Everyone's in Love With You (David Byrne cover)

He's an international jerk
and a universal asshole,
just walking around telling everyone they suck!

He knows four different languages
to tell you that you're wrong
I know that he would hate this song!

Wouldn't you want to have a friend like that sometimes?
Just to have some interesting times.
Wouldn't you like to have a friend who's bad sometimes?
Just when you get too tired of being nice.

A man is only as good
as the company he keeps
but what it says about me
is none of your business!

He's an international jerk
and a universal asshole,
but he's my friend
so God is my witness!

Wouldn't you like to have a friend like that sometimes?
Just to have some interesting times!
Wouldn't you like to have a friend like that sometimes?
Just to add some spice into your life!
Wouldn't you like to have a bread with ham sometimes?
We can make it anyway you like!
Wouldn't you like to have a friend who's bad sometimes?
Just when you get too tired of being nice!

International Jerk

The Hustler (Disco Frisco Mix) X Slippery People - Talking Heads overcro0k mix

THIS MUST BE THE PLACE (Reimagined) [Orig. Talking Heads - 1983] AFU Rough Mix No Vox

Love Shack Remix

Lonely Afternoon is more or less a riff on the first thirty minutes of The Thomas Crown Affair (the Pierce Brosnan version). The whole concept around the Scenes from an Art Heist album is a meditation on why someone steals art, and the idea of a bored businessman just stealing art for kicks seemed to fit right in. I had this idea of a narrator who sees the world passing him by as he isolates himself further and further. Stealing a painting is his way of injecting himself back into the world, albeit as a villain. 

The starting inspiration for the music was Andrew Bird’s song Lone Didion. There’s a recurring “oooh” motif he used that stuck with me and I wanted to anchor my choruses around something similar. I use loops a ton when I’m writing and found a dance beat and arpeggiator combo that I loved and used that to form the core of the song that I would perform during my solo shows.  

It really took off when my collaborators David Anthony (guitar/production), David Knox (bass), and Chris Anthony (drums) got their hands on it. We spent a weekend in a cabin in Massachusetts transforming and refining it down to what you hear today. Chris added so much muscle with the tom and dance groove, while Knox gave it this quasi-Peter Hook baseline to add to the dance vibe. Dave is the unsung hero on this track. The slide guitar part and the distorted synth lines just completed that dance vibe and it’s not the same without his production. 

Ryan Rivard created a perfect companion music video for this. The visual identity of Scenes from an Art Heist is so deeply rooted in the Magritte Son of Man painting and he just took that and ran with it. I love doing things that are tongue in cheek and the idea of a guy dressed as the Son of Man running around New York just made me giggle uncontrollably when it was first pitched. Our lead actor Jordan Bell was such a trooper running around SoHo in 90 degree heat while wearing that suit.

Lonely Afternoon

Killer Horror Critic, Joone, Jena City, Mayits World, Kalansky, Lil Uzi Vert Type Beat Free For Profit, Offrampimprov, Kolsch, Jobs:, Kotlin:, Junkmail, Kalamarka, Mechanized Memories, Mary Mortem , Livio&Roby, Malamin, Langnek , Kadletz, Kevinblake, Keryjames, Lca, Jermaine Elliott, Jul,, Lilpump #Hittingmyshoulders, Miccrenshaw, Jefes, Lixed, Jender, Lucky.Eye,  L’Accent, Lovecupid, Lovers Rock Mix ----, Lovesoul, Jennifer Ehle, Joropo, Lxst Cxntury , Josephine Ulimewngu, Lie-you

⚡ background video DOWNLOAD

Don't Worry About the Government

Don't exist

An original song made in collaboration with Eric. Eric wrote the lyrics and wanted to construct a song that sounded like Talking Heads or LCD Soundsytem. I selected a Bossa Nova rhythm and we started layering synths and bass lines to create that kind of music vibe. 

One Eternal Sound 9-14-25 v3.5

Psychogéographie et mythologie électriques de Sharlot Stoned*
Chaque Vendredi à 10:00 et le Mardi à Midi sur www.reillannair.com
À l'affiche de Tourne Disque je vous propose en toute sécurité ce vol haute fréquence improvisé. Un Tourne Disque spécial "Talking Heads" sur notre compagnie radiophonique low cost, Reillann'air. Au programme l'album Remain In Light and so on ...Qu'un vent de paix et en l'occurrence d'excellence en la matière nous mène avec Sharlot Stoned, sur votre radio préférée. Des nouvelles de David Byrne avec la sortie d'un nouvel album « Who Is the Sky? » chez Matador Records, et une tournée mondiale. Il sera de passage à Paris en cloture de ce tour à la Seine Musicale les 18 et 19 mars 2026.
Musiques
La Souterraine / levogyre : le best of ((2020-2025)), suite et fin (((draft))) https://souterraine.bandcamp.com/album/levogyre-le-best-of-2020-2025-suite-et-fin-draft
Talking Heads / Remain In Light
Born Under Punches
Crosseyed and Painless
The Great Curve
Once in a Lifetime
Houses in Motion
Seen and Not Seen
Listening Wind
The Overload

Talking Heads / 77
Uh-Oj, Love Comes to Town
New Feeling
Tentative Decisions
Happy Day
Who is it ?
No Compassion
The Book I Read
Don't Worry About the Government
First Week/Last Week...Carefree
Psycho Killer
Pulled Up

Talking Heads / More Songs About Buildings and Food
Thank You for Sending Me an Angel
With Our Love
The Good Thing
Warning Sign
The Girl Wants to Be with the Girls
Take Me to The River

David Byrne / Who's In the Sky
Everybody Laughs

Talking Heads / Fear of Music
Zimbra

TOURNE DISQUE #73 "Love Talking Heads"

(00:00) Alinhamento Energético - Fafá de Belém
(04:50) Body Corpo - Arnaldo Antunes, David Byrne
(07:25) tremedêra - Jadsa
(11:37) Desmitificar - Marina Sena
(17:00) Triunfo - Bagum
(20:15) os pelados sabem demais - Pelados
(22:49) Hexagrama 28 - Zé Ibarra
(26:06) FILHO DO VENTO - JOCA
(29:40) Rota - Luedji Luna
(35:43) Desfecho Cruel - Toinho Melodia
(41:40) Os Cavaleiros do Rei Arthur - Jorge Ben Jor
(45:40) Iôiô - Luedji Luna
(51:41) Tempestade de verão - Felipe Vaqueiro e Sophia Chablau
(56:00) Já não me sinto tão só (para Júlia Zen)  - Felipe Vaqueiro e Sophia Chablau


Leituras:
Jadsa: https://elcabong.com.br/discos-big-buraco-apresenta-a-cancao-popular-segundo-jadsa/

Pelados: https://substack.com/home/post/p-173152719 + https://www.popload.com.br/cena-a-pelados-esta-nua-saiu-o-novo-disco-contato-o-segundo-da-banda-ou-o-terceiro-ou-o-quarto-eles-explicam-em-conversa-com-a-popload

Joca: https://youtu.be/0vlUYuyHqyY?si=73wGyNu-_liYe2rJ

Felipe Vaqueiro e Sophia Chablau: https://www.noize.com.br/sophia-chablau-felipe-vaqueiro-handycam + https://youtu.be/BI9yod2Kj1w?si=u_C_Oj7vFw3hucJW + https://elcabong.com.br/discos-o-mundo-bem-perto-de-sophia-chablau-e-felipe-vaqueiro-em-handycam/

 



Protótipo #15 (05.10.2025)

Flaming Sea

The Eighty Six Seas is the moniker of Nick Stevens, a Boston-based artist who weaves a tapestry of indie rock, indie pop, indie folk and folktronica into a sound all his own. Decorated with sweeping strings and poetic stories, it’s a sound that has been shaped by influences as wide-ranging as The National, Frightened Rabbit, New Order, Belle and Sebastian, David Byrne, The Mountain Goats and Bon Iver.  

Though Stevens’ musical career started as a solo folk artist in college, it was when he relocated to Brooklyn that he started developing his own unique sound. After being exposed to a wealth of musical sounds and styles that he hadn’t worked with before, he founded The Eighty Six Seas – an homage to the 1986 Boston Celtics, commonly referred to as “the 86 C’s”. His first release under the moniker, the EP This Is Just a Simple Song, hinted at what was to come. While sitting comfortable in the pop-folk genre, it introduced a subtle electronic influence. 

The follow-up was a cover of The National’s I Need My Girl (featuring Elly Kace and Straight Pepper Diet) that ventured much deeper into electronica. The influences of that band can be felt in the ESS’s sound, but in contrast to Matt Berninger’s raspy, somewhat weary timbre, Stevens’ voice envelopes you like a warm hug and a gentle caress. Even the lyrics “wrist tied to a drain pipe, mouths taped so they won’t snipe” from his latest album are delivered in such a beautiful, melancholic tone that they feel like being robbed by James Taylor – or perhaps Jeff Buckley – and who would mind that?

The idea for the new album Scenes from an Art Heist came about when Stevens visited the Isabella Stewart Gardner Museum in Boston for the first time. The museum was the site of the largest art heist in history and, to this day, the frames that housed the stolen artwork hang on the walls as a reminder of what was lost. “The first time I saw the room where most of the artwork was stolen, I had a visceral reaction to the absence of the pieces,” recalls Stevens. “It was eerie and spooky. I remember thinking: ‘Pour one out for the frames.' Imagine waking up one morning, thrown carelessly on the floor, with something beautiful torn out of you. Now you have to act normal, and hang on the wall, but you know that you’ve had something beautiful torn out of you and everyone can see it. You know there are others out there like you, but you can’t see them.”

It seemed like the perfect metaphor for a breakup, and it was the basis for the first song he wrote for the new album, called “Frames”. It also inspired him to create an album that would mimic the experience of walking through a gallery, where each piece is like a vignette with an individual statement to make but is also part of a collection that has a larger meaning. 

Recording the songs, Stevens worked with a core group of collaborators consisting of David Anthony, Chris Anthony and David Knox, splitting their time between studios in Boston and Brooklyn.

This is an album that defies the pigeon-holing of algorithm, moving through and meshing multiple genres, including dance, indie rock, folk, EDM and country & western. Yet Stevens weaves a thread all the way through. There is an unmistakable pop sensibility to his writing, even when using unusual song structures, and the lyrics explore what causes someone to steal art and the void that is left when we are unable to interact with art. 

In an increasingly homogenized music landscape, dominated by bite-size clips and singles, The Eighty Six Seas’ latest creation, is what albums were made for: a journey created by an artist with a vision. In fact, take away “he” from the title, and what does it spell? Scenes from an Artist.

Scenes from an Art Heist is indeed a piece of art in its truest form – and it should be listened to from beginning to end for the full experience.

Acoustic guitar; folk; Americana; jam band influences; blues; rock; old time; bluegrass; grungey stuff. Even some electro and EDM vibes occasionally. I play a wide mix of music with a lot of different people.

Programa de rádio 

Protótipo é ideia
Protótipo é imagem
Protótipo é reflexo
Protótipo é movimento
Protótipo é retorno
Protótipo é programa de rádio
Protótipo é de acordo com a vontade
Protótipo é um protótipo

https://youtube.com/@rhuspimentel?si=QAkNn1bvtkT1JVAV

Covid lockdown gave me the time to put together a project I always wanted to do but never had the time with a busy schedule.  I picked out close to 100 songs that inspired me to get into music.  Most are from the 1970s and early 1980s when I turned onto music and my influences.  A couple of the songs are from the later 1980s and couple of pearls from later that I couldn’t resist including.  I wanted to redo them with different flavors, almost in a way that I would have arranged and produced them.  The outcomes were dense and organic by design but it was clear where my creativity was taking each song.  Heavy influences from other artists   Too many credits to those who assisted or played on this project.  I will add them later but it was truly a transatlantic effort with contributors from Liverpool, Manchester, Glasgow, NYC, LA, Seattle, Portland, Vancouver and San Francisco as well as me holed up at my two studios in California, playing, tracking, arranging, engineering and producing.  

 I hope you enjoy these reimaginations.  It was fun making them.  Something I leave as a gift to those who love music. At some point I will write a companion piece outlining the thinking, instruments and gear used along with production notes for the project. 😃

Amateurish guitar sounds and stuff.

Bandcamp: https://coldweatherr.bandcamp.com/track/our-place

Artificial Disco is the alter ego of Daníel Sigurðsson, composer and trumpet player from Iceland. Dedicated to exploring everything electronic, the music ranges from jazzy drum and bass and wistful ambient techno to electronically enhanced funk.

Treat yourself to some synthetically derived, cybernetically infused, stereo-enhanced, super-saturated, electro-magnetic musical fantasies, and listen to some Artificial Disco.

Mr. NYCE doesn’t just break the rules — he rewrites them. His sound is raw rebellion, fueled by underground energy and built with visionary creativity. Heavy bass, street grit, and unexpected twists define his world. For the misfits, the outsiders, the ones who don’t just follow the scene — they make it. Get ready for the Era of Bad Boi Sound.

New tracks tagged #Davidbyrne