The Children’s Health Insurance Program (CHIP) plays a critical role in providing affordable health coverage for children in families that earn too much to qualify for Medicaid but cannot afford private insurance. CHIP ensures that children have access to necessary medical care, including routine checkups, emergency services, vaccinations, and dental care. One of the key factors in determining eligibility for CHIP is household income, and these limits can vary from state to state. Below is a detailed breakdown of the income limits for CHIP eligibility.

1. General Income Limits for CHIP

Each state administers its own CHIP program, and while there are federal guidelines, the income limits for CHIP eligibility are primarily determined by state governments. In general, CHIP is available to families whose income is too high for Medicaid but still falls within a certain range of the federal poverty level (FPL).

Typically, CHIP covers children in families with incomes up to 200% to 300% of the federal poverty level. This means that families whose annual income is two to three times the FPL may qualify for CHIP, depending on the state’s specific rules. However, some states have expanded their CHIP programs, offering coverage to children in families with higher incomes.

2. Federal Poverty Level (FPL) Guidelines

The FPL is a key metric used to determine eligibility for many government assistance programs, including CHIP. The FPL is updated annually, and it varies based on household size and geographic location. For example, the FPL for a family of four in 2024 is around $30,000. This means a family of four with an income at or below $60,000 (200% of the FPL) may qualify for CHIP in states with a 200% FPL income limit.

However, income limits can go higher in states with expanded CHIP programs. In some states, families can qualify for CHIP with incomes up to 250%, 300%, or even 400% of the FPL. For example, a family of four in a state with a 300% income limit would qualify for CHIP if their income is around $90,000 annually.

3. State Variability in Income Limits

Each state has the flexibility to set its own income limits for CHIP, and they can adjust these limits to reflect the economic conditions and needs of the population. Some states have expanded CHIP to include a broader range of income levels, while others may have more stringent income thresholds.

To help clarify, here are some examples of income limits in different states:

California: In California, CHIP covers children in families with incomes up to 266% of the FPL. This means a family of four with an annual income of approximately $85,000 may qualify for CHIP coverage.


Texas: In Texas, the income limit for CHIP is set at 200% of the FPL. A family of four in Texas may qualify for CHIP coverage if their income is less than $60,000 annually.


New York: New York has a higher income threshold, with CHIP coverage available to families with incomes up to 400% of the FPL. A family of four in New York could qualify for CHIP if their annual income is around $120,000.


4. Income and Family Size

It’s important to note that income limits are typically based on family size. The more members in a household, the higher the income limit for CHIP eligibility. For example, a family of four may have a higher income threshold than a single-parent household with only one child.
Income limits are calculated by considering the gross annual income of all household members, including wages, benefits, child support, and other income sources. States may use this information to determine whether the family meets the eligibility criteria.

Income Limits For CHIP Eligibility: A Detailed Breakdown

Detailed & Damaxy  (Ft. Mc Barrigade) - Full Classified Tool

Check out the full lyrics here: https://docs.google.com/document/d/1x-HQ1moZDSfqoEEgS5XUWLJTAoc_tn_Aox3Rk0NqOkY/edit?usp=sharing

Autoclave Abyss is a harrowing epic of corporeal and societal collapse, blending confessional rage with allegorical critique. Structurally, it mirrors the healthcare system’s cyclical violence: the first half diagnoses the disease (profit-driven care), while the second half autopsy reveals metastatic corruption (familial ruin, legislative complicity). The song’s title metaphor—an “autoclave” sterilizing truth—encapsulates its core tension: institutions that cleanse themselves of accountability while infecting patients with debt and neglect. Recurring motifs—pharmaceutical predation, algorithmic dehumanization, and spiritual bankruptcy—paint healthcare as a Gothic horror where bodies are “franchises” and pain is a “stock ticker.” The narrator’s transformation from “naive” teen to “cadaver with a pulse” mirrors capitalism’s consumption of innocence, with medical jargon (“prior authorization,” “ICD-10”) repurposed as poetic weapons. Stylistically, the lyrics fuse hip-hop bravado with slam poetry’s rawness, using internal rhyme (“cha-ching”/“abyss”), alliteration (“Profit’s the pulse in this noose”), and cultural references (Sacklers, Pfizer) to bridge personal and political. The chorus’s anaphora (“Autoclave Abyss”) becomes a liturgical dirge, mourning both individual and collective death. Ultimately, the song is a eulogy for the Hippocratic Oath, reimagining healthcare as a dystopian liturgy where healing is heresy, profit is sacrament, and the only cure is systemic annihilation.

Autoclave Abyss

Check out the full lyrics here: https://docs.google.com/document/d/1x-HQ1moZDSfqoEEgS5XUWLJTAoc_tn_Aox3Rk0NqOkY/edit?usp=sharing

You can also check out the full, 16-or-so minute song here (I highly recommend): https://soundcloud.com/spiffyspitz/autoclave-abyss-uncut

The second half escalates the critique into a broader societal indictment, weaving familial and systemic collapse. It expands beyond individual suffering to depict generational debt—a brother’s hair sold, a niece’s college fund drained for IV drips—framing healthcare as a “hostage” crisis where love becomes a “down payment on a hospice bed.” The bridge’s corporate monologue (“Q3 profits need a 20% infection spike”) explicitly links Pharma greed to legislative complicity, while verses delve into opioid epidemics (“OxyContin’s safe!”) and alternative medicine scams, exposing holistic healing as a hollow capitalist ploy. The narrator’s deterioration—now a “Zoloft zombie” and “biopsy punchline”—mirrors systemic collapse, with medical jargon (“autoimmune civil war,” “CT’s a Rorschach test”) weaponized to obscure accountability. The post-chorus and outro amplify existential dread, reimagining death as a transactional afterlife (“Heaven’s HMO denies my soul’s claim”) where even corpses are monetized (“ashes sold as dietary supplements”). Dental neglect and GoFundMe despair ground the surreal in visceral reality, while digital metaphors (“NFT health portal,” “blockchain biopsy”) critique healthcare’s dehumanizing technocracy. The second half’s climax—a morgue tag as a “barcode,” autopsy as a “sales pitch”—underscores the system’s reduction of life to data and profit, leaving the narrator a “glitch” in the machine.

Autoclave Abyss (2nd Half)

Check out the full lyrics here: https://docs.google.com/document/d/1x-HQ1moZDSfqoEEgS5XUWLJTAoc_tn_Aox3Rk0NqOkY/edit?usp=sharing

You can also check out the full, 16-or-so minute song here (I highly recommend): https://soundcloud.com/spiffyspitz/autoclave-abyss-uncut

The first half of Autoclave Abyss establishes a visceral, dystopian critique of the American healthcare system through a lens of personal and systemic decay. The narrator’s journey begins with a disillusioned reflection on the Hippocratic Oath’s betrayal, framing their body as a commodified entity—veins as ATMs, pain as a “cash register’s cha-ching”—juxtaposing innocence (“blue cross meant angels’ wings”) against the grim reality of insurance bureaucracy. Metaphors of medical exploitation proliferate: the body becomes a “EULA” (End User License Agreement) where profit supersedes care, while diagnoses like “conversion disorder” and “idiopathic” critiques the system’s gaslighting of marginalized pain. The bridge’s sarcastic dialogue (“Have you tried essential oils?”) satirizes dismissive, profit-driven care, while the pre-chorus contrasts childhood medical simplicity with adult financial ruin, lamenting healthcare’s shift from compassion to “hedge fund theology.” The chorus, “Autoclave Abyss,” serves as a refrain condemning sterilization of truth—hospitals as sterile, dehumanizing factories where profit “pulses” like a noose. The first half’s imagery—phantom joints, MRI glows, and sepsis fever dreams—paints a visceral portrait of physical and financial erosion, blending corporeal decay with institutional rot.

Autoclave Abyss (1st Half)

Yoo Guys!

After the succes of the 2024 warmup mix and with the festival season about to kick off, we're bringing you a brand new 𝗪𝗔𝗥𝗠-𝗨𝗣 𝗠𝗜𝗫 exclusively for 𝗥𝗘𝗕𝗶𝗥𝗧𝗛 𝗳𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝟮𝟬𝟮5.

This set is packed with fresh edits, mashups, and tracks from artists who are gearing up for REBiRTH. So enjoy the warm-up mix, and of course, get ready to dive into the first festival of the year this weekend.

𝗧𝗥𝗔𝗖𝗞𝗟𝗜𝗦𝗧:
1. Obliviouz & Lethal - KLAPLONG BABY
2. Unload - Get the frick
3. Adjuzt - Red Lips (Lethal kick edit) (Rebirth edition)
4. Revelation - Amplify
5. Adjuzt - YoU'rE nOt OriGiNaL
6. Infliction - Spectrum of Spoontech (Live edit)
7. Obliviouz & Lethal - SO HIGH 
8. Dj jean - The launch (Coldax remix)
9. Sanctuary & Unload - NARCOTIX
10. Lethal - INFLICTION MASHUP
11. Obliviouz - B.A.D.
12. Detailed & Damaxy - Oldschool
13. Sparkz & Unload - Hustle
14. Mutilator - Nightmare
15. Omnya, Bmberjck & MC Activate - Doomsday machine (Lethal's Bmberjck only mashup)
16. The Smiler & Infliction - HURT 'EM
17. Vasto - Cyber Crime
18. Chapter V, The Smiler, Repeller, Infliction, Faceless, Mortis, Posyden & Barricade - Spoontech Society

Make sure to follow us on our social media channels!

𝗦𝗢𝗖𝗜𝗔𝗟𝗦 𝗢𝗕𝗟𝗜𝗩𝗜𝗢𝗨𝗭 --> linktr.ee/obliviouzofficial
𝗦𝗢𝗖𝗜𝗔𝗟𝗦 𝗟𝗘𝗧𝗛𝗔𝗟 --> linktr.ee/lethal_raw

REBiRTH FESTIVAL 2025 - WARM-UP MIX | OBLIVIOUZ VS LETHAL

Hey Guys!⚡

With this very first episode we start our monthly crafted, up to 30 mins long podcast series, fueled by raw power of promising, uprising artists across the scene! 

Sit back, grab your weights and enjoy!


Tracklist:
01 Kazan - Up In Flames
02 Revizion - Paradise
03 Asow & Milski - Kickdealer
04 Experion - Mainframe Malfunction
05 Escarage - ID
06 D-Venn & Incult - How We Can Bind
07 Katalyze - KATAKLYSM
08 Outlined - LIGHTS
09 Axwell Ingrosso - Reload (Sonicz Bootleg)
10 UNEX & Redapt - Bounce To This
11 Fracture - Decibel Tool (Escarage Cut Mix)
12 Detailed - B.O.M.B.
13 XCEPTER - DVSTD BASS
14 Gusion - Never Wanted This
15 Damaxy & Unique - Your Darkness
16 SVANE - SOLDIERS
17 Redhot - ZOMBIE NATION (Escarage Edit)
18 Chapter V & Infliction & The Smiler - One By One
19 XRTN - Trip To Fantasy (Exoform Edit)
20 Storah - Gasoline (Escarage Cut Mix)
21 Re-Solve - BTFU (Escarage Cut Mix)

RageCast #001 by @ESCARAGE

the spark which escapes is a solo piano piece dedicated to the North Macedonian dramatist and screenwriter, and my former colleague and friend, Goran Stefanovski. He died suddenly in 2018; ‘The Spark Which Escapes’ was the title of a keynote speech that he delivered to the International Federation for Theatre Research Conference just before his death, and which took on a new meaning for those of us who knew him after that time. In a presentation on ‘Teaching the Unteachable’ in 2015, Goran claimed that, ‘Art is the politics of the Impossible’ and that, ‘only the impossible is worth teaching’. While not a pedagogic piece, I hope that this music captures something of Goran’s concept of impossibility, here rendered as indeterminacy, and as brief spaces between the musical utterances. 

The music of this piece is much influenced by the piano piece More Light (1987-8) by Christopher Fox, and by Ian Pace’s performances of that piece, as well as the later piano works of Morton Feldman and their interpretation by the pianist Philip Thomas. These influences do not represent Goran’s musical tastes — he was well-known for his enjoyment of 1960s rock music — but rather the sounds that sounds that were meaningful to me as I considered writing a piece in memoriam of him. LR


Lauren Redhead, the spark which escapes (live at KM28)

The rawstyle mix expressed my trip to Australia.

Tracklist:
01 Anderex & DEEZL ft. Teal - Echoes of The Journey (Gearbox Australia 2025 Anthem)
02 BMBERJCK - Wii Klaplong
03 A$AP Rocky ft. Skepta - Praise The Lord (D-Sturb Bootleg)
04 Detailed - B.O.M.B.
05 Ncrypta & Fraw - Omega
06 Delete - Lunatic
07 Adjuzt - DR_GS
08 Exproz & Regain - Where U At
09 Revelation & Invector - Wanna Know
10 Anderex - Simulation
11 Neon Future - Cyberself
12 D-Sturb - Disruption
13 Required - Rebirth 2025 Tool
14 Cybergore - Nightmare Engine
15 The Straikerz - Jackpot (Live edit + MBK Kick edit)

Oddz 'n Endz #01 - The Afterglow of My Trip to Australia-

Nothing Was The Same Part2 ProdByKeyserSoze instrumental 

Jadakiss kind of instrumental - made with educational purpose
if you jackin me! you rockin with the best


All Mixing &  Engineering done By Keyser Soze
CONTACT: koreanscorpionblk@gmail.com
Instagram: @almightymondaymemes
All I ask is To keep (TAG'S) ON! in the Intro if you want to use! 

Nothing Was The Same Part.2 ProdByKeyserSoze

Solo raw / Xtra raw artist from scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿 
Record label - N/A

If your looking for a label to take you seriously or a A&R to realize that your a artist look no further I’m just pure musical talent, if your looking for the best instrumental’s producer or musician who knows what a crowded room wants to listen to or a movie that’ll need brighten scores or looking for beats or just commercials that we see on advertising today… there’s no question on how far I can take it… I can supply HQ instrumentals
All I ask is to keep my TAGs on the introductions if you want to use. I also do my own engineering & mixing!

𝐼'𝑚 𝑜𝑛𝑒 𝑜𝑓 𝑂𝐷𝐷𝑆 & 𝐸𝑁𝐷𝑆.
RAW HARDSTYLE DJ
HYPERDRIVE w/ Aitnim
Bookings: Send me DM on Instagram👇
Instagram: https://www.instagram.com/djoddzmusic?igsh=aXJzMTBheHczOXln&utm_source=qr

Hi! I am Elena Diego, an expert in the Insurance Industry and I have been working in this Industry for the last 5 years. I am not the owner of the content which has been published here. This content is only for knowledge purposes. This content belongs to the respective owners and I do not hold any right for this content.

🎧 ᴅᴊ & ᴘʀᴏᴅᴜᴄᴇʀ | ʀᴀᴡ
✉️ ʙᴏᴏᴋɪɴɢꜱ | 𝙳𝙼
🚀 All my Links ⬇️

I like to make music and help my fellow artists! I encourage you to check out those I'm following as well!

New tracks tagged #Detailed