04 new dot xpf-10w duke-03

02 brenda wasaberd -32

01 yes this-15

if u could see what i hear

Dissonance explore avec HAKAI les fractures du son entre chaos et harmonie. 

Follow HAKAI :

https://www.instagram.com/hakai_wav

Follow Dissonance :

https://www.instagram.com/dissonance.events

HAKAI - Dissonance Podcast  001

dumpster fire

autism bullshit conservatives keep talking about🗣️ idk why i didnt post sooner. a stim sesh to one of my demos of one of my sillier songs👍 YYMMDD

1 GIGABAJT (Stim Session) 241118

This is a Spooky Kidcore song named "Spooky Kidcore Music". "Spooky Kidcore" is a sub-genre of "Kidcore" and "Halloween". "Spooky Kidcore" has "Kidcore Kick" and dissonant intervals (semitone, tritone), depends on Kidcore and Halloween. Release date is October 29, 2025, 2 days before Halloween (October 31, 2025). Genre is 100% Spooky Kidcore. Tempo is 128 BPM. Musical key is a combination of G minor and G sharp minor. This combination creates lots of dissonant intervals such as semitone and tritone. Structure is distorted and cut into: "Build-up - Drop - Outro". Main kick is "Kidcore Kick", at -3 dB, independent with limiter at -15 dB. Main rhythm is "Down with Vinahouse" (4 on the floor) in intro and 2 drops. Clap and snare are high-pitched, at -6 dB, in 2 build-ups, independent with limiter at -15 dB. Hi-hat is at -6 dB and away from 4-on-the-floor rhythm. Build-up lasts 30 seconds, has clap/snare, chord progression and dissonant intervals. Drop lasts 30 seconds, has Kidcore Kick, alarm bell, chord progression and dissonant intervals. Outro lasts 15 seconds, has chord progression and dissonant intervals. Limiter is over compression, has threshold at -15 dB and affects the entire song except the elements such as "Kidcore Kick", clap, hat and snare. The entire song has Equal Temperament (except Kidcore Kick), 440 Hz frequency (except Kidcore Kick), dissonant intervals (semitone, tritone) and CC-BY license.
Key: Dissonance between G minor and G sharp minor
Tempo: 128 BPM
Genre: Spooky Kidcore

Spooky Kidcore Music

まぼろし

Dissonance
176 BPM • D# Minor • Rave / Experimental
Step into the lucid chaos of Dissonance—a rave track that blurs the line between memory and dream. Driven by a relentless 1/16 bass rhythm and the iconic Amen break, this tune pulses with eerie chopped vocals echoing through a psychedelic soundscape. It’s strange yet familiar, intense yet fluid—like recalling a rave that never happened but somehow feels real.
Let the dissonance take over.
🔊 Headphones recommended.
💭 For the dreamers, the ravers, and the ones lost in thought.

Dissonance

💀 👻 HALLOWEEN SPECIAL: ENTER LEVEL ZERO 👻 💀

Just in time for Halloween, dive into the ultimate psycho-acoustic dread of the Backrooms.

This track is a slow, crushing Dark Ambient Horror Soundscape, inspired by the Liminal Space aesthetic and found-footage terror. There is no beat, only the irregular, metallic knocking and the deepest, dissonant drones that sound like an invisible, haunting presence.

⚠️ WARNING: Best listened to with headphones in the dark. The eerie whispered vocals and VHS-glitch production create a maximally scary and claustrophobic feeling.

Turn off the lights and let the fear consume you.

#Halloween #DarkAmbient #Backrooms #HorrorSoundtrack #ScaryMusic

EMPTY WORLD

260bpm - extracted  / resampled from video jam on casio pg-300 guitar + bruford reefer (coral guitar sitar) pedal (green ringer clone?) ring modulation - sounds more like a swarm of mosquitos - 
 G:\FILM MP4\2024_08_08 oppo reefer

added sakura flute (demo) , polyvalens VL-tone guitar vsti, drums pitched to be in tune or sympathetic (rapman MT-18 kick, mt-100 chh, pt-82 snare)

pitch extracted with nutone in FLstudio
(crap - just realised this is 8 note scale? )
DEFG and C# were main ones anyway
D E F G Ab Bb B C#
Interval structure of this scale
W H W H W H W H
(W: Whole tone, H: half tone)
Scale structure
1 2 b3 4 b5 b6 6 7

https://www.scales-chords.com/scaleinfo.php?skey=D&sname=Diminished+%28wholetone+-+halftone%29

Sympathetic Dissonance (D Diminished unfinished)

A few minutes of live-processed (with Csound) guitar improvisation.  The Csound code is a simple version of something I'm working on with delayed copies of the input signal interfering with each other spectrally.  

live processed guitar improvisation, I

Fire can be both a destructive and creative power. It is energy in visible form and offers transformation through heat and light. It creates through a spark of warmth and power and destroys through consuming, purging and ultimately renewing. These resonances and frequencies at 528 Hz and 741 Hz, Open G tuning, capo 2, key of A at 108 bpm represent change through energy transformation and passion, inner flame, will, confidence and agency. 528 Hz is the frequency of creation and transformation while 741 Hz is purification. 108 bpm is the number of the Sun, the fire of consciousness. The dissonance you hear reflects the dual nature of fire. 

Fire as a Creative and Transformative Force

Paul's lost map

Tracklist:
1. FINAL FATE
2. NEVER LET ME OUT
3. CREEP AT NIGHT
4. KICK DIS SHIT
5. BORN IN HELL

2025 VOID CARTEL RECORDS
Thanks to anyone who listens, I spent so much damn time on this project. Cassettes will be available 11/18

MERCH/SUPPORT

UNIVERSAL DREAD

Expressionist Caprice for the Violin in G Minor

Sensory Irritation Chamber

The Wrath Of That

Hien Q*** Le, born November 2, 2000, in Ho Chi Minh City. I'm a very gentle DJ, Music Producer, Minecraft Player, and FPT University Student. I love listening to music, watching train, watching news. In March 2019, when I was at class 12, I started watching train and mixing music. That time, I was good at the subjects such as Physics, Chemistry, Geography, English. In August 2019, I graduated the Nguyen Trung Truc high school in Go Vap district. From May to October 2021, I suspended watching train and tried to improve my health against COVID-19. I tried to listen to music at all of healing frequencies. Since December 2021, I continue to watch train, upload my train videos to YouTube, produce many songs as a DJ and music producer. In 2019, my genre was many of EDM genres. But now, my genres are Kidcore and Classical Music.

UK-based Drum & Bass producer with a focus on depth, mood, and movement.

Ride Ravers emerged from the rave scene with a singular drive: to master the craft of production through relentless output and raw intuition. Since first opening a DAW, he's finished over 100 tracks, producing one a week for more than two years — not for fame, but for fluency.

There’s no formal music background here. No brand gimmicks. Just an obsessive commitment to the sound: deep, detailed, emotionally intelligent drum & bass that cuts straight through the noise. Every track is built by ear, refined by instinct, and shaped by a mind wired to notice what others miss.

His work has placed in competitions, landed on respected underground labels, and started catching attention for its unique emotional pull — something hard to pin down, but consistently felt.

Ride Ravers isn’t trying to be part of a scene. He’s building his own world inside it.

[wS]
an extension of the Descent
advertise the ##World


NEW/UPDATED MUSIC VID for ROB's WIRE

@ https://youtu.be/Ngk-05_G1Cs

Also, no AI slop here

👽👽👽

ONOCHI has loved singing since childhood and has always loved acting, so we hope to continue expressing ourselves through some medium in the future.

Nakata is a trackmaker with auditory hyperesthesia.
He has been familiar with music from a young age.

N/A is a composer running away from their flashbacks.

Miogakure Andlele is an outsider artist.
Create a sound about auditory hallucinations in schizophrenia.

Reg Bloor's experimental guitar has been described as "Part black metal, part no wave, and part nuclear holocaust." (MP Lockwood - No Core) Now she's finally releasing her debut solo album "Theme from an Imaginary Slasher" where she takes her experiments in atonal harmony and dissonance, angular melodies and dizzying meter to new extremes, seeking to redefine what is possible on the instrument.


Reg has been performing as a solo artist since 2014, including at The Red Bull Music Academy New York Festival on May 16, 2014; at 119 Gallery's Memorial Day BBQ on May 26, 2014; and at the OFF Festival in Katowice, Poland on August 3, 2014.


She is the guitarist, composer and founder of the NYC-based angular experimental band THE PARANOID CRITICAL REVOLUTION since 2005. The band has 3 recordings out on SYSTEMS NEUTRALIZERS - "Crimson Canvas" (2013), "Euphobia" (2010) and "Death of the Cool" (2007) The band has been playing in the US and Europe since 2006 including appearances at ALL TOMORROW'S PARTIES, "A Nightmare Before Christmas" in Minehead, England in December 2007 and the SXSW Music Festival in March 2009.


Reg has also been working with legendary avant garde composer Glenn Branca (to whom she is married) since 2000, performing all over the world in his Symphony No. 12, as concertmaster for his "Symphony No. 13 (Hallucination City)" for 100 Guitars and "Symphony No. 15 (Running Through The World Like An Open Razor)" (Music for Strange Orchestra) and as part of Branca/Bloor the Glenn Branca Trio. She also appeared as part of the Glenn Branca Ensemble on his CD "The Ascension: The Sequel" and on his subsequent tours. In the fall of 2014 Bloor toured with the Ensemble again playing Branca's newest set of pieces, "The Ascension III". Most recently, Reg has served as concertmaster for Glenn Branca's premiere of "Sypmhony No. 16 (Orgasm)" for 100 Guitars in Paris in February 2015.


Through the years Bloor has work with David Bowie, Page Hamilton, Thurston Moore, John Patitucci, Annie Clark/St. Vincent, Mike Watt, Adrian Utley (Portishead), Ty Braxton, tomandandy, Jason Vieaux, members of Godspeed You Black Emperor among others. She appeared uncredited on the soundtrack to the Paramount Pictures film "The Mothman Prophecies". Reg collaborated with artist Tony Oursler on the installation "Empy Blue" for EXPO 2000 in Hanover, Germany. She was part of Bill T. Miller's improvisational ORGY OF NOISE project on the CD "Noodle Braino".


Previously, Reg was a founding member, guitarist and composer for the experimental band TWITCHER who were part of the Neo-No Wave scene of the 1990s performing all over the Northeastern United States on bills with such bands as Melt Banana, Arab On Radar and The Flying Luttenbachers. They were a runner up for the Boston Phoenix Demo Derby in 1997. Their self-produced CD "Leg of Lamb of God" was released in 1999, the same year they appeared on the soundtrack to the TROMA film "TERROR FIRMER" directed by the legendary Lloyd Kaufman.

 

Azami Records
#ShowaDigital #KashioKei #AzamiOngaku
Defiant and diverse melodic/VGM/BGM music.
incl. Sakitto Menda related side-projects. 
Likes late Showa era digital keyboards.

hey winners !! im cr originally from gdynia and i make songsssss.
lets overpopulate the winner island population, cr world domination. lets gaur💅
they/them, 21

TOUCH2SOUL
i make music that touches the soul :-)

A math person making and modifying sounds with custom code, Csound, homemade electronics.

New tracks tagged #Dissonance