A big, airy ballade featuring my Cobalt 8M, Typhon and Deepmind.

Cloudbound

An 808 beat against a fat Deepmind 12 bass. Wavetable pad, arpeggio and lead from Blofeld together with some new-age Korg rompler stuff on top of it, kind of cheesy but I like it in small amounts. Christmas is approaching!

Deep Mind Electro

Some fun with film sampling again. This time from some Sci-fi flick from 1965. Backed up with drums, arp, lead and guitar power chord sounds from the Proteus 2000, bass from Deepmind 12 and atmospheric stuff from the Blofeld. Enjoy this space saga derived from "Attack from Space". Art cover by Deep AI.

Power Proteus (Attack from Space)

End of 2024, soon the start of 2025. My last composition - with the last synth purchase this year, the semi-old Roland JX-03 (in this tune: bass, some arpeggios, some lead sounds). Such a charistmatic little thing. The Typhon does the vco unstable lead at 1:14 and backs up the arp with some phasing here and there.

Transmission 2025

All together

The Funkie Junkie

Escalation

A Beautiful Day

Abandoned Space Station

Jam Video:-> 
https://www.youtube.com/watch?v=Ta7zQH1Rzm8

Analog Elektro Jam w/ RD-8 MKII, DeepMind 12 & Analog Four

Ableton Live with a couple of va, analogs, fm, romplers and various hybrid synths via a MOTU 828 and of course vsts. Style includes all sorts of genres, I guess film and games is the theme. As long as it resonates in my head even if its sometimes only the gear talking. Anyway, thanks for listening.

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

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Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

New tracks tagged #DeepMind 12