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&#8220Purchase a ticket for a chance to win a rosy-cheeked little one. Ladies particularly welcome.&#8221With precise, breathtaking prose and hints of magical realism, Ruth Talbot tells the tale of three orphans as they crisscross the country in the 1930s, riding the rails, chasing the harvests, and stealing when they must. Their destination is always the same: survival.Teeny, Sonny Boy and Vic have been swallowed up by the desperation and devastation of the Great Depression, but the trio is buoyed by the fantastical tales Teeny weaves around campfires in hobo jungles and migrant camps, including the story of the raffle baby.As the three navigate the ravages of poverty and prejudices, they form a family bond as strong as the forces against them. But when a solemn pact fails to protect them, their lives are forever changed. And Sonny Boy is left to tell their story, and his own.Both heartbreaking and uplifting, The Raffle Baby examines the intersection of love, loss and resilience,

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*Rev. Dr. Nancy Wilson, author, Moderator of the Universal Fellowship of Metropolitan Community Churches UFMCC:Marsha Stevens tells the story of her encounter with the living God in the passionate days of the Jesus movement - a story that led her to trust the God who made her, and called her, ultimately, to claim her identity and mission as a Born Again Lesbian! This is a story of two movements, a world-class hymn, and the powerful intersection of grace, identity and calling. The faith that birthed "For Those Tears I Died," eventually birthed "Free to Be," and so much more. From the almost surreal accounts of founding "Children of the Day," and ministering with celebrities in the global Jesus movement concerts, to the humblest of venues, Marsha is courageously authentic. She is the "mother of contemporary Christian music," who was at the very center and then driven to the margins. A prophetic poet and lyricist, she never stops reaching out to those who are not sure they can trust God, church or themselves. Her message, is, always, "of course you can!" Of all the things that live on after us, Marsha's music may be what best captures all that we tried to be and do for our community.
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*Rev. Freda Smith, clergy person who performed the first U.S. same-sex wedding conducted with a government-issued civil marriage license in Denver, Colorado for Richard Adams and Anthony Sullivan in 1975. The marriage is still listed on the Colorado Bureau of Records website:For Those Tears I Died by Marsha Stevens-Pino is a must-read autobiography by an uniquely- gifted songwriter and artist whose music and ministry has touched and changed our world. My church loved Marsha's music long before she entered MCC. She was a spiritual rock star in the Evangelical Christian world, a global traveler who appeared with the contemporary "greats" of the time. I give Marsha credit for being a positive factor in the growth of Sacramento MCC. Music does build the church. Marsha's book, For Those Tears I Died, goes behind the scenes, beyond the glitter of public appearances and acclaim, to introduce us to a very deep and real survivor who by the power and grace of her faith has overcome.
"That spark that would not die was You, that strength to finally grieve,
The faithfulness to feel the pain, yet still believe..."
 ---
 *Rev. Elder Troy Perry, pioneer civil rights activist, Founder of UFMCC - the largest LGBTQ organization in the world: I consider Marsha a colleague and one of my closest friends, but she is also a pioneer in her own right. One thing quickly learned by any pioneer is that there is no one there to cheer when you arrive. Marsha has forged a path for hundreds of Contemporary Christian Music artists and thousands of wounded Christians to find their way back to a personal relationship with Jesus Christ. I've ministered with her in four countries and watched her music and storytelling lighten hearts, open eyes, and spark recognition of the presence of God's Holy Spirit in people who thought they would never feel that spark again.Reading her story reminds me of the passion of those years of the Jesus Movement and the legacy that Jesus music left for us. I didn't meet Marsha until a few weeks after she came out as a lesbian Christian, but I knew of her music and recognized her the first time she walked into a church where I was preaching. I knew from that moment that the path would be smoother, the way more clear, and the truth more accessible to the LGBTQ community we were both committed to reaching. She paid the price before anybody else in the Christian music world and I will never forget it.
And I knew without any doubt, as I told her that night, that she had come into the realm of God for just such a time as this.


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