End of 2024, soon the start of 2025. My last composition - with the last synth purchase this year, the semi-old Roland JX-03 (in this tune: bass, some arpeggios, some lead sounds). Such a charistmatic little thing. The Typhon does the vco unstable lead at 1:14 and backs up the arp with some phasing here and there.

Transmission 2025

All together

The Funkie Junkie

Escalation

A Beautiful Day

Abandoned Space Station

Jam Video:-> 
https://www.youtube.com/watch?v=Ta7zQH1Rzm8

Analog Elektro Jam w/ RD-8 MKII, DeepMind 12 & Analog Four

Sacrifice

Long Distance

Another upbeat 80's synth pop wave thingy featuring almost only Deepmind 12 aside from the melody in the verses (Proteus drenched in Ableton phaser effect). I really dig the cabinet speaker effects on arpeggios that the Deepmind brings to the table here. Delay, reverb and chorus from Deepmind and Valhalla. The chorusy moogy bass from the Deepmind is also an emerging favorite of mine.

GOJU RYU Masters

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”

Ableton Live with a couple of va, analogs, fm, romplers and various hybrid synths via a MOTU 828x and of course vsts. Style includes all sorts of genres, I guess film and games is the theme. As long as it resonates in my head even if its sometimes only the gear talking. Anyway, thanks for listening.

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

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Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

New tracks tagged #DeepMind 12