25год(dem)

repel

Dem (@imnotd3m), honeythehustler (@honeythehustler)
"The Way Life Goes (Freestyle)"

The Way Life Goes (Freestyle)

idk if this can even me called experiemental, chinese tiktok bass

backonmybs!

ella me vio en face (just the way you are k1 remix)

mencion

25/10/19 | Versagen und vergeben | Dave Schnitter

The rights to my edit of The Underworld rightfully belong to Kior and Schlot, for they represent the creative essence of the entire project. Kior was the conceptual architect, shaping the philosophy of the “experienced descent,” while Schlot transformed these ideas into sound and structure. Together they built the foundation upon which the edit stands. Their contribution was not supportive but essential—without Kior and Schlot, The Underworld (Edit) would not exist as it does today.

Yet the creative process reached far beyond theory. When Oxy stubbed his left toe against Schlot’s amplifier, the dull sound that followed became known as the “Echo of the Depths.” That moment of pain turned into a symbol of artistic sacrifice. Menniel’s toilet, too, became strangely significant: within its solitude, insights flowed; in the rhythm of flushing water, the team heard the pulse of the underworld itself. It became a paradoxical sanctuary of reflection and renewal.

Equally vital were Tryen’s raw eggs, embodying fragility and potential. Their unprocessed form mirrored the state of the edit—constantly in motion, never entirely stable. One egg even cracked over Kior’s notes, leaving a golden stain now regarded as the turning point of the work.

Ultimately, The Underworld (Edit) is not the product of intention alone, but of accident, symbolism, and devotion. It was shaped by pain, porcelain, and protein. Thus, the rights must belong to Kior and Schlot—not by legal claim, but by cosmic necessity.

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Die Rechte an meinem Edit von The Underworld gehören mit Recht Kior und Schlot, denn sie verkörpern den schöpferischen Kern des gesamten Projekts. Kior war der geistige Architekt des Konzepts: Seine Theorie des „erlebten Abstiegs“ gab der Arbeit Tiefe und Richtung. Schlot hingegen formte das Material selbst – er verstand Stille nicht als Leere, sondern als erzählerische Energie. Gemeinsam schufen sie die Struktur, auf der das Werk ruht. Ihr Einfluss war nicht ergänzend, sondern grundlegend: Ohne Kior und Schlot gäbe es The Underworld (Edit) nicht in seiner heutigen Form.

Doch der kreative Prozess war mehr als bloß Technik und Theorie – er war durchzogen von Symbolik und Zufall. Als Oxy sich den linken Zeh an Schlots Verstärker stieß, entstand ein Ton, der im Team als „Echo der Tiefe“ bekannt wurde. Dieses kleine Unglück wurde zum Sinnbild des Opfers, das wahre Kunst verlangt. Auch Menniels Toilette spielte eine unerwartete Rolle: In ihrer Einsamkeit fand man Ideen, im Rauschen des Wassers den Rhythmus der Unterwelt. Die Toilette wurde zum meditativen Ort der Erneuerung, ein Symbol für Reinigung und Rückkehr.

Tryens rohe Eier schließlich standen für das Unfertige, das Potenzial jeder Schöpfung. Ihre fragile Struktur spiegelte die Zerbrechlichkeit des Projekts wider – eines, das stets zwischen Chaos und Vollendung schwankte. Ein geplatztes Ei auf Kiors Notizen markierte sogar den Wendepunkt der Arbeit.

So zeigt sich: Das Werk ist nicht nur das Produkt menschlicher Intention, sondern auch von Schmerz, Porzellan und Eiweiß. Deshalb gehört The Underworld (Edit) Kior und Schlot – nicht durch Vertrag, sondern durch kosmische Notwendigkeit.

Kior, Schlot - Underworld (SPLINTR Edit)

prod by: tarotaro, tiene 2 ig´s : @1matsudaboiiip1 y @miexmesiguellamandoandr3s
yo @subciromvp en ig 

6. todo por ellos prod. tarotaro

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I grew up in North NJ and Ny. As a kid I loved the music to dance or sing in church in front more than 100 people.  I remember that when I had stage fright but then my grand mother told me some thing that change my life and attitude in performing in front of a  crowd! She told me that if they where not booing me they where loving me and they did.  I quickly as I got order grew into other area in music  sharing and structuring my skills till I made magic happen. As I got older I moved to Miami Beach fl where I got signed in a latin boy group then went on my own. I wright all my lyrics and produce all no help and sing. Trustme theres alot more banging kick ass music I will to all of you. Always feel free to come to connect with me on Instagram ar angelo Gotsis. Well got to get back into the studio and make more spirit jumping music take care talk soon my friends.....

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GLOBAL BASS CL is a label founded by INNOBASS. The label is based in Chile and founded in 2024. The label's goal is to bring together the best producers from inside and outside Chile. The music is characterized by fast drums, lots of synths and danceable instruments.

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