1984 by George.
From Volume III Side B of the Band of Georges.

Music and lyrics by G. Davies.
Composed 1st January 1984.

Recorded July 1986.
Mixed October 1986.
Lifted from cassette March 2025.

Copyright © 1986 & 2025 Wud Records.
Copyright ℗ 1984 Explicit Music.

Fun Facts:
1984 was actually written on New Years Day, 1984, after hitchhiking home from a New Year celebration.
This is a hard rock song in the key of A.
It was a regular in the set of Wud, who did a very good version of it.
Ken would add some strange vocals from the TV series The Prisoner.
The drum machine was unable to do the six bars of 6/8, so it was turned off and back on again.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-iii-side-b/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Volume III Side B

1984

Downloads

Band of Georges: 1984

Another emotional story wrapped into dance music.


Destiny

'Tears should be viewed as the dross of the world that God wrings from the soul.' Sermon by Fr. John Brucciani on serving God both in principle and in practice, living a life of sacrifice in order to follow Jesus and gain Heaven.

Learning to Love: Sermon on the Third Sunday after Easter



Another kid from my town
buried in the ground
round and round and round we spin
with feet of lead and wings of tin

I gotta get outta here fast
the future looks just like the past
I gotta get outta this place
before it’s too late
and still I hesitate

Another kid from my class
closed her eyes and breathed her last
that’s a song that can’t be unsung
that’s a bell that can’t be unrung

I gotta get outta here fast
the future looks just like the past
I gotta get outta this place
before it’s too late
and still I hesitate

That tyrant sun
above everyone
There’s no escape
from it’s rays
they hold us in place
and choose who leaves and stays
what does it take?
chance, luck, choice, or fate?

Where are the young hearts of gold?
slowing down? growing old?
and for me? it’s destiny!
there’s no escaping that, not for me

I gotta get outta here fast
the future looks just like the past
I gotta get outta this place
before it’s too late
and still I hesitate


Before It's Too Late

What you say when they start to change?
 I adore you.  

What you say when they get so sick they fade away? 
I adore you!

Take not one moment to think. 
Lift up the bowl and drink.

  What you say when they die one day?  
Wanna hear you say I adore you.

  I adore you.

What you say to your face when it starts to age? 
I adore you.  

What you say when your frame does the same and won’t obey? 
I adore you!  

I hear the tolling bells ring. 
Rejoin the choir and sing.  

What you say to your brain when it makes mistakes?  

Wanna hear you say I adore you.  

I adore you.

I Adore You

The spark that feels cosmic. A fast, rare connection that burns too brightly to last, but long enough to change something in you. It felt like the universe rearranged itself for a moment, just for us.

Lyrics: 
We were a moment in time,
hours that felt like endless nights.
We were redefining space and time,
two souls colliding out of sight.

Red string theory never promised forever,
it could have been brief, but still meant something bigger.
I won’t pretend that I understand it,
all I know is—
we were floating in a void of weightless conversation,
maybe we met before on a soul level?
Only honesty, no expectation,
our case should be put under observation.
We might not see each other again—maybe we will,
but either way, we were a rarity.

A microscope couldn't capture our emotions, 
A telescope wouldn't see the grandness of it.
And i might be exaggerating, 
But to me it felt like a commotion 
skin to skin like an explosion 
Yeah there's no doubt we were a rarity.

Maybe we were just momentum,
set in motion by forces unseen.
An action with no reaction,
a collision without a machine.

The speed of light found it hard to reach us,
so we were hard to see— maybe someday, but no wonder,
we were a rarity. 

Lyrics: Adriana Lazcano

Rarity

I was told — twice — that this was a past life connection. And honestly, I already knew. This song is me telling the truth exactly as it felt, with no filters and no metaphors.

Lyrics: 
In Victorian times, I was young and naive,
We made a promise — I wore your ring.
You were a good soldier, brave in command,
A noble heart, but didn’t honor our plan.

You were your mission’s, but you weren’t mine,
I sent so many letters that you left behind.
All those unanswered handwritten letters,
Have just turned into unanswered texts now.

Passed a couple lifetimes,
And now we are here.
Some things are fated,
Guess we made a deal.
Saw your green eyes,
I couldn't resist,
We opened our souls,
We bared our hearts from our sleeves.

Now I get it — now I’m wiser, now I’m stronger.
You need your space, to face your past, 
This time around, I need to be the soldier,
you have your mission, I have mine. 

It was meant to end just like this
A lesson learned, a wound to heal,
Maybe we didn't start a big fire, 
but the spark was very real. 

Not going to lie, I wished to ride with you into battle,
But it's yours to fight — and love’s threads unravel.
Hope I'm a light in your memories saddle,
To me, you're a soldier on a horse bound for travel.

Lyrics: Adriana Lazcano

Soldiers

It begins with a shriek — not of pain, but of resurrection. Jani Kaunis is back, clawing his way through the static with a howl that splits the frost.

Kothalon Rummut doesn’t ask for your attention — it takes it, with teeth bared and drums pounding like hooves across frozen ground.

This is the sound of revenants running. Fast. Unyielding. As if the grave spat him out too soon.

Where Tappava Tie trudged through sorrow and shadow, Kothalon Rummut is pure pursuit — rautalanka with a war cry. The guitars churn like rusted engines, Puukot flashing in rhythm, while the beat drives forward like something that refuses to stop — or be stopped.

It’s vivid. It’s violent. It’s vital.

Jani Kaunis didn’t survive. He escaped.

The gospel now runs faster than death.


Kohtalon Rummut

My Destiny (Feat. EQ, Reloh) prod. Hocii 808

🚨 Follow the 'Hardstyle Daily' playlist: www.dirtyworkz.com/spotify



Free Download

Fraqtion - Destiny (DWX Copyright Free)

The Society of St. Pius X is an international priestly society of common life without vows, whose purpose is the priesthood and that which pertains to it.
 
The main goal of the Priestly Society of Saint Pius X is to preserve the Catholic faith in its fullness and purity, to teach its truths, and to diffuse its virtues. Authentic spiritual life, the sacraments, and the traditional liturgy are its primary means of bringing this life of grace to souls.

Matt Spaceship sounds like the zeitgeist and the vintage and the idiosyncratic and the tawdry.  

Like Tom Petty and Billie Eilish sharing a 24 ounce mango White Claw.  

Like Post Malone if he locked himself in a garden level studio apartment with only the complete works of Leo Tolstoy, season 2 of Buffy the Vampire Slayer, and an acoustic guitar.

Like the Arctic Monkeys after three scoops of fruit punch flavored pre workout mix.

Like if you took the cover of Harry Potter and the Goblet of Fire and put the text of The Year of Magical Thinking by Joan Didion inside it.

Like if the first MGMT album and the first Coldplay album were in a throuple with a framed photo of Fran Drescher in the Nanny.  

Like Third Eye Blind if they were born in 2007 and designed Fortnite skins to supplement their streaming income.

Pop hooks that exceed Earth’s escape velocity. Gritty lyrics that’ll make you refill your beta blocker prescription. Simple beats and clean production that fits on with an arthouse film playing at midnight at the Angelika or on a Twitch stream. And that’s the gospel truth. Turn it up.

Press and praise for Matt Spaceship

‘Cro-magnum jock jams…the most uniquely unlikeable songs of this (or any) year’ - from Pitchfork’s first ever negative score review

‘He sounds like a beta cuck.’ - The Joe Rogan Experience

‘We go high when they go low. We listen to Matt Spaceship when they listen to Machine Gun Kelly. -Michelle Obama

‘LOO HOO SA HERRRR’ - Ace Ventura

‘I’m convinced these are the only songs I'll ever need for the rest of my life.‘ - from Pitchfork’s revised, perfect score review for the ten year anniversary deluxe reissue

‘Not what we sent you to college for.’ - my mom

Storytelling Electronic Music.
Elektronische Tanzmusik zum Anhören und Genießen.
Tanzen natürlich auch erwünscht 

****
Live Creatively,
Honor Technology,
Love Nature
****

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New tracks tagged #Destiny