LYRICS :

Mon amour tombera
Sur un sol qui rend les pierres incandescentes
Tu sauras pardonner ces promesses insouciantes
Et le silence est acceptable

Mon amour dansera
Moi mes larmes me rendent indifférent
Plus jamais je n'aimerai comme toi
C'est évident

Méritais-je tout cet amour?
Tant d'amour
Je me pose encore la question
Je ne le saurai jamais vraiment

Mon amour tombera
La pluie lave le passage ensanglanté
Et sans s'arrêter
S'envolera intacte
Je marcherai sur ton chemin

Mon amour vivra
Quant à moi
J'ai le cœur aux élections
S'il te manque une décimale
C'est que
Oui
C'est sans moi

Méritais-je tout cet amour?
Tant d'amour
Toutes ces invitations?
Je ne le saurai jamais vraiment

Mon amour tombera

Last week, it hurt, it tore,
Now it don’t matter no more,
One month, one year, it's gone,
Waves took the pain, rolled on.
I’m standing barefoot in the sand,
Watchin’ the ships leave the land.

Everything fades in the tide,
No need to fight, no need to cry,
What breaks today, tomorrow flies,
Far away into the sky.

Fade away, sail away,
Let it drift into another day,
Fade away, sail away,
Let it drift into another day. 🎶

Used to burn, used to sting,
Now it’s just a distant thing,
Used to scream inside my soul,
Now it’s quiet, now it’s whole.
Ship’s a shadow on the blue,
Outta sight, outta view.

Everything fades in the tide,
No need to fight, no need to cry,
What breaks today, tomorrow flies,
Far away into the sky.

Ships sail, ships go,
Tiny lights on the ocean glow,
I wave goodbye, I let them know,
No need to stay, just let it flow.

Fade away, sail away,
Let it drift into another day,
Fade away, sail away,
Let it drift into another day. 🎶

Fade Away (Tropical House Version)

These remixes are produced by NuVox through a fusion of Afro-trap in D minor, baritone range. Opens with reverb-rich Congolese rumba guitar and lush legato female vocals. Deep samba 808s, heavy kicks, Afro-trap hats, and Afro-drums fuel the groove; crisp bongos add staccato edge. Crescendo-decrescendo swells shape dynamics. Chorus explodes with wide, layered new jack swing–style R&B/funk vocals, stereo-panned reverberant bass, cinematic synths. Bridge spotlights a dramatic, jazzy Afro-guitar solo. Outro dissolves to sparse textures and whispered baritone lines, panned in stereo for a sense of distance and closure.

Biological Clock - Volume 3

Biological Clock Vol.3

Biological Clock - Volume 1

Biological Clock

Biological Clock - Volume 2

Biological Clock Vol.2

Biological Clock - Volume 4

Biological Clock Vol.4

👑 Philosophical Reading of “The Empress in the Mirror”
A meditation on identity, authenticity, and the quiet collapse beneath curated power.
________________________________________
1. The False Binary of Power and Vulnerability
This song shatters the illusion that power must be without pain. The Empress is not a static, flawless sovereign — she is a woman unraveling in real time, mastering the art of poise while surviving interior wars. This duality is voiced in lines like:
"Posting grace with shaking hands."
"I’m the fire and the fiction, the diamond and the dust."
Philosophically, this reflects Nietzsche’s idea of becoming: identity is not fixed — it’s fluid, forged through contradiction. The Empress is not one truth; she is the friction between truths.
________________________________________
2. The Mirror as Existential Crisis
The mirror is not just literal; it’s a metaphor for self-awareness in a hyper-curated world.
"I see the Empress in the mirror, but she’s scared of her own eyes."
This recalls Jean-Paul Sartre’s concept of “the gaze.” When we look into the mirror — or worse, when others look at us — we begin to see ourselves as objects. The Empress isn’t looking at herself, she’s looking for herself in the reflections of societal expectation, social media, inherited scripts.
It also touches on Simone de Beauvoir’s feminist philosophy — that woman is often “the Other” in her own reflection, sculpted by the needs and projections of others.
________________________________________
3. The Age of Performance
There’s a deep postmodern anxiety running through the lyrics. We live in an age of curated performance — where identity is branded, publicized, polished:
"I swear I’ve read all the sacred texts, but I skip the pages that make me reflect."
"Do I know the truth or just know the trend?"
This feels like a direct critique of performativity culture — a world where healing becomes content, strength becomes a pose, and authenticity gets entangled with algorithmic success. It asks: Is empowerment still empowerment when it needs to be validated by strangers?
________________________________________
4. The Empress as Everywoman
While the Empress is a title, the song strips her of myth. She is not divine — she is exhausted. She carries generations of expectation, performance, and emotional labor. Yet, she still chooses to try:
"I’m still here. I’m still trying. Still becoming what I seek."
This is the most radical act — not conquering, not ascending, but persisting. It echoes bell hooks and Audre Lorde — the political power of self-care, of choosing oneself in a system that wants to fracture you.
________________________________________
5. The Final Question — A Philosophical Knife
"If I lose the crown… do I lose myself? Or do I finally get to breathe?"
This is the existential dagger of the song. It questions the cost of power, the illusion of having it, and whether letting go is actually the key to becoming real. It recalls Krishnamurti’s idea: freedom is not in adding, but in shedding.
________________________________________
🪞 Conclusion:
“The Empress in the Mirror” is not a lament — it is a mirror cracked open to let in air. It dares to admit what so many queens — metaphorical and real — won’t: that sometimes, the greatest crown is the one you finally set down.
It is Caeli August at her most modern, most feminist, most human.


3:33

The Empress in the Mirror

THE EMPRESS IN THE MIRROR  (1)

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

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