El evento, presentado como un concurso de DJs, no cumplió con las expectativas debido a una desorganización evidente desde el inicio. Aunque se anunció como un espacio competitivo, no se establecieron criterios claros ni se tomaron medidas adecuadas para garantizar una evaluación justa.

Se instaló una cabina insonorizada para grabar las sesiones, con la intención de transmitir en Twitch y permitir que el público escuchara mediante auriculares conectados a un software propio de la organización. Sin embargo, desde mi llegada, quedó claro que el evento carecía de coordinación y profesionalismo.

Problemas destacados:
Falta de criterios técnicos y de evaluación:

No se diferenciaron estilos musicales ni se asignaron horarios adecuados según el tipo de música.
No se establecieron especificaciones técnicas, como deshabilitar la función sync para evaluar realmente la habilidad de los DJs en lugar de depender de herramientas automáticas.
Mala planificación de horarios:

Fui asignado a primera hora de la mañana, un horario poco favorable para un evento festivo como el 1 de noviembre.
El público era inexistente, ya que la mayoría estaba ocupada preparando sus negocios en el recinto, un autocine de Madrid enfocado en la venta de hamburguesas.
Problemas técnicos:

Al llegar apenas 10 minutos antes de mi turno, la cabina no tenía electricidad ni estaba lista para operar.
A lo largo de mi sesión, también se presentaron interrupciones de energía.
Falta de transparencia en la evaluación:

Uno de los finalistas supuestamente sería elegido por el público a través del software de auriculares, algo imposible en mi caso por la ausencia de público.
El otro finalista sería elegido por los jueces, pero no hubo ninguno presente observando mi actuación. La evaluación quedó relegada a criterios subjetivos, posiblemente influidos por amistades o favoritismos.
Consecuencias:
Mi sesión se desarrolló sin público, salvo por algunos compañeros que estaban programados para actuar después de mí. Terminé mi turno enfrentando problemas técnicos y, pese a todo, logré grabar mi set en un pendrive que ahora pueden escuchar.

Reflexión final:
Este tipo de eventos, lejos de cumplir su propósito de valorar y promover el talento, acaban siendo más una estrategia para captar participantes que un verdadero concurso. La falta de profesionalismo, la desatención a los detalles técnicos, y el sesgo en la evaluación empañaron una experiencia que podría haber sido enriquecedora.

Espero que en futuros concursos los organizadores:

Establezcan criterios claros para evaluar las habilidades de los DJs.
Organicen los horarios según los estilos y aseguren la presencia de jueces imparciales con conocimiento técnico.
Brinden igualdad de condiciones a todos los participantes, evitando favoritismos y garantizando una experiencia justa y profesional.
A quienes les tocó actuar en horarios favorables, con público y transmisión activa, seguramente tendrán una percepción distinta del evento. Sin embargo, para muchos de nosotros, esta experiencia fue una decepción más en el mundo de los concursos de DJ mal gestionados.

Angel_FM_ColegaFest_session_HARDSTYLE

Danny Brown - Dirty Laundry (Mr. Sprain Blend)

Coming Soon
If you download master yourself

Trancecoderz - Bloodwarz

Welcome DEFCON homies! Pick me, pick me!! :D

D0cksey - DEFCON mix

A legendary moment awaits. The official Defqon.1 2025 anthem ''Where Legends Rise'' by Vertile is out now on Defqon.1 Records. 

⚔️ See you all at Defqon.1 from June 26th to June 29th, 2025.
🔥 Tickets for Defqon.1 2025 is now available via https://bit.ly/DQ1-Tickets-2025

► Visit the Defqon.1 Merchandise Store at http://store.q-dance.com

▼ Follow Defqon.1 online:
Facebook:   / defqon1  
Instagram:   / defqon1  
Website: https://defqon1.com/
Spotify playlist: https://spoti.fi/3xMTcMz
TikTok:   / defqon1  
Discord:   / discord  

▼ Become a DEDIQATED Member and get access to:
Early access to Defqon.1 ticket sales
Exclusive access to Defqon.1 experiences
Join online Defqon.1 specials
Participate in monthly raffles with the chance to win unique prizes
Access to exclusive Defqon.1 merchandise
Both editions of the Defqon.1 Magazine in 2025
Co-creation through DEDIQATED panels and surveys
Early access to limited merchandise collections
Discounts on Defqon.1 experiences

#defqon1 #anthem #vertile

Vertile - Where Legends Rise (Defqon.1 2025 Anthem) | Defqon.1 Records

This is the radio friendly version of Defcon 0, the new single from NONXM! Enjoy and check the album on April 11th, thank you guys!

Defcon 0 (Radio Edit)

Buy it on Bandcamp!

Le Cube - Access Denied

Defcon 33 demo

Lyrics:
Record the tones that the coins make 
Playback, realize their mistake

shhh, we're always listening
they call it stack overflow, we're reconditioning
redirecting the way that you communicate
it's more than just a crime, it's a survival trait

I might be, stoned or stupid
jailbreak, we're in, I'm rooted
in your memory
now your empires uprooted

Bootstrap and send the message
we will ensure the wreckage

we'll ensure the wreckage
HACKERS OF THE WORLD UNITE

HACKERS OF THE WORLD UNITE

HACK THE PLANET!

I might be, stoned or stupid
jailbreak, we're in, I'm rooted
in your memory
now your empires uprooted
________________
shoutout @ih8sev for making this artwork way better <3

[redacted] v.2

Captain Jack- -( POWER HOUR HARDSTYLE REMIX )

Apocalypse

UwU Underground - I Stole Your MFA (Violet Wanda DEFCON Remix)

Step into the digital shadows with "RECON," the first track from our new series inspired by the MITRE ATT&CK framework. This is more than just a song—it's a deep dive into the mind of a cyber threat. The beat drops hard with a gritty, underground hip-hop vibe, mapping out every move an adversary makes. From Active Scanning and Phishing to Gathering Host Information, this track lays out the initial stages of a digital attack.
We're pulling back the curtain on the tactics and techniques used in the real world. If you're into cybersecurity, hip-hop, or just love a track that makes you think, this is for you.
Hit play, follow us for the next drop, and share "RECON" with your crew. Let's build the ultimate community of cyber-savvy music lovers.


Recon

This is the set list performed at DEFCON 2025

DEF CON 2025 LIVE SET

#!/bin/bash explode 
# music to take down corpos to
# solo indie artist and producer

Management:
mgmt@bashexplode.com

Vocalist https://soundcloud.com/the-rataxes

Just a new producer likes messing about with harder styles

Please follow my new releases and consider getting some of my merch at https://unitedmasters.com/a/russell-nomer-music

Swedish producer/hacker exploiting everything for fun and rewards. 

https://open.spotify.com/artist/4Z0epg1QWpKJ0RmWsC9CKz
https://music.apple.com/us/artist/zploit/1616222431
https://music.amazon.com/artists/B09WJK75XS/zploit
https://www.deezer.com/artist/164791617
https://www.youtube.com/channel/UCkEJOK0Qr1tEU3RIeIzksPg
https://www.youtube.com/@zploit
https://vimeo.com/sigtrap
https://soundcloud.com/sigtrap
https://twitter.com/killminus5

Tess LaCoell is a dimension hopping  Storm Faerie whose relationship with the Thunder is apparent in every track. 

Violet Wanda,  her hard hitting fusion of Progressive Rock, Industrial Music and EDM genres is pure ear candy and a unique experience.

 Her big room, progressive house, and dance pop project, Exposure Kills brings forth the ups and down of being a DJ on the alternative lifestyle dance floors in the mid 2000's and sex clubs in the early 2010s. Influenced by such dance pop and house remix artists as Dave Aude, Chris Cox, Tracy Young and the group Bimbo Jones,  Exposure Kills is the dancefloor kick you didn't know you needed. 

You can also find her collaboration album with Giant Monsters on the Horizon at ParaLuna Records, along with the compilations, Transversal (which she curated), and Retronomicon. 

https://paralunarecords.bandcamp.com
 
Find her at  https://violetwanda.carrd.co as well.

Neon cyberpunk rave & roll.  Overheating synths & Y2K electro.  Crunchy bass & sim-analog gliss.  Retro-futurist big beat breakers & stompers.

In 2024, I launched my latest musical project, “Elipscion”. This endeavor represents the culmination of over 20 years of experience writing and producing electronic music (EDM). With Elipscion, I’m pushing the boundaries of creativity by blending my deep-rooted passion for music with cutting-edge technology, including physical hardware and AI.
For years, I’ve dreamed of creating music that captures the essence of my inner thoughts and dreams. Elipscion is the bridge that allows me to transform those abstract ideas into tangible soundscapes. By leveraging AI, I’ve unlocked new ways to experiment with sound, turning fleeting inspirations into fully realized compositions.
Like many music enthusiasts, my taste is eclectic, and that diversity naturally shapes my creative output. Whether it’s pulsating trance beats, dreamy ambient textures, or genre-defying hybrids, my music is an authentic reflection of the wide spectrum of sounds that inspire me.
Elipscion is more than just a project; it’s a deeply personal exploration of where art, technology, and imagination meet. Stay tuned as I share this evolving journey with you, one track at a time.

Angel Fm aka Axioma, Alumno de la escuela Only Dj, a cargo de Carlos Vk, y Ex-dj del grupo-kapital, he pinchado en muchas discotecas de madrid como: Fabrik, Ministry, Fusion, residente en Kubik ( Vogue), In ( Alcorcon) y muchas mas… También en discotecas fuera de la Comunidad de Madrid, como ciudad real, ChachaSpace, Rebelión compartiendo cabina con muchos dj’s de alto standing.

Stream NONXM here:
https://open.spotify.com/album/2vqnvtounsBA0eZT6J3oCY

rapper/time-traveler

The official Q-dance Music Soundcloud account.
Representing the best in the harder styles of dance music.

For demos, please reach out to tracks@q-dance.com

My prototype, see, wasn't very driven
Always in the water, wasn't much of a swimmer
Wrong physical/chemical composition
Died of a busted drinking mechanism

Heart was too heavy for music to live in
Talked to the darkness and invited it in
Now I've been reborn and she's been forgiven
And I am a witness in the church of the rythm

New version dropped a dependency
Resource increase, naturally
Focused on global scalability
And destroying anybody tryin' to muzzle me

So pardon my dust through this upgrade transition
New algorithm and new disposition
I never thought it would come to fruition
Ding Ding. Level up, that's what this is



From 90s hip-hop to modern trap – blending old-school vibes with fresh sounds. I produce, mix, and experiment across hip-hop, trap, pop, and mashups. Inspired by legends like Tyga, Snoop Dogg, and Busta Rhymes, I bring my own flavor to every track. Tune in, vibe out, and ride the wave.


New tracks tagged #Defcon