The River Only Flows One Way is the third album by Liverpool songwriter Luke O’Hanlon — a career-best collection of intimate, lo-fi meditations on grief, addiction, love, memory, and identity.

Written and recorded over two years, the album features no collaborators: every instrument, every lyric, every sound is O’Hanlon’s alone. The result is raw, honest, and hauntingly beautiful — drawing inspiration from artists like John Darnielle, Phoebe Bridgers, Jeffrey Lewis, and MJ Lenderman.

These are songs about ghosts, water, aging, dislocation, and belief. About how we change, and how we don’t.

Mannequin

Cold Black Stone

The River Only Flows One Way

Stevie

A summary of what has been written and said; what I had hoped to explain. This little journey from the start of 2025 to this point in time, a few words written, said.  A few dreams come true. There are meaningful anniversaries around this time of year, and memories of the good times of love and loss and longing.
This all culminates with One Night In Bilbao, when we finally win something. Dreams come true and then we sack Ange for doing what he said he would do. 
And so another chapter begins with a Dane in charge, and a Scandinavian theme continues, just by chance I'm sure.

Starfields and Empty Streets

Sophisticated, immersive, and built for the heads. Primary Colours delivers a refined exploration of deep, dub-influenced house with Dislocation by Stelios Vassiloudis. Crafted with precision and restraint, the EP flows through hypnotic rhythms and subtle atmospheres. Ohm & Kvadrant rework the title track into a spacious dreamscape, while Stefan Gubatz closes with a timeless dub-tech excursion.

Pre Order Link

Complicity (Ohm & Kvadrant Remix)

Impulse Response

Complicity

Impulse Response (Stefan Gubatz Version)

Zoya Masoud (BEYONDREST / Forum Transregionale Studien) talk “Dislocation and Heritage: On Radical Hope and Experiences of Loss in Aleppo/Syria” was held in the framework of the EUME Berliner Seminar on 04 June 2025. The talk was chaired by  Çiçek İlengiz (BEYONDREST / Forum Transregionale Studien).

Centered on individuals from Aleppo, this seminar explores how the extensive destruction of urban heritage affects the sense of belonging and self-identification(s) with urban or built heritage. The old city of Aleppo, designated a UNESCO World Heritage Site in 1986, became a focal burning point during the war between 2012 and 2016. In this period, the inhabitants of Aleppo were dislocated from the center by military interests of the warring parties who regarded them as dispensable. For the local population, the experience of loss became a daily routine, manifesting in the loss of friends, family members, property, and cultural heritage. Throughout these years, individuals found themselves in a perpetual state of exception and vulnerability. Through my research, I identified various patterns of belonging and self-identification tied to built heritage, which emerged in response to the experience of loss and the processes of understanding that loss. These patterns indicate my interviewees’ attempts to reach an understanding of their reality during the war, particularly as their state of exception became normalized, while standing continuously on the brink of the abyss of many discourses they adopted. The fugitivity of their own agency became evident and influenced their interaction with their (host) communities. 

This seminar is part of the open lecture series “Syria at a Crossroads”, organized jointly by the Center for Near and Middle Eastern Studies at Philipps-Universität Marburg, the Merian Centre for Advanced Studies in the Maghreb (MECAM) in Tunis, and Europe in the Middle East – The Middle East in Europe (EUME). It is also part of the conversation series “Restitution and its Vantage Points: Beyond the Preservation Paradigm” of the ERC-project “Beyond Restitution: Heritage, (Dis)Possession and the Politics of Knowledge” (BEYONDREST).

For more information: https://www.eume-berlin.de/veranstaltungen/kalender/details/dislocation-and-heritage-on-radical-hope-and-experiences-of-loss-in-aleppo-syria

Zoya Masoud: Dislocation and Heritage: On Radical Hope and Experiences of Loss in Aleppo/Syria

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I make no claims about the sounds I make, this is merely  my experiences , my reality, my propaganda , all put to a soundtrack .

I am not a musician and can’t sing. I have the instruments and a voice and I choose to use it all as I see fit. I know my limitations. I am just an observer, a scientist.

I do not seek to learn an art but create an atmosphere. Make the rules up as you go along; half of life is fucking up, the other half is dealing with it.

I do not want any compromise or dilution.
This is pure.

https://podcasts.apple.com/us/podcast/reality-propaganda/id1715120031

The Berlin-based Forum Transregionale Studien is a platform that promotes the internationalization of research in the humanities and social sciences. It is dedicated to a research agenda that systematically links disciplinary approaches and the expertise of area studies by focusing on entanglements and interactions across national, cultural or regional borders. The Forum invites scholars from all over the world for fellowships and develops transregional communication formats.

The Forum provides scope for collaboration among researchers with different regional and disciplinary perspectives and appoints researchers from all over the world as Fellows. In cooperation with universities and research institutions in and outside of Berlin, it carries out research projects that examine other regions of the world and their relationship to Germany and Europe systematically and with new questions.

The Forum and its research programs, Europe in the Middle East—The Middle East in Europe (EUME), Prisma Ukraïna—Research Network Eastern Europe and re:constitution - Exchange and Analysis on Democracy and the Rule of Law in Europe publish audio recordings of selected events like conferences, workshops, lectures and academies. 

Visit us on www.forum-transregionale-studien.de.

New tracks tagged #Dislocation