The 11th and concluding track off of my sixth album.

The Last Night of ‘89

You know those tracks where you just keep adding stuff but know you should really stop? Well this is one of those :)
Inspired by... a combination of being attacked by wasps (OK, I did accidentaly tread on their home), Hot Chocolate (the band) and all the cool synths in the early 80s.
Starts off scary, but maybe becomes happy(?) Learn to live with the wasps. Don't tread on their homes. But don't let them build nests above your front door. Lessons from life ;)
All synths from Arturia Analog Lab V - CMI, Emulator, Vocoder, SP-Xa, Mini, DX7. Plus a bit of Pigments and guest staring a real life wasp. The Vocoder phrase is one of the great defaults.

Who's afraid of wasps?

phonk dnb

Lekki utwór pachnący letnimi nocami i yamahą DX7

80' style disco track

Funkenflug

Incomplete?

In the grand chronicles of the nineteenth-century discourse on sexual identity,
 where the environmental and evolutionary theories of sexual perversion emerged
 like mist over a waking meadow,
 there blossomed the intricate belief
 that sexual identity was not merely a static proclamation of one's being,
 but rather a delicate tapestry
 woven from the dual threads of biology and culture—
 forces at once tangible and transcendent.
As we traversed the threshold into the twentieth century's dawn,
 the scholarly quest turned its gaze
 toward the enigmatic influence of culture
 upon the rituals of desire and companionship.
This shift in focus
 ascended to the zenith of discursive gravity,
 illuminating the idea that sexual identity was a dance of cosmic forces,
 where biological and cultural energies
 intertwined like lovers in an eternal waltz.
In this grand and sprawling tapestry of existential thought,
 the paradigm gradually shifted,
 enfolding into itself the once rigid concepts
 of biological and psychological sexual identities,
 gently guiding them
 towards the more ethereal construct
 of a socio-cultural sexual identity.
This notion unfurled under the luminescent canopy of belief
 that individuals were akin to clay—
 ever-malleable under the subtle artistry
 of societal and cultural influences.
The essence of one's individuality
 began to appear as an intricate masterpiece,
 sculpted not only by personal volition,
 but also crafted with the discerning hand
 of social forces and affiliations.
With a poetic grace,
 these social forces manifested as institutionalized pathways,
 both overt and clandestine,
 which gently ushered individuals
 along the prescribed rivers of desire,
 where their sexual practices and relationships
 were harmonized with the symphonic norms of tradition.
In this cosmic interplay,
 belongingness emerged as a fluid concept—
 either achieved through elegant conformity to,
 or daring deviation from,
 these institutionalized rivers of expectation.



ANTHROPOLOGICAL APPROACH TO SEXUAL IDENTITY

DX7 VCV Emulation test

drafts

PHOTOPLAY (DEMO TRACK 128KHZ)

IT'S A PHOTOPLAY DARLING, 1985

INSTAGRAM : www.instagram.com/fearcitypigalledemon
SPOTIFY : open.spotify.com/artist/4cKSoiC9A…a8_KsbtGfMQ&nd=1
YOUTUBE : www.youtube.com/watch?v=ss6l2OMBGcU

PHOTOPLAY

Free Tonight (UKG Mix)

A multi-track recording made whilst testing out  a supremely rare 1985 Mulogix Slave 32 previously revived at Hideaway Studio. The Slave 32 was the rare rackmount version of the Synergy II+ by Digital Keyboards and was the last incarnation of the 1979 Crumar G.D.S. which utilised the identical High Speed Digital OSC pcb assembly. All of the variants featured pure digital synthesis in 16-bit digital audio which was pretty impressive for mid 1970s technology!

Original Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2025.

1985 Mulogix Slave 32: The Perfect Storm...

Only the Lonly Roy Orbinson ( YAMAHA GENOS 2 + KORG PA3X )

Yawn

DX PianoSingle

Made for the KVR One-Synth Challenge #198 with 32 Instances of the Yamaha DX7 Mk. 1 Hardware-Synthesizer. Every Sound is programmed by myself in Dexed, send as Sysex to the hardware and adjusted on the hardware itself, because the sounds were sometimes a bit off (Keyvelocity. The Attack on the EGs most of the time)

„In a small alley, not far from the bustling market square, lies a very special place for lovers of nostalgic sounds: the Retrothek.
This charming shop is passionately dedicated to restoring and selling antique audio equipment. Whether classic tape recorders, exotic amplifiers, or rare electronic musical instruments—sooner or later, they all find their way to the workshop, where they are carefully restored to their original condition and returned to their old or new owners.“
~ excerp from a payed advertisment report in the local newspaper

Techical Details:
DAW: FL Studio 2025
Instances: 32 (Full RAM Card)
BPM: 127/137

DAW FX:
Channel EQ [9]	
Fruity Delay 2	 [4]
Fruity Limiter	[1]	
Fruity Parametric EQ 2 [3]		
Fruity Reeverb 2 [4]		
Fruity Stereo Enhancer [4]	

COMMERCIAL FX:
Arturia Comp Diode-609 [6]	
Arturia Rev LX-24 [4]

FREE FX:		
Ozone 9 Elements [1] (Was free when I got it)	
TAL Filter 2 (As Auto Pan) [1]	
TAL Reverb 2	[2]				
Youlean Loudness Meter 2 [1]

Thumbnail Credits:
Roll-Up Banner Model: Miklos_Gyorfi (from CGTrader)
Modern Piano Stand Model: Rex Hans [Blenderkit]
Painted Plaster Wall Texture: chroma 3D [Blenderkit]
Wooden Floor Texture: ydd 3D [Blenderkit]
Wood Light Texture: James Middleton [Blenderkit]
Room, Banner-Content (Texture), Yamaha DX7 Modell & Texture, as well as the Rendering itself are done by myself.

Hope you'll enjoy this :)


Die Retrothek (OSC#198 - Yamaha DX7)

all of my gear enhanced with some plug in shit

Fluffly Fly

I am an electronic music artist wanting more people to hear my creations. Any feedback, exposure, or comments would be incredibly appreciated! 

Next album is in the works. Working title is “Alleyway Settlement” and a few tracks have been completed. Going for a more polished and slightly louder sound.

Bambino: One shop destroyed. Three heads split like overripe melons. One man wounded and one castrated. All in two hours. Just two hours I left you alone. Two hours.
Trinity: Well, you asked me to give you a hand.

Hey everyone! i'm just a hobby musician who makes music, because I love it. i record in my littelt home studio with some simple gear, and I hope you enjoy listening to what i create and recorded.

I make noise which mostly resembles music.

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

Just making music for myself.
#LotsOfDemos
#ClassicallyTrained
#DrumandBass
#AbletonLive12
#Amateur

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

EroticFunk here! Lace Masked musician from Pigalle in Paris, France.
The D'MONX7, Marvel Records signed artist.

https://soundcloud.com/tuff-turf-records
https://soundcloud.com/marvelrecords
https://soundcloud.com/lemortestvivant
https://soundcloud.com/venomthevigilante

French, Pigalle funk demon! Only real synthesizer.

Original future funk & synthwave from my :
Ensoniq EPS16+
Ensoniq ASR10
Yamaha DX7
Korg X3
Korg 01/WFD
Korg 03R/W
Korg M1 REX
Korg M3R
Jackson Grey Kelly
Yamaha SPX90
E-mu Esi2000

Komponuję hobbystycznie rapowe bity, elektronikę i soundtracki. Zapraszam do współpracy jeśli poszukujesz wyróżniających się unikatowych podkładów muzycznych czy udźwiękowienia filmów, animacji lub gier.

New tracks tagged #DX7