"Lab" é um projeto independente que segue a dinâmica de experimentação, onde breakbeats se fragmentam renascendo de diferentes formas. É mais que música,  "Lab" é uma experiência.

Me siga nas redes sociais:
Instagram: https://www.instagram.com/bakugandj
Youtube: https://www.youtube.com/@djbakugan
Facebook: https://www.facebook.com/djbakugan
Bandcamp: https://djbakugan.bandcamp.com/album/lab

Fire For You - DJ Bakugan Edit [2022 Delayed]

There’s always that one set at Perpendicular that people talk about after. In 2024, it was Fhionbarra’s closer, a set that caught everyone's attention and ultimately became the reference point for the entire edition. Coming into this year, expectations were quietly building. The line-up mixed familiar crews with newer names from across Europe and beyond, with London showing up particularly strong. That blend is what makes Perpendicular tick: the local warmth, the international cross-pollination, and the sense that discovery is just as important as reunion.

This time, the slot was different. Instead of a final word, Fhionbarra was handed Saturday late afternoon, when the forest is still glowing with light and people are searching for a balance between motion and pause. He leaned into it with a set built on breaks and halftime, cut clean and calibrated for the hour. No force, no shortcuts, just patience, groove, and trust in the moment.

The effect was undeniable. The crowd didn’t need intensity, they needed direction, and he gave it to them. The floor moved easily, the heat started to fade, and suddenly the afternoon was marked by that rare kind of clarity when the right DJ meets the right context. Fhionbarra proved last year wasn’t a one-off, he can shape a moment on his own terms, no matter the slot.

https://soundcloud.com/fhionnbarra
https://www.instagram.com/fhionbarra_

@espacio-perpendicular
Write up by: @gilleswasserman

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Delayed x Perpendicular: Fhionbarra

Javelin - Off My Mind but 1.24x speed + delay + reverb edit.

Javelin - Off My Mind (1.24x edit)

Rain falls here in Brooklyn as time marches on and the changing of seasons creeps ever so closer. The long days of summer wane, fall will soon be upon us. With the shift in seasons, comes a move inside, and for many, a period of recovery from a hectic summer season. Rosario Piscosquito aka Vidění’s forthcoming album ‘Ocean Resonance’ on Ambient Matter marks their second release on the Indefinite Pitch sub-label and the first of this year. 

From cover to cover, Piscosquito expertly guides listeners through a variety of musical realms, maintaining a certain gravitas and crafting a coherent story from beatless to beat, and back again, with each track building on what came before. Refracted Light, our premiere for today sits early in the album but gives a teaser to what lies ahead. Intricate drum patterns and tribalistic bongos scattered throughout lay the foundation for ethereal pads and subtle melodies that continue to unfold for the duration of the track.

Refracted Light and the rest of Vidění’s Ocean Resonance release will be out on September 15th, and we highly recommend checking out the rest of the album.

@videni

@ambient-matter

Write up by @huedj

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PREMIERE: Vidění - Refracted Light [Ambient Matter]

Spanning multiple decades, the friendship between Markus Guentner and Joachim Spieth started with contributions to Kompakt’s Pop Ambient series in 2001. At the time, neither could anticipate how the future or their respective artistic paths would unfold. Over the years, both have been a guiding presence throughout their careers as they delve farther and farther into ambient and beyond. Striving for only the utmost quality in productions and expression of self.

Coalescing in 2023, the pair combined their musical talents for their first album together titled, ‘Overlay’ released on Spieth’s label, Affin. Deep, rhythmic, and bathed in texture, it marked the next musical evolution and a harbinger of what is to come.

Enter ‘Conversion’. The seven tracker builds upon themes established in ‘Overlay’, a melding of layered textures and encompassing percussion, giving a sense of weight, heavy with emotion. Our premiere for today, Vortex smoothly enters the mind, with comforting pads, and a subtle uplifting notion. The warmth from the drone-like melodies is echoed into the steady muted kicks that provide an energetic boost to the track.

Vortex, and in turn ‘Conversion’ will be released on October 3rd via Affin.

@guentner_spieth

Write up by @huedj

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PREMIERE: Guentner Spieth - Vortex [AFFIN]

Over the last few years, we’ve had the utmost pleasure in highlighting an incredible music scene rooted across the ocean in Barcelona. Like the living, breathing entity that it is, the tendrils reach far and wide, connecting artists, and music lovers from around the world. Deep, rhythmic, pulsing low ends, frenetic half-time snares. Spiraling melodies and hypnotic elements all combine into an incredible mixture that gives life to all. At the heart of this thriving community and our focus for today is one of its musical stewards, Patrick Russell. A pure professional, always providing discerning sets from behind the decks, today we listen to him in a different fashion as he provides a rare remix that embodies these sounds and times.

Forth-coming on Argentinian label Danza Nativa, Ancient Apparition is a four tracker by co-founder Kyntral that oozes rich bass lines and snappy percussion. Each song unfolds ever so smoothly, stretching its muscles and taking up space. Patrick Russell’s ‘Phantom’ remix of the title track moves us down a darker path, with horn-like synths and undulating bass lines that give tension and an energetic kick, a taste of what is to come later…

Ancient Apparition will be out on September 29th, both on digital and vinyl.

@kyntral
@ptrckrssll

Write up by @huedj

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PREMIERE: Kyntral - Ancient Apparition (Patrick Russell Phantom Remix) [Danza Nativa]

The first thing you notice in Beau Beaumont’s Delayed with mix isn’t aggression or volume, but control. Each layer slots into place with a clarity that leaves no room for drift. It’s techno in high resolution - grooves stretched to their limit, shifts measured with care, a ride that never collapses under its own weight.

That clarity comes from experience. Years spent running one of the UK’s most forward-thinking parties, building an independent label Meine Nacht, and diving into modular synthesis have sharpened Beau’s ear for pacing and design. Her work ranges from NTS residencies to commissions for Nike and the WDR Studio for Electronic Music. Still, it’s this same multidisciplinary edge that you hear here, surgical mixing, grooves that never stagnate, and a sense of movement that feels both human and machine. This is propulsion without fatigue: a set built to carry you, wherever you are.

https://soundcloud.com/beausoundart
https://www.instagram.com/beausoundart

Write up by @gilleswasserman

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Delayed with... Beau Beaumont

​​It’s 3am, the club is full to its brim, both in energy and in bodies. The air is ripe with a palpable tension, there needs to be a spark to ignite the night remaining. Enter OTON, and a return to Alliance with his sequel to ‘New Forms of Silence’. 

Minimal is that match stick, instantaneously converting friction to heat, and laying the groundwork for what is to come. Akin to a drum machine workout, the tracks are devoid of fluff, and focus on the essentials. Winding melodies and a tight percussion line keep things moving while ramping the energy, higher and higher. We’d be remiss, in not mentioning the rest of the album though, OTON showcases his taste as ideas coalesce through a variety of other genres, all tastefully done. 

Brussels-based Alliance Club was first introduced to the scene about 5 years ago, as a platform for founder OTON's own releases. It has since gone through a natural evolution, welcoming releases from other artists, and ultimately morphing into a collective and party series within the vibrant Brussels community. With residencies at a variety of Belgium’s clubs and festivals as well as on local radio station microwave, Alliance has nicely established its place in the scene over the past few years. This year, OTON presents his music in the form of an audiovisual live set in collaboration with a visual artist Onohno, something to experience if the opportunity presents itself. 

New Forms of Silence 2, will be released on the 26th of September.

@oton

Write up by @huedj

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PREMIERE: OTON - Minimal [Alliance Club]

Berlin’s Hyphen collective has wasted no time carving out its place in the techno underground. Less than a year in and already on their fifth release, the label continues to thrive on collaboration and open-ended experimentation rather than fixed formulas. Before the Shift EP brings together Hyphen’s own vauna with two fast-rising Italian artists: TOMO, co-founder of Florence’s DE RIO, and Milan-based Peppe Amore (NR, Planet Rhythm). This is a five-track release that embraces intensity without tipping into excess, channeling a strain of contemporary techno that feels both relentless and precise, designed to hit hard while still leaving room for nuance.

"Return to Form" builds on a foundation of massive kicks and tribal percussion that slowly liquefy into something more fluid, threaded with spiraling synth lines and ghostly vocal fragments. The result feels both primal and precise. It's like a transmission from a futuristic jungle made for sweat-drenched hours in the middle of the night, and another reminder that Hyphen knows how to keep its trajectory sharp. 

Before the Shift is out on September 26th.


https://soundcloud.com/vaunamusic
https://www.instagram.com/vaunamusic/
 
https://www.instagram.com/hyphen_berlin/
http://soundcloud.com/hyphen-berlin

Write up by @gilleswasserman


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PREMIERE: vauna - Return To Form [Hyphen Records]

Barcelona’s Obtuse Swamp has been building a catalog that values depth over immediacy, and its third release, Reef Stage EP, extends that approach. Ilayruni delivers five originals that follow different routes through polyrhythmic terrain and show a fascination with rhythm’s ability to bend perception, supported by remixes from o.utlier, Caldera, and Arsène Martinet. 

There’s a peculiar space on the dancefloor reserved for tracks that are neither peak-time weapons nor background textures, the zone where hypnosis sets in. Telepathy Tapes, our premiere for today, sits right in that territory. Its low-slung tempo carries real weight, yet the percussion feels meticulously carved, with each strike holding space rather than filling it. Vocal fragments drift through like subconscious prompts, keeping the groove alert even as it sinks into hypnosis. It’s music designed to pull dancers inward, less about release, more about the slow, steady locking of body and mind. 

The Reef Stage EP is set for release on September 30th.

@ilayruni
www.instagram.com/ilayruni/

Write up by @gilleswasserman

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PREMIERE: Ilayruni - Telepathy Tapes [Obtuse Swamp]

Predawn Records is a beacon for all deep techno lovers out there, and Stuttgart is truly lucky to have them. They've built an incredible community in the South of Germany with their intimate shows, collaborations, artist spotlights, and experimentation. No strangers to us here at Delayed, Predawn is made up of Tama, Nils Edte & Laima Adelaide. Founded in 2021, the label has been a home base for the 3 artists & their musical output. An interesting tidbit you may not know about them is the way they're so deeply rooted in classical music. Marko, Nils and Laima all have a background in the genre which explains the precise yet tactile & delicate nature of the releases on the label.

For TAMA's (Marko Mrdja) latest release, "Arc," he’s carrying the torch for the Predawn sound. A quick look at his page will give you insight into his other projects, including playing the piano for the Soundrise Quartet. Across all his work, Marko's passion and musical learnings shine through, reflecting a commitment to composing, producing, and playing music that simply makes him happy. We all crave different things throughout the day, and across seasons, and Marko’s projects embody that.

Blueish-silver. A gentle pulse, propelled by subtle, distant soundscapes and everyday sounds captured. What they are I’m not sure, but they are certainly comforting and reassuring. The song is smooth—there are no sudden jolts or surprises, just a finely crafted track. Listen to it, then listen to it again, and again, it only gets better, as the details and new sounds reveal themselves with every listen. 

This track and the rest of the EP including a remix from Rambadu will be available to purchase via their Bandcamp page digitally and on vinyl on the 10th October.

@markomrdja
https://www.instagram.com/markomrdja_

@predawnrecords
https://www.instagram.com/predawn_records/

Write up by @danpeplow

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PREMIERE: TAMA - Bluish Silver  [Predawn Records]

Readers at Delayed may be aware of our pilgrimages upstate to our home away from home. The long weekends away at a place we affectionately call the ‘Barn’ serve as a mental recharge, and rejuvenation of creative inspiration, not to mention time spent together with close friends. During one of last years’ editions, we were grateful to spend time with Lisbon based artist, Verena aka Ena B. Her passion for music, and penchant for creating ethereal vocal ambient tracks all contributed to a fit in with our crew of fellow music nerds and producers.

Marking a new chapter in her musical career, Ena’s forthcoming self release teases a darker, techno edge. She forgoes the light, melodic pads of the past and dives into the depths of a grittier, harder sound. Fernweh, our premiere for today is a slow burner, building tension with every beat. The kicks and spacey textures laying the groundwork for a swelling crescendo of synths later. A moment that would be right gracing any club or dimly lit room, full to the brim with writhing bodies. 

Building on these themes is a 5 track offering titled, ‘Nightwalk’ that will be out soon via Mexican imprint Secuencias Temporales. Between the two releases, it’s a 1-2 punch of deep techno, and breaks that shows off her production chops.

Fernweh will be out on her Bandcamp, the 3rd of October.

@enabofficial
www.instagram.com/enabofficial/

Write up by @huedj

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PREMIERE: ena b. - Fernweh

Jin Synth is a Taiwanese sound designer, producer, and DJ whose name has been a long-time fixture in the London scene. Her artistic delivery is characterised by ambience, experimentation, and a never-settling nature.

This four-track project on Italian label KR3 marks five years around the sun for the label and showcases the distinct yet complementary visions of Jin and Marco Maldarella, and mastered by Peter Van Hoesen. A recipe for success? We think so. "From many strange places and by many strange roads" is the label's message to us on Bandcamp, and this EP ‘The Neural Abyss’ facilitates a new place to explore.

When first attempting to describe this track, I immediately felt it was a calling - a cry for communion, a summons to meet, a pull towards something unfamiliar, somewhere to unravel and understand more, perhaps from within a snowy mountain range? I hadn't yet noticed the title, but it makes complete sense that the track is called "Signal." A signal and a calling are fundamentally similar: a message, which is precisely what this music is.

The sounds funnel us through the deep, spiralling crevices and dark corners of the mountain. The echoes are hypnotic, fuelling this journey. What Jin achieves here is the expression of a route of thought of her own, providing many paths for the listener to interpret as their own and it’s available to pre-order on vinyl and digital now and will be released on Friday 24th October on Bandcamp.

@jinsynth
https://www.instagram.com/jinsynth

Write up by @danpeplow

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PREMIERE: Jin Synth - Signal [KR3 Records]

The fire at the center of the floor was more signal than warmth against the countryside chill. Sparks shot upward into the night as dancers circled around, bodies locked into the pulse spilling from the booth. Above Below Festival thrives on these elemental juxtapositions: a rural valley transformed into a site of intensity, a cocoon-like booth channeling waves of sound that felt larger than the space itself. With every kick drum, the edges of the night blurred, and for hours the crowd existed in a suspended orbit around light, heat, and rhythm.

It was here that Timesplitters, Jake and Pat, took hold. Their set drove forward on cavernous bass, but the force alone wasn’t what bound the floor; it was the shifting mid-range voices, synth lines and melodic sequences mutating like smoke from the fire, wrapping dancers in a narrative of tension and release. They approached the set less as selectors and more as authors, tracing the night with a balance of discipline and wildness. Despite their name, there was no split in time, only the sense of one continuous current, shared in firelight, smiles, and unbroken motion.


https://soundcloud.com/timesplittersmusic
https://soundcloud.com/abovebelowfestival


Write up by @gilleswasserman 

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Delayed x Above Below: Timesplitters

Troll Walk

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.

All of my tracks on Soundcloud are free to download. 100% of my tracks on Soundcloud are my own original works, I don't do covers, arrangements or remixes.  I mainly write melodies, my pieces usually consist of a lot of melodic content and are melody driven. My music is multi-instrumental, I use many different instruments.. Many of my pieces contain more notes than a Pop song, less notes than a symphony. 

I compose music in many genres: Children's, Jazz, Melodic, Ethnic, Space, Halloween, Classical, Southern/Western, Rock. My music encompasses a lot of variety, it is eclectic. All my pieces have been notated, contact me and send me your email address if you want free PDF's of particular compositions. I currently use Sibelius 7.1.3 and Noteperformer. I have been writing music since I was in Junior High School, I have some songs with lyrics, but most are instrumentals. I was in band in High School and College, and I have been a member in several choirs as well.  

Update: I have recently uploaded virtually all of the compositions I have composed since 1997. I have included playlists as part of my offerings, with compositions from many novel genres.

I am open to collaborations with members of Soundcloud.

I have many pieces that are crafted primarily using the Aeolian scale. Some examples include, "Exotic Emerald", "Starlight Vow", "Bard 2 with Violin", "An Evening in Chatham Bay" and "Sacred Turkish Fountain".

I care about music, no matter the source. If you have heard something delightful or outstanding, and wish to share, please suggest it to me.

My compositions have surpassed 423K views on Score Exchange.

I have a profile here: http://www.scoreexchange.com/profiles/masonwright 

I can be found here: https://tunein.com/radio/Mason-Gregory-Wright-p1843848/


Feel free to check these links out...

https://www.earthing.com/

Earthing Movie: https://www.youtube.com/watch?v=44ddtR0XDVU&t=8s

Diego Dirceu, born in Belém do Pará, Brazil, is the name behind the DJ Bakugan project, represents RPC Breaking is a DJ, Producer, Beatmaker and Bboy who seeks to innovate musical genres such as Boom Bap, Breakbeats, House, etc and transform everything in only one".

Known for releasing songs "Carnival" and "Vem" on Spotify and other digital platforms, Bakugan has gained a lot of recognition in his city.

czas, jeżeli wykorzystany poprawnie, to inwestycja w przyszłość, teraźniejszość oraz przeszłość, dotycząca spraw doczesnych.

"passionate keeper of mystic creations
dream designer, briefly conducted fortune of desire.
Hopeful to write and capture some moments of peaceful joy__"

New tracks tagged #Delayed