emotional highs and lows of love through vivid imagery and rhythmic repetition. The poem juxtaposes moments of rapture and despair, reflecting the duality of love's ecstasy and agony. Dunbar's use of contrasting tones and musicality emphasizes love's power to both uplift and wound, portraying it as a force that is as beautiful as it is tumultuous, making the experience both exhilarating and bittersweet.




Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expect

Love - Song By Paul Laurence Dunbar

STEREO!

A poem, accompanied with original background piano music:


My Corn-Cob Pipe by Paul Laurence Dunbar

    Men may sing of their Havanas, elevating to the stars
    The real or fancied virtues of their foreign-made cigars;
    But I worship Nicotina at a different sort of shrine,
    And she sits enthroned in glory in this corn-cob pipe of mine.

    It 's as fragrant as the meadows when the clover is in bloom;
    It 's as dainty as the essence of the daintiest perfume;
    It 's as sweet as are the orchards when the fruit is hanging ripe,
    With the sun's warm kiss upon them--is this corn-cob pipe.

    Thro' the smoke about it clinging, I delight its form to trace,
    Like an oriental beauty with a veil upon her face;
    And my room is dim with vapour as a church when censers sway,
    As I clasp it to my bosom--in a figurative way.

    It consoles me in misfortune and it cheers me in distress,
    And it proves a warm partaker of my pleasures in success;
    So I hail it as a symbol, friendship's true and worthy type,
    And I press my lips devoutly to my corn-cob pipe.


Analysis

"My Corn-Cob Pipe" by Paul Laurence Dunbar celebrates the simplicity and comfort of everyday life. The poem reflects a deep affection for a humble corn-cob pipe, symbolizing nostalgia, contentment, and a connection to simpler times. Through this personal object, Dunbar expresses themes of solace, identity, and the enduring value of modest pleasures. The poem embodies a serene acceptance of life’s small joys, highlighting the poet’s ability to find meaning in the ordinary.




Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expect

My Corn - Cob Pipe By Paul Laurence Dunbar

STEREO!

A poem, accompanied with original background piano music:


My Lady Of Castle Grand by Paul Laurence Dunbar

    Gray is the palace where she dwells,
    Grimly the poplars stand
    There by the window where she sits,
    My Lady of Castle Grand.

    There does she bide the livelong day,
    Grim as the poplars are,
    Ever her gaze goes reaching out,
    Steady, but vague and far.

    Bright burn the fires in the castle hall,
    Brightly the fire-dogs stand;
    But cold is the body and cold the heart
    Of my Lady of Castle Grand.

    Blue are the veins in her lily-white hands,
    Blue are the veins in her brow;
    Thin is the line of her blue drawn lips,
    Who would be haughty now?

    Pale is the face at the window-pane,
    Pale as the pearl on her breast,
    "Roderick, love, wilt come again?
    Fares he to east or west?"

    The shepherd pipes to the shepherdess,
    The bird to his mate in the tree,
    And ever she sighs as she hears their song,
    "Nobody sings for me."

    The scullery maids have swains enow
    Who lead them the way of love,
    But lonely and loveless their mistress sits
    At her window up above.

    Loveless and lonely she waits and waits,
    The saddest in all the land;
    Ah, cruel and lasting is love-blind pride,
    My Lady of Castle Grand.


Analysis

"My Lady of Castle Grand" by Paul Laurence Dunbar contrasts the opulent life of a noblewoman with the simple, unadorned love of the speaker. Through vivid imagery, Dunbar highlights the differences between wealth and genuine affection, suggesting that true worth lies not in material riches but in the purity of the heart. The poem explores themes of love, class distinction, and the ephemeral nature of beauty, emphasizing that love transcends societal boundaries.





Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expect

My Lady Of Castle Grand by Paul Laurence Dunbar

STEREO!

A poem, accompanied with original background piano music:


My Little March Girl by Paul Laurence Dunbar

    Come to the pane, draw the curtain apart,
    There she is passing, the girl of my heart;
    See where she walks like a queen in the street,
    Weather-defying, calm, placid and sweet.
    Tripping along with impetuous grace,
    Joy of her life beaming out of her face,
    Tresses all truant-like, curl upon curl,
    Wind-blown and rosy, my little March girl.

    Hint of the violet's delicate bloom,
    Hint of the rose's pervading perfume!
    How can the wind help from kissing her face,--
    Wrapping her round in his stormy embrace?
    But still serenely she laughs at his rout,
    She is the victor who wins in the bout.
    So may life's passions about her soul swirl,
    Leaving it placid,--my little March girl.

    What self-possession looks out of her eyes!
    What are the wild winds, and what are the skies,
    Frowning and glooming when, brimming with life,
    Cometh the little maid ripe for the strife?
    Ah! Wind, and bah! Wind, what might have you now?
    What can you do with that innocent brow?
    Blow, Wind, and grow, Wind, and eddy and swirl,
    But bring her to me, Wind,--my little March girl.




Analysis

"My Little March Girl" by Paul Laurence Dunbar is a tender, affectionate poem celebrating the charms of a young woman. The speaker is captivated by her innocence, beauty, and the freshness she brings, likening her to the early spring. The poem's tone is warm and admiring, reflecting a deep emotional connection. Dunbar uses simple, lyrical language to convey the speaker's admiration, making the poem a heartfelt tribute to youthful love and beauty.




Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expect

My Little March Girl by Paul Laurence Dunbar

STEREO!

A poem, accompanied with original background piano music:


Nutting Song by Paul Laurence Dunbar

    The November sun invites me,
    And although the chill wind smites me,
    I will wander to the woodland
    Where the laden trees await;
    And with loud and joyful singing
    I will set the forest ringing,
    As if I were king of Autumn,
    And Dame Nature were my mate,--

    While the squirrel in his gambols
    Fearless round about me ambles,
    As if he were bent on showing
    In my kingdom he'd a share;
    While my warm blood leaps and dashes,
    And my eye with freedom flashes,
    As my soul drinks deep and deeper
    Of the magic in the air.

    There's a pleasure found in nutting,
    All life's cares and griefs outshutting,
    That is fuller far and better
    Than what prouder sports impart.
    Who could help a carol trilling
    As he sees the baskets filling?
    Why, the flow of song keeps running
    O'er the high walls of the heart.

    So when I am home returning,
    When the sun is lowly burning,
    I will once more wake the echoes
    With a happy song of praise,--
    For the golden sunlight blessing,
    And the breezes' soft caressing,
    And the precious boon of living
    In the sweet November days.




Analysis

Paul Laurence Dunbar's "Nutting Song" is a joyful celebration of nature and harvest. The poem captures the rhythmic, communal activity of gathering nuts in the woods, reflecting a sense of unity and connection to the earth. Dunbar's use of lively imagery and musical language evokes the pleasure and satisfaction of the task, while also highlighting the simplicity and beauty of rural life. The poem embodies a nostalgic appreciation for the bounties of nature.




Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations.

Nutting Song By Paul Laurence Dunbar

STEREO!

A poem, accompanied with original background piano music:


A Ballad Of Sweethearts by Madison Julius Cawein


    Summer may come, in sun-blonde splendor,
    To reap the harvest that Springtime sows;
    And Fall lead in her old defender,
    Winter, all huddled up in snows:
    Ever a-south the love-wind blows
    Into my heart, like a vane asway
    From face to face of the girls it knows--
    But who is the fairest it's hard to say.

    If Carrie smile or Maud look tender,
    Straight in my bosom the gladness glows;
    But scarce at their side am I all surrender
    When Gertrude sings where the garden grows:
    And my heart is a bloom, like the red rose shows
    For her hand to gather and toss away,
    Or wear on her breast, as her fancy goes--
    But who is the fairest it's hard to say.

    Let Laura pass, as a sapling slender,
    Her cheek a berry, her mouth a rose,--
    Or Blanche or Helen,--to each I render
    The worship due to the charms she shows:
    But Mary's a poem when these are prose;
    Here at her feet my life I lay;
    All of devotion to her it owes--
    But who is the fairest it's hard to say.

    How can my heart of my hand dispose?
    When Ruth and Clara, and Kate and May,
    In form and feature no flaw disclose--
    But who is the fairest it's hard to say.



Analysis

Madison Julius Cawein's "A Ballad of Sweethearts" is a nostalgic reflection on lost love, capturing the fleeting nature of youth and romance. The poem juxtaposes the past's vibrant emotions with the present's quiet resignation. Through vivid imagery and a melancholic tone, Cawein explores the inevitability of time's passage, leaving behind memories of passion and innocence. The ballad mourns the loss of love's intensity, emphasizing the bittersweetness of recollection.



Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations.

A Ballad Of Sweethearts By Madison Julius Cawein

STEREO!

A poem, accompanied with original background piano music:


A Backward Spring by Thomas Hardy

    The trees are afraid to put forth buds,
    And there is timidity in the grass;
    The plots lie gray where gouged by spuds,
     And whether next week will pass
    Free of sly sour winds is the fret of each bush
     Of barberry waiting to bloom.

    Yet the snowdrop's face betrays no gloom,
    And the primrose pants in its heedless push,
    Though the myrtle asks if it's worth the fight
     This year with frost and rime
     To venture one more time
    On delicate leaves and buttons of white
    From the selfsame bough as at last year's prime,
    And never to ruminate on or remember
    What happened to it in mid-December.

    April 1917.
  



Analysis

Thomas Hardy's "A Backward Spring" captures the tension between the promise of spring and the lingering grip of winter. Hardy reflects on nature's delayed renewal, where blossoms and buds struggle to emerge. The poem suggests an underlying melancholy, as the delayed spring symbolizes the unpredictability and fragility of life. Hardy's depiction of nature's struggle reflects his broader themes of human endurance and the often-unfulfilled expectations of renewal and change.



Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations.

A Backward Spring By Thomas Hardy

STEREO!

A poem, accompanied with original background piano music:


A Commonplace Day by Thomas Hardy

     The day is turning ghost,
    And scuttles from the kalendar in fits and furtively,
     To join the anonymous host
    Of those that throng oblivion; ceding his place, maybe,
     To one of like degree.

     I part the fire-gnawed logs,
    Rake forth the embers, spoil the busy flames, and lay the ends
     Upon the shining dogs;
    Further and further from the nooks the twilight's stride extends,
     And beamless black impends.

     Nothing of tiniest worth
    Have I wrought, pondered, planned; no one thing asking blame or praise,
     Since the pale corpse-like birth
    Of this diurnal unit, bearing blanks in all its rays -
     Dullest of dull-hued Days!

     Wanly upon the panes
    The rain slides as have slid since morn my colourless thoughts; and yet
     Here, while Day's presence wanes,
    And over him the sepulchre-lid is slowly lowered and set,
     He wakens my regret.

     Regret - though nothing dear
    That I wot of, was toward in the wide world at his prime,
     Or bloomed elsewhere than here,
    To die with his decease, and leave a memory sweet, sublime,
     Or mark him out in Time . . .

     - Yet, maybe, in some soul,
    In some spot undiscerned on sea or land, some impulse rose,
     Or some intent upstole
    Of that enkindling ardency from whose maturer glows
     The world's amendment flows;

     But which, benumbed at birth
    By momentary chance or wile, has missed its hope to be
     Embodied on the earth;
    And undervoicings of this loss to man's futurity
     May wake regret in me.  



Analysis

"A Commonplace Day" by Thomas Hardy captures the monotony and subtle melancholy of ordinary life. Through vivid descriptions of a mundane day, Hardy explores the quiet despair that can accompany routine. The poem reflects his pessimistic worldview, where even the simplest days are tinged with an underlying sadness. Hardy’s use of ordinary imagery highlights the contrast between the outward simplicity of the day and the complex emotions it can evoke.




Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations.

A Commonplace Day By Thomas Hardy

STEREO!

A poem, accompanied with original background piano music:


A Death-Day Recalled by Thomas Hardy


    Beeny did not quiver,
        Juliot grew not gray,
    Thin Valency's river
        Held its wonted way.
    Bos seemed not to utter
        Dimmest note of dirge,
    Targan mouth a mutter
        To its creamy surge.

    Yet though these, unheeding,
        Listless, passed the hour
    Of her spirit's speeding,
        She had, in her flower,
    Sought and loved the places -
        Much and often pined
    For their lonely faces
        When in towns confined.

    Why did not Valency
        In his purl deplore
    One whose haunts were whence he
        Drew his limpid store?
    Why did Bos not thunder,
        Targan apprehend
    Body and breath were sunder
        Of their former friend?



Analysis

Thomas Hardy's "A Death-Day Recalled" poignantly reflects on the anniversary of a loved one's death, blending sorrow with the passage of time. The poem emphasizes the enduring impact of loss, as the speaker vividly recalls the day, marked by natural elements like frost and a bird's song. Hardy explores themes of memory, grief, and the persistent presence of the deceased, capturing the bittersweet interplay between life's continuation and the lingering shadow of death.



Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations.

A Death - Day Recalled By Thomas Hardy

We hit the jackpot and managed to interview a whole lineup of ADC*LT juror-speakers: Erik Herrström (Studio Herrström, Vienna), Olga Mykhalets (Postmen, Kyiv), Gabriel Mattar (Innocean, Berlin), and Christopher Noort (Studio Dunbar, Rotterdam). Oh, and that’s not even counting our exclusive chat with Alex Center at Drop Audio, though he does make a brief cameo in this episode while we’re deep in conversation with Olga. We know, we keep pinching ourselves under the table and pretending we’re totally used to casually chatting up industry celebrities. ;P

Each of them answers two burning questions, all centered around this year’s festival theme:
- What’s the big picture they try not to lose sight of when working?
- And what are the “small pictures” that tend to distract them?

Spoiler: some of their answers might just surprise you. Or at least make you feel better about your own distractions.

S4E6: The  Big  Picture

Torie – Live @ Moontribe FMG Dec 2024

REST IN PEACE Gwendolyn Guthrie 
*July 9/1950  –  †February 3/1999
mastered in the T.H.C. Tower 
by https://soundcloud.com/phazer
sung with / for :

Aretha Franklin, 
Billy Joel, 
Stevie Wonder, 
Peter Tosh, 
The Limit ,
 Madonna, 
Ben E. King, 
Angela Bofill 
and Roberta Flack.

Extraordinary Voice - Miss Gwen Guthrie (RIP)

• dj ⋆ event curator ⋆ magic maker ⋆ groovez 🔮
• @inquiry-records * events lead / team mom
• breaks - house - techno - minimal - garage - dnb
• san francisco | san diego | bouncin' around

• other things n' stuff with @icarus_art_car @dusty-rhino-1 @yourewelcome-sf @dancewithhaha

• bookings: gofortorie [at] gmail 
• livestreams: twitch.tv/yotorieee

»»»
Torie’s sound is multifaceted – to say the least. Coming from a global upbringing and current home base in the San Francisco Bay Area, she has been curating sonic adventures as a DJ and event producer for a decade. Torie interweaves elements of breakbeats, house, minimal, dark & driving techno, garage, acid, and drum and bass – balancing a line between heavy-hitting basslines and soulful vocals with ear-catching melodies.

She believes in the power of groove and always plays with one core intention in mind: to bring newfound life to the dancefloor.

– (she lives by the ethos of "i'm just here to play music & do cool shit with my friends").

As a core lead of Inquiry Collective and Inquiry Records, a builder & maker with Burning Man art cars ICARUS and Dusty Rhino, a resident DJ of You’re Welcome SF, and a co-founder of Dance With Haha, Torie draws inspiration from the dusty plains of the playa, the curious explorations of the Mojave desert, the underground dancefloors of SF, & the interstellar endeavors of ICARUS & its motley crew.

Torie has performed with KiNK, Superflu, Justin Martin, Overmono, Maya Jane Coles, Smilk, Anja Schneider, Tale of Us, Patrice Baumel, Marbs, Mikey Lion, Porky and Evan Casey, Rinzen, Dance Spirit, Eskuche, Marques Wyatt, Tycho, KMLN, Sabo, Justin Jay, Hoj, Kevin Knapp, Shiba San, Joeski and more. 

You may have also seen her with renowned crews like Space Cowboys, Distrikt, Ego Trip, and Desert Hearts – at the annual Breakfast of Champions block party on New Year’s Day for six consecutive years – or on the festival circuit at events including Lightning in a Bottle, Outside Lands, EDC Las Vegas, Northern Nights, Desert Hearts, The Untz Festival, Umbrella Weekend, Enigma, and Outside in Equinox. 

In 2025, you can find Torie throwing renegades and pop-ups with the Inquiry crew across California in clubs, deserts, undisclosed locations and beyond… as well as performing in SF, SD, Reno, LA and more.

+ Soundcloud: www.soundcloud.com/yotorieee 
+ Facebook: www.facebook.com/yotorieee
+ Instagram: www.instagram.com/yotorieee

Random Birthday Cake &
Crazy Hommage Bone Yard

Tinklalaidė ADC*Talks skirta nagrinėti kūrybiškumo temas, reklamos, dizaino, rinkodaros aktualijas, pažinti industrijos asmenybes bei aptarti aktualius projektus. 

Laidos vedėjas - ADC*LT bendražygis, MILK kūrybos vadovas ir partneris Rimantas Stanevičius. Tinklalaides kurti mums padeda garso įrašų studija Dropaudio.

New tracks tagged #DUNBAR