Next on Extended Records we’ve got our very own Diogo with a new EP dedicated to his friendships: EXT036 - Diogo - “Eu Adoro Os Meus Amigos!”.

Standing for “I Love My Friends!” in PT this EP includes a series of drum-packed tracks, with very simple structures, and heavy on the bass side, ready to shake those dance floors! The EP comes with remixes from Lisbon’s finest BLEID and Velvet Skin (the electro alias of techno head VIL).

The EP will be out on September 20th and you will read and hear more about it very soon! It will include some very limited Dubplates PRE-ORDER ONLY, as well as a cute collab for merch, with the handmade candle brand “Pyra”!

Keep both eyes open for this one! 👀 EXT036 - Diogo - “Eu Adoro Os Meus Amigos!” OUT SOOOON on September 20th!

https://discosextendes.bandcamp.com/album/eu-adoro-os-meus-amigos

https://soundcloud.com/discos_extendes

Eu Adoro Os Meus Amigos!

PREMIERE: Diogo - Caga! (Velvet Skin Remix) [Discos Extendes]

FABZ's debut EP on Extended Records consists of two simple tracks. “How It Feels” is a house roller, driven by a very “deep” bass, which develops around some vocal hooks. Here there is a clear aesthetic
contrast between a certain melancholy present in the first part of the song and an emotional crescendo, somewhat inspiring, that appears in the second half. Maybe like someone taking a deep breath, gaining strength to move forward after a huge heartbreak.

“Coming Home” is an R’n’B hit, which combines a ravy and breakbeat aesthetic with the sensitivity of The F Libra’s lyrics, in a style that may remind us of some George Riley songs. Here too the theme is that of overcoming, and about a healing process... but an overcoming that will only be done in that comfort allowed by returning home. Two hot, tender and emotionally charged tracks.

The remixes are handled by Diogo, who elevates “Coming Home” to a rave anthem, with everything that it implies: strong sub-bass, sliced breaks, rave stabs, (you name it!)... and ALVVA, the producer and DJ born in the Basque Country and based in Barcelona, resident of the mythical club Razzmatazz. In its muscular and super functional version of “Coming Home”, ALVVA also uses ravy elements but which here are presented in a more stripped-down way and reduced to the essentials, impressing with its balance and pressure, which ends up creating the necessary effectiveness for the ecstasy to unfold, on the dance floor.

https://discosextendes.bandcamp.com/album/how-it-feels-coming-home-ft-the-f-libra

https://soundcloud.com/fabzforeal
https://soundcloud.com/diogosvp
https://soundcloud.com/extendedrecords

How It Feels / Coming Home ft. The F Libra

PREMIERE: FABZ - Coming Home ft. The F Libra (Diogo Rave Mix) [Discos Extendes]

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* Read more: https://boltingbits.com/diogo-aquecendo-discos-extendes
* Listen on Youtube: https://youtu.be/hbmrYE8LSyo
* Pre-order: https://discosextendes.bandcamp.com/album/saudade-das-raves-a-que-n-o-fui

Diogo is opening 2025 with a blast with “EXT038 - Saudades das Raves a que Não Fui...” (loosely translatable to "Lost Rave Nostalgia”)

These four tracks summon the golden-age of Rave culture in the early 90’s, where forward-thinking sounds and free parties tore down boundaries of class, culture and identity. An homage to a period where dance culture was at the centre of a radical social change, realising itself as a form of communal cultural resistance. Through these tracks, Diogo channels these dreams and his own desires to somehow have been a part of it all... Sampled Breaks, heavy basses and dance floor euphoria guaranteed!

“Aquecendo” warms up any dance floor filled with hungry ravers. An exercise in breakbeat science laid on top of a hot and heavy bassline, with a minimal but detailed atmosphere. Guaranteed party starter.

“Break It!” has an infectious beat, almost recalling an early Prodigy track. We hear the faint sounds of ravey synths or the shouts of an MC in the distance, evoking faded memories of raves past.

“Londres Chama” speeds up the tempo and brings in some four-to-the-floor moments. We also get some samples of classic MC chatter spliced with ecstatic female vocals.

“Danos Menores” wraps up the EP with a bouncy heater. Starts off chilled-out and playful, but gets serious once the Amen breaks start rolling in.

“Saudades das Raves a que Não Fui...” feels like a blend between hazy memories of raves past and dreams of raves we didn’t go to, but that feel just as real.

PREMIERE: Diogo - Aquecendo

Who would have thought... After 16 years since he started his career as a DJ, Gonçalo aka Terzi is now taking his first steps into production! With an easy smile and contagious good humor, his love for House is well known by everyone. Hence, it is more than natural that, when he finally decides to sit down in the studio with Diogo to produce, the result is exactly that: House. “Podia Ser Melhor” (PT for “it could be better”) is an EP that does justice to Gonçalo’s personality: honest, direct, sunny music with hints of naive genius, which come out as naturally and spontaneously as he grabs the mic to sing.

The first track “Estamos Na Pista” is an immediate hit. Classic house with nervous snares, tied to a heavy kick and bass, with a laid back vocal, reminiscent of some Portuguese pop hits from the 90s, and reflecting the most prosaic of passions on the dance floor (Dr. Sax or Bamboo Beat, “rings a bell”?).

The second track, “Bem Disposto” starts at a faster pace and immediately tests Gonçalo’s Hip Hop skills. Those who know him know that he missed out on a glorious career in the genre. If “Fetra” had discovered these skills early on, we would certainly have seen a feat with Iguanas by now... Catchy and rhythmic hooks and simple themes, taken from the banality of everyday life, reflect the positivity and lightness with which he faces each day... All this before the switch that happens by the middle of the track, and which quickly transforms it into some acid madness, driven by a “sampled” break and with some rave stabs in the mix.

A light and sunny EP, with a celebratory tone, ready to bring countless embarrassed smiles to the dance floor, from those who have found themselves in these situations a thousand times. Could it be better? It could. But it certainly wouldn't be half as fun!

Buy it here:
discosextendes.bandcamp.com/album/podia-ser-melhor

PREMIERE: Gonçalo - Bem Disposto [Discos Extendes]

EXT 041 - Bass Stuff marks the debut of Dun Dun, a new alias of Portuguese producer Diogo Vasconcelos. The EP brings out a new side to Diogo's music: marked by timbral richness and an elaborate programming of percussion sounds, it draws some of its inspiration from the worlds of Gqom and Dancehall. Closing the EP, Bristol-based Pluralist (Club Djembe, Pressure Dome, Tratratrax) remixes "Abambo" and transforms it into a luminous bomb for the dance floor.

https://discosextendes.bandcamp.com/album/bass-stuff

https://soundcloud.com/discos_extendes
https://soundcloud.com/diogosvp

PREMIERE: Dun Dun - Bass Uppers [Discos Extendes]

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* Read more: https://boltingbits.com/dun-dun-abambo-discos-extendes
* Listen on Youtube: https://youtu.be/b8jdF7ZjqzI
* Pre-order:  https://discosextendes.bandcamp.com/album/bass-stuff

EXT041 - Bass Stuff, marks the emergence of the most recent alias “Dun Dun”, by the Portuguese producer Diogo Vasconcelos.

Essentially marked by timbral richness and an elaborate programming of percussion sounds, “Bass Stuff” draws some of its inspiration from the worlds of Gqom and Dancehall.

“Bass Uppers” and “Abambo” make up the first part, where the references to Gqom are more evident, ending up being almost like two versions of the same song, where the same elements are articulated in different ways, taking into account the tempo over which they are built upon.

“Can’t Stop” and “Get Them!”, find themselves more inspired by the slow and warm rhythms of Dancehall, without ever leaving aside the sonic palette that structures the entire album, and which is also built around a somehow dark atmosphere, and where voice samples are predominantly used as rhythmic interjections.

The EP closes with a bombastic remix by Will Bowen, aka Pluralist. Picking up “Abambo”, he removes it from any kind of inhibitions and transforms it into a luminous bomb for the dance floor, completed with a section featuring triplet kicks. Maximum respect for this artist! Just hoping that Dun Dun’s release will be able to do you justice.

PREMIERE: Dun Dun - Abambo

Buy on Bandcamp: https://tinyurl.com/4tt4ff9v

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https://soundcloud.com/l-eese
https://soundcloud.com/ravlsncld
https://soundcloud.com/discos_extendes

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Buy on Bandcamp

PREMIERE: Leese — Astrakka feat. RAVL [Discos Extendes]

We met @l-eese at Listen Festival in Brussels. We were already playing her tunes on @yukumusic for some time, but it was her Live show that really throw us off our seats. We went to giver props after the show and our vibes just clicked. “—Hey, we saw your gig, and it was amazing! We danced our legs of!”, we said. “—Yeah! I saw you!”, she said with a smile. That’s all it takes.

Leese is a Brussels-based producer and DJ who’s been getting buzz for her sound - rooted in Bass Music and pulling percussive influences from breakbeat and tribal.

“Aasma” draws from Drum & Bass, fast Electro and Deconstructed Club. 3 intense tracks of fast broken beats with vocal samples and sprinkles of melody “Aziza” starts with a jackhammer-like rhythm over a half- step beat, before a wailing siren and sprinkles of Baile Funk vocals take over. “Sarma” has a more subdued and hypnotic feel that builds into a rush of trance-y synths. On “Astrakka”, Leese collaborates with @ravlsncld to produce a 145 BPM banger, with heavy rolling kicks and metallic percussion.

“This EP feels a little special. Slowly but surely, I’m finding my way back to more melodic, more “musical” vibes, and that’s the spirit that shaped this project. It also marks my second collaboration with my friend RAVL—a creative connection that keeps evolving and surprising me.”

- Leese

releases May 23, 2025

Pre-order: discosextendes.bandcamp.com/album/aasma

PREMIERE: Leese  - Aziza [Discos Extendes]

After a foray into Bass Music under the pseudonym Dun Dun, the captain of Extended Records returns to the breaks and this time with his foot on the throttle! “Paranóico” is an EP composed of two Jungle- influenced tracks, deeply imbued with the spirit of rave. Booming 808s, acid lines, edgy breaks, rave stabs… and vocals from an anonymous Kuduro MC! An explosive mix always around 160BPMs!

“Bateu Bué” insists on a 4/4 beat and a progressive acid line that opens up as the theme develops. Meanwhile, a vocal in Portuguese announces that “Ele voa! [He flies!]” Who is he? You ask yourselves. Answer: “O mais louco do planeta! [The craziest man on the planet!]”

“João Botelho (O Melhor Bailarino do Mundo [The Best Dancer In The World])” is a song whose title pays homage to the most iconic dancer on Portuguese dance floors. Junglish madness, with vocals ripped from an also iconic Youtube video and a distorted 808 driving the adventure. “Ele é louco! [He’s crazy!]” Shouts a voice. “O melhor bailarino do mundo! [The best dancer in the world!] Names another one. Diogo must be crazy for this mad crossbreed! Now, the best dancer in the world, that one, we all already know who he is.

These tracks are joined by two remixes from two emerging talents on the Portuguese scene. Mandacaru signs a remix of “Bateu Bué” transforming it into a kind of Ambient Jungle dream, without any intention of recollecting the OST of Unreal Tournament 2004, produced with a mastery and elegance that is not abundant nowadays.

Carolina Miragaia, on the other hand, time stretches the breaks present in “João Botelho (O Melhor Bailarino do Mundo)”, extracting a jazzy and downtempo version from it… But this is only halfway through the song, since she immediately returns to the original speed of them to show us that she also knows what to do with breaks at 160BPMs. In the background, the vocals remain distant, reaching us filtered between many reverbs and delays.

Two remixes that take us back to vague memories of raves, with a kind of nostalgia for those who have never stepped foot on the dance floors where those took place. Without a doubt, two names to take into account for the future of Portuguese electronic music.

https://discosextendes.bandcamp.com/album/paranoico

https://soundcloud.com/discos_extendes
https://soundcloud.com/diogosvp
https://soundcloud.com/carolina-miragaia

PREMIERE: Diogo - João Botelho (O Melhor Bailarino do Mundo) (Carolina Miragaia Remix) [Discos Extendes]

Diogo and Nástio’s paths crossed more than 15 years ago, long before the former had ventured into music making and the latter had burst into the zeitgeist of the international contemporary art scene with his defiant and corrosive stance. The curiosity they initially felt for one another grew over time, allowing their friendship to spill over and expand into something far deeper. Nástio Mosquito is family.

The invitation for this record came about naturally. Diogo and Nástio have frequently collaborated on hybrid projects involving performance, photography, music — but, above all, community. So when the original Dun Dun record reached Nástio’s ears, the initiative for this new proposal was his:

- FODASSSSSSSSSSSSSSSSSSSSSSSEEEEEE!!!!!!
- BASS UPPERS A DAR SURRA NO OSSO.
- É MESMO ISSO.
- SHIIIIIIIIIIT.
- Diogo CARACOL!!!!!!!!!!!!!
- this shit is speaking to me boy
- Porra tens que me deixar “remixar” pelo menos 3!!!!!!!!!!!!!!!!!!!!!!!!!! By that I mean, place some vocal ideas… and you may put it out whenever you see fit after you have followed your initial plan!!!!!!!!! What do you say?

Of course I said “Yes”. The result will be now on plain sight.

/////

Let me be VERY CLEAR, these songs - if I may call them such things - had absolutely no need for my words and voice. I needed them...

When I first heard Diogo's DUN DUN, I had the feeling that that's exactly what pop music should be sounding like right now! There was an intensity, an organized fragmentation of intentions, and a hint of a "fuck it" kind of celebration. I wanted to be part of it...

Both the lyrical content and the delivery of these words and melodies are a gathering of visions within a disturbing scenario. Imagine if you were invited to sing, while a diarrhea outbreak is happening, in real time, all around you. You will shit your own pants today. There's no escaping it... You've got a gun pointed at your face, and you are rudely demanded to sing or die. How do you find and nurture dignity in such a predicament? Pop at its finest, if you ask me...

Nástio Mosquito

"... I judge my friends./ is it because there's a crack in my relationship with a good God? ..."

"... I wish I'd feel the taste/I wish it would not go to waste ... it ain't about love, honey... we are trading love for trust ..."

"... Get them/ ... they've abandoned the muse/ there comes space for abuse ..." 

https://discosextendes.bandcamp.com/album/pop-stuff

https://soundcloud.com/discos_extendes

PREMIERE: Dun Dun & Nástio Mosquito - Mercy [Discos Extendes]

PREMIERES / REPOSTS / PROMOTION:
alex@suprematicagency.com

Suprematic Sounds is a platform for underground electronic music. We publish daily premieres, free tracks and podcasts from established artists and local talents.

How to submit music: http://bit.ly/How2SubmitMusic

My name is Moskalus and i run a YouTube channel and upload music regularly.
Booking/Contact/Promo/Submissions
moskalusxoxo@gmail.com

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