“Karma, I Wish” is a raw, emotional release for anyone who’s been betrayed by the ones they trusted most. With haunting melodies and fierce lyrics, the song explores the sting of lies, betrayal, and fake love calling out those who smiled to your face but stabbed you in the back. It’s about reclaiming your power, speaking your truth, and letting karma do the rest.

This track isn’t about revenge
it’s about rising. About no longer crying, no longer breaking, but watching them fall into the trap they set for you. Because sometimes, karma doesn’t need a warning. Just a front-row seat

Karma, I Wish

when u fall into the darkest side of escapism 

VISUALIZER: https://youtu.be/FsO3gvsdWto?si=P5Z2cg-XGS0JVidO

STREAM: https://ffm.to/vmlowpx

LYRICS:
Lost in the haze
Of this voided state
Flowing with dissatisfaction
Need to escape
So locked up in my ways
Looking for a new distraction
And I
Don't wanna quit
In my defense, I'm sick
Give me
Another sip
Till I forget
It's only some medicine

Gravity of emptiness
Take a million hits
Go for a ride, I'm gonna miss
Fall in love in the abyss
Driving to the edge
Beyond a world that don't exist
Don't exist, it don't exist
Driving to the edge
Beyond a world that don't exist

It's emptiness

Dissociate
When everything stays the same
Tonight I'll feel some pretty sensations
I can't relate
To anyone in this place
Light it up till I feel my heart race
Watching
The fire spread
Forming madness deep in my head
Dancing
Through eyes of red
Blind to this mess
No one could comprehend

Gravity of emptiness
Take a million hits
Go for a ride, I'm gonna miss
Fall in love in the abyss
Driving to the edge
Beyond a world that don't exist
Don't exist, it don't exist
It's emptiness
Gravity of emptiness

It's emptiness
It's emptiness

Gravity
Of my impending numbness

Gravity of emptiness
Take a million hits
Go for a ride, I'm gonna miss
Fall in love in the abyss
Driving to the edge
Beyond a world that don't exist
It's emptiness

It's emptiness
Gravity of emptiness
Of Emptiness

gravity of emptiness

🇩🇪 Deutsch:
„Cold Room“ ist ein Song über innere Kälte, Isolation und das Gefühl, sich selbst zu verlieren. Ein leiser Schrei in einem dunklen Raum. Für alle, die wissen, wie laut Stille sein kann.
🎧 Written & performed by Nada Samir

🇬🇧 English:
"Cold Room" is a hauntingly emotional Denglish song about isolation, inner numbness, and losing yourself in silence. A song for those who know how loud it can get when everything’s quiet.
🎧 Written & performed by Nada Samir



Cold Room

GHOST ME is soft rage wrapped in silence.
Nada Samir turns heartbreak into haunting poetry with dreamy vocals, minimal trap beats and icy emotional truth.
This isn’t revenge.
It’s release.
Say goodbye to the girl you ignored — she’s a ghost now.



Ghost Me

Deutsch:

💋 Sieht süß aus, aber beißt zurück.
„Bite Me, I’m Sweet“ ist mein frechster Song bisher – ein Mix aus Zucker, Selbstliebe und roher Power.
Für alle, die soft aussehen, aber hart fühlen.
Don’t play me  ich bin kein Snack. Ich bin das ganze Menü. 🍒

Englisch:

💄 Looks sweet, bites back.
„Bite Me, I’m Sweet“ is my boldest track yet – sugar, attitude, and unapologetic power.
For the ones who glow soft but fight loud.
I’m not your snack. I’m the whole damn meal. 🍒

bite me im sweet

„Already Gone“ ist kein trauriges Liebeslied. Es ist ein Abgesang. Kalt, abgeklärt und so bitter ehrlich, dass es wehtut. Eine weibliche Stimme führt durch diese düstere Mischung aus Moody R&B, Alternative Pop, EDM und Dark Trap. Ohne Mitleid, ohne Erklärung. Sie klingt, als hätte sie das alles schon tausendmal gesagt. Jetzt ist sie durch. Emotional tot. Sarkastisch. Ausgebrannt.

Der Song beginnt mit einem Hauch von Beatbox-Rhythmus. Dann fällt ein kurzer, verhallter Satz wie das letzte Wort nach einem stillen Streit. Die erste Strophe setzt ein mit dunklem Trap-Beat, schweren 808s und melancholischen Synths. Die Stimme bleibt flach und distanziert. Keine Dramatik. Nur Leere.

Im Chorus wird der Sound größer, aber nicht wärmer. Die Instrumente bauen sich auf, Vocals schichten sich, der Rhythmus wird druckvoll. Doch alles bleibt kühl und kontrolliert. Keine Emotion. Nur Klarheit und Endgültigkeit.

Die zweite Strophe hält die Linie. Glitchige Synths und subtile Vocal-Effekte verstärken das Gefühl von Dissonanz. Keine Entwicklung, keine Hoffnung, nur der nächste Schritt im Rückzug.

Die Bridge zieht alles zurück. Minimalistisch, fast körperlos. Echo, Flüstern, ferne Harmonien. Als würde sie innerlich verschwinden.



"Already Gone" isn’t a sad love song. It’s a final statement. Cold, detached, and brutally honest. A female voice leads this dark blend of moody R&B, alternative pop, EDM and dark trap. No pity. No explanations. She sounds like she’s said it all a hundred times before. Now she’s done. Emotionally dead. Sarcastic. Burned out.

The track opens with a flicker of beatbox-style rhythm, followed by a short, reverbed phrase. It lands like the last sentence after a long silent fight. Then the first verse hits with slow, heavy 808s and moody synths. The vocal delivery stays flat and distant. No drama. Just emptiness.

The chorus builds up the sound without warming the mood. Layered vocals, strong rhythm, tight arrangement. But it stays cold and composed. No emotion, just clarity and finality.

Verse two holds the same weight. Glitchy synths and subtle vocal effects enhance the feeling of disconnection. No growth. No regret. Just another step toward silence.

The bridge pulls everything back. Minimal, echo-heavy, distant harmonies and whisper textures. It feels like she’s fading away from the inside.

The final chorus rises slowly but never softens. No warmth. No redemption. Just a cold, clean break. She’s already gone. And she’s not coming back.


Already Gone

The video is on my You Tube Channel: www.youtube.com/@DrNooo-vg2ww
Shadowglass is a dark cinematic alt-pop breakup anthem wrapped in gothic elegance — soaring female vocals, moody guitars, haunting synth swells, and crashing drum fills. It tells the story of love’s spark turning to betrayal, and finally breaking free into the open sky.

Shadowglass

𝖘𝖔𝖒𝖊𝖜𝖍𝖊𝖗𝖊 𝖎𝖓 𝖙𝖍𝖊 𝖙𝖜𝖎𝖑𝖎𝖌𝖍𝖙 𝖟𝖔𝖓𝖊

https://linktr.ee/levanamusic

Nada Samir is a gifted German singer and songwriter hailing from Frankfurt am Main. Born on June 18th, 1996, she has created a unique sound blending elements of pop, indie pop, and R&B soul. Nurturing her passion for music from a young age, she began writing her own songs at the tender age of 13, and by 16, she was sharing her talent by posting cover songs on YouTube. Her music career took off in February 2020, with the release of her debut single "Your Promise." April 2nd, 2021 marked the release of her critically acclaimed debut album, "Heartbroken." And on January 1st, 2023, she has recently dropped her sophomore album "See You Next Life." Her music is an honest reflection of her feelings and experiences, delving into themes of depression and self-discovery.

**DrNooo** is an eclectic musical force who defies genre boundaries, creating whatever brings joy and inspiration in the moment. After stepping away from the music business in the mid-1980s, DrNooo has returned to the creative world in retirement, making music purely for fun. With a style that spans across genres and sounds, DrNooo's music reflects a deep passion for creative freedom and exploration. Whether it's a funky beat, a rock anthem, or an experimental track, DrNooo offers listeners something new and exciting with every release.

Always chasing what makes them happy, DrNooo’s sound is as diverse as the influences that shape it. Expect the unexpected—where every track is an adventure.
Nine years ago, I turned to music for mental health support, and after recent mini-strokes led to retirement, I found new inspiration in AI music. Creating music now aids my recovery, and while it's for me, I’ve chosen to share it with the world.

New tracks tagged #DarkPopVibes