LOVERS

Hotel i de eigete Stadt

(F*ck) ines paar Jahr

Muhammad Ali

Jung

Nur du und i

Schweinebraten

„Herzras’n pur“ – ein wienerischer Indie-Track zwischen Schmäh, Selbstironie und innerem G’wurl. Es erzählt von der Krise im Bauch statt von Schmetterlingen, vom nervösen Herzrasen, wenn Gefühle ins Spiel kommen. Ehrlich, roh und mit Humor – geschrieben und kreiert von KAT, produziert im Stil der Wiener Seele.
👉 Mix/Master: Marol

“Herzras’n pur” – a Viennese indie track blending irony, humor, and inner chaos. It tells about the crisis in the belly instead of butterflies, about the nervous heart-racing that starts the moment feelings are involved. Raw, honest, and witty – written and created by KAT, produced in the spirit of the Viennese soul.
👉 Mix/Master: Marol

Herzras'n pur

Wem jehürt die Welt (feat. Peter Brings)

Wind der Zeit

Wind der Zeit (Live)

Ringeraka Danz

Im Echo vo der Zeit

Im Echo vo der Zeit (Live)

Steh am Rand vo da Welt

Steh am Rand vo da Welt (Live)

Zeit is blooß a Ringa

Zeit is blooß a Ringa (Live)

fastelovenDJ (Bum Bum)

Ihm Frangnland

I bin so narrisch aff dieh (Live Atelier dreizehn)

Dehr ohne Lachs (Live Atelier dreizehn)

Ihm Frangnland (Live Atelier dreizehn)

Ess iss Guad (Live Atelier dreizehn)

I am KAT — poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause — it asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury — it is breath.

It began with words — spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others —
turning poems into sound,
shaping collaborations that were fearless and alive.

Some of these “others” are human,
some are digital —
AI tools like Suno become instruments in my hands,
responding to tone, language, and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation — it is extension.
It allows art to reach beyond skill and structure,
into pure intention and consciousness.
It is not a replacement for the human —
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself —
the breath between words,
the shimmer of awareness beneath the audible.

And from that stillness grew Play Life —
a living practice of sound and being.
Not studio, not stage — but life itself as instrument.
Breath, movement, sunlight, wind — all part of the music.
It’s where art and existence merge,
where I no longer make sound — I live it.

And now, with The Art of Living,
my work turns inward again —
toward light, embodiment, and the gentle wisdom of simplicity.
It’s the space where spirituality meets earth,
where sound becomes devotion,
and silence becomes art.

And from this devotion grows the Haiko Harf Series (俳子) —
child of poetic play, sound of light, heart of poetry.
Here, words become air,
music breathes through silence,
and listening itself turns into art.

Each piece is a quiet dialogue
between harp, breath, and stillness —
a meditation on what remains
when nothing needs to be said.

Not algorithmic — just alive.

I make what feels true.
I listen to silence.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
https://katpoetryvoices.gumroad.com/

#KATseries #SocialVirtues #QuietExperiments #PlayLifeSeries #ArtOfLiving
#HaikoHarfSeries #俳子 #poetry #spokenword #ambient #experimental
#quietimpact #listeningart #presence #livinglight

New tracks tagged #Dialect